My Bloody Valentine

Twenty years ago, Harry Warden went nuts and slaughtered a bunch of people on Valentine's Day. The mining town he hailed from canceled subsequent V-Day dances, but when they try setting one up again, Warden seemingly returns with his pickax, ready to hack the local kids up and leave his mark. Things can only go bad from here.

Director George Mihalka brings us another holiday-themed slasher, riding the success of "Black Christmas", "Halloween" and "Friday the 13th"... and paving the way for "April Fools Day". But George is a nice guy and I don't want to say he's just one among the crowd. There were hundreds of 80s slashers, but only a few stand out today. "Bloody Valentine" is, of course, one of them.

Even in its original, neutered glory (anywhere from three to nine minutes were cut) the film stands as a good film. Without any really notable actors or actresses (okay, so Neil Affleck had a brief role in "Scanners"), and being Mihalka's one big mark, the film carries itself on story, acting and blood. The blood, while lacking a times, comes gushing through in others. And like any good slasher, the killer's identity is not revealed until the end... leaving us guessing until the last twist of the knife (or ax).

Slasher fans need to pick up the Lions Gate special edition. While the double-disc with "April Fools Day" is cheap and still worth watching, you don't really know this film until you've seen it uncut. The gore, oh my, the gore! It's actually a shame that it took so long for a company to come along and save this film because it was even better than we once assumed... Mihalka could have been one of the 80s greats (and, in my mind, he still is).

If you've been a horror fan and avoided this one, please see it. Sure, it's mostly mindless fun -- kids drinking and making out, getting hacked up -- but I can watch variations of this formula dozens, scores or hundreds of times. There's something fun about a simple stalking film that you can't always get from other films that try too hard to be clever. And I like thinking films, but a night with buddies and booze... you need a slasher. And this is the one you should pick.

'My Bloody Valentine.' A slasher. There's not an awful lot more to say. If you've grown up over recent years and are generally interested in the genre, you'll find that this little offering from 1981 is pretty tame in comparison to what's released today. However, back when 'video nasties' were just taking off, this was pretty strong stuff! A small-time mining town in America has a legend (don't they all?) – this one tells of a miner who went berserk years ago on Valentine's day and killed a bunch of people. Now, several years later – guess what – it looks like he's back.

Normally, this is where I say that the cast is made up of oversexed, annoyingly attractive teenagers. But not this time. Here we have oversexed, annoying UGLY teenagers. Don't ask me why (and I promise you that I'm no oil painting!) but this must be the ugliest group of leading actors every assembled to be chopped up by a nut-job with a gas mask and pick axe. I guess we can blame it on the eighties. Or the lack of budget needed to bring bigger (and more physically attractive) stars on board.

Yes, one by one our facially-challenged heroes are chopped up in various hideous ways. Nothing too new there, apart from the fact that the death scenes seem a little more violent for the time than your average Friday 13th film. Notice I don't say 'gruesome' – only violent. I mentioned the budget earlier and it seems like they didn't really have enough money for expert make-up and prosthetics needed for the gore. I suppose it's the way it's filmed that makes it so violent. There seems like there's a real sense of nastiness in the deaths.

Not that you'll care much about those getting sliced and diced. They really are pretty irritating. If Jar-Jar Binks was a little less computer-generated and a little more eighties then those are the people getting murdered here.

Perhaps one thing that the film does have going for it is that you don't actually know who's under the gas mask. In that was it's more akin to the 'Scream' franchise in as much as like a who-done-it.

There's not much new here (especially nearly forty years later!), but if you're into the slasher genre in general and like to see where this type of film found its roots, then give this a try. The gore isn't really there and the violence – although strong for the time – has also diminished, the mystery element may make it worth an hour and a half of your time.

Valentine's Day is coming around and the young people of the small mining town of Valentine's BLuffs are organising a party. A few decades earlier an explosion at the mine trapped six miners underground. One, Harry Warden, survived, though in a deranged state. Warden is sent to a mental hospital but escapes and murders those he deems responsible for the mine accident. Now people are being brutally murdered again, and the townsfolk suspect that it is the work of Harry Warden.

Better than your average slasher-horror, not that this says much. Reasonable set up, and a decent amount of intrigue. Does fall back on many horror clichés, and the performances are so-so. Plot is ultimately fairly formulaic, but has its moments.

More than just a guilty pleasure -- this one's actually good!

By the time 1981 had rolled around, the horror genre had gained much momentum with holiday-themed slasher flicks such as "Halloween" and "Friday The 13th." Never ones to shy away from a good cash-cow, Paramount (the same company to bring you "Friday The 13th") hired George Mihalka to direct the Valentine's Day themed "My Bloody Valentine." Pre-dating much of the camp and excess of the 80's, "My Bloody Valentine" is a pretty innocent film in it's own right, a glimpse into a time before the genre was completely saturated with masked killers and dumbed-down teenagers. It's simply a well-paced, well-oiled little horror movie. It's got a surprising amount of suspense, matched only by the outrageous and often over-the-top visual effects which -- thanks to a newly restored print of the film on DVD -- have finally seen the light of day.

With his film, Mihalka injects a good dosage of suspense, as well as some subtle stylishness. The grimy and grungy setting -- a dumpy mining town in Canada -- gives the film an unmistakably realistic look and feel, which only helps to drive home the authenticity. Sure, the film has it's fair share of clichés; in fact, some of the dialogue and plot-points appear to be ripped straight out of the original "Friday The 13th." The story of a deranged killer returning home years later to exact his revenge on a town is hardly re-inventing the wheel. But when stacked up against it's competition, "My Bloody Valentine" holds it's own. It's one of the few films from the much maligned (and yet, enjoyable) era to actually hold up to today's standards (for the most part). Truth be told, even if you are viewing the heavily edited theatrical cut, the film works just as well without the heavy special effects, which is a testament to the overall quality of a film that was conceived, created and released in under half a year's time.

Sure, it's got it's flaws, but nothing fatal. If you can stomach bad characters, even worse actors and a few clichés here and there, it's a pretty satisfying experience. At the very least, it pre-dates a lot of more successful films and has had a subtle influence on the genre as a whole. Fans of the genre should be aware of it not just as a fun way to kill time -- which it is -- but also as a perfect example of a slasher done right. With a remake currently in theaters and a DVD that treats the film right, "My Bloody Valentine" is finally having it's day in the sun. Even if you've "seen it all," you'll still have a good time with it.

This early 80's horror flick is one of the best of the slasher genre. It has a great setting in a small Canadian mining town - which has it's streets and buildings drenched with red and pink valentine decorations - which is a surreal contrast to the cold and sombre setting that foreshadows the real pumpers that eventually pop up in crimson heart shaped candy boxes.

The scenes filmed in an actual mine - where the protagonists are trapped with the killer lurking around with a sharpened pickaxe - are expertly filmed with plenty of style and a menacing atmosphere. The acting is decent and although some of the characters act like jerks they are likable and human enough for the viewer to care about them. They are all working class stiffs and just want a good time and relief from the reality of their everyday situation. You want them to have their valentine party that has been denied them for obvious reasons.

Notorious for being one of the most censored films by the MPAA at the time of release to avoid an 'X' rating, it is now available in an uncut form on Lionsgate DVD. The death scenes are much more detailed and graphic, but either version is worth watching for the flourish that the director and his cast and crew have imbued into this little horror gem.