Night School

An excellent slasher/whodunnit you might not have heard about.Brutal killings,attractive women.attractive men,big knife,Freudian Symbolism,shower scene and red herrings.Even a surprise ending,although one that is a bit out of place especially compared to the rest of the movie.It's all there.So how come Night School isn't a more popular title? Your guess is as good as mine. But it could be that it has to do with the relatively late release on DVD. The pacing is a little uneven at times which does hurt the tension slightly. And the ending could be considered unsatisfying.It's one you will see coming and at the same time not at all. Very inventive I have to say although like I said earlier a bit out of tune with the movie overall. Honestly,I had fun watching since it does most things right.And to see Rachel Ward's bottom in all it's glory can't be that bad,now is it?

This really is somewhat of a hidden gem among slashers, which as you will know if you are a slasher aficionado, is a valuable find. I went into Night School not really expecting much for some reason. Well, I say 'for some reason', but let's face it- even if you are a hardcore slasher and/or horror fan, you can't deny the fact that most of these films can be unoriginal at best and downright trash more often than you'd like to admit. Especially 80's slashers, i'm sad to say. But every so often in our sojourns we find a pleasant surprise that makes the hours spent watching awful movies worthwhile. Night School is one of those movies. This film, while really not too original, is still head and shoulders above most of its peers. Beholden more to the Italian giallo of the decade before than its Halloween inspired contemporaries, Night School makes up for what it lacks in plot with atmosphere and campy situations and dialogue. I say campy, but I mean campy in the way that films such as Suspiria or even Friday the 13th were campy; the dialogue can be peculiar and silly but it contributes to an overall sense of dream logic. The London setting also adds to the overall atmosphere. In conclusion this film is a good (but not great) one by my standards, but don't go into expecting a typical 80's cheesy slasher. I enjoyed it once and I'd probably enjoy it again; I'd say it's definitely worth a re-watch. Oh and as a little side note all of that talk about anthropology and ancient cultures practicing beheading and cannibalism gave me an intense urge to watch Fulci's Zombi 2 again... seek it out and watch it if you can get your hands on it, that one is highly recommended if you like Italian cannibal exploitation films.

Anne Barron (Meb Boden) is a teacher's aide at the Jack-N-Jill Daycare Center in Boston. It's the early evening and the last child has been picked up by her mother. Anne is relaxing on the playground carousel when someone pulls up on a motorcycle, wearing a pink helmet. Anne is startled. Suddenly the stranger pulls out a machete and starts spinning the carousel. The machete is held up in the air and the terrified woman goes around and around - until she's struck with it.

Judd Austin (Leonard Mann) is the cop assigned to the case. He is called to the scene and when he gets there, he sees a gruesome sight. The girl was decapitated and her head was put in a bucket of water nearby. The distraught director of the center tells the officer that Anne worked there during the day - and was attending night classes at Wendell College. At the hospital, Judd and his partner Taj (Joseph R. Sicari) discuss a similar case from the previous week. Another girl was found decapitated and her head was dumped in a pond. They wonder if there's any connection between the two murders.

"Night School" is a typical run-of-the-mill early 80's whodunit slasher with a decapitation twist. This is the kind of movie where half of the money is trying to figure out where the detectives are going to find the missing heads. The twist ending is pretty predictable and the acting is a bit wooden (Rachel Ward, in her film debut, is all sorts of terrible here) but the film is never boring and has been directed with style. Boston looks positively wretched on film here and it gives the slasher a bit of a grungy "Departed" vibe. Overall, it's definitely worth checking out, just check your expectations-and your head--at the door.

Probably best recognised for being the debut feature for of the ravishing British actress Rachel Ward, but "Night School" deserves a little more credit for that lone reason. I wasn't expecting it be as good it was, but while it's your by-the-numbers mystery psycho slasher it managed to resourcefully up the suspense and intrigue in some well presented set-pieces. The usual revelation behind it all doesn't come as much as a surprise (where we seem to be quite ahead of the clueless detective/s scratching their heads), along with the second twist (which is even more foreseeable), but then it ends with a neat final one which seems to be a mock send-up of the typical shock closing. "Don't you ever take your job seriously". I'm kind of surprised by its middling to poor reputation, as I found it more than competent than its 80s crop. Good atmospheric, authentic locations are masterfully framed by cinematographer Mark Irwin. His expressively flowing camera stages some inventive frames and effectively helps building up the tension before the initial shock. He films the ominous looking killer (decked in black leather and bike helmet) quite well. Director Ken Hughes' slick touch lets it flow, nailing the terrorising tension with a real sting to its tail. Hughes style kind of reminded me off Hitchcock, but the modern unpleasantness is evident (slicing and dicing with ritual decapitation on mind, but little is seen) and lurking within is a sneering sleazy undertone. The black and white story remains interesting, due to the solid performances (Leonard Mann, Drew Snyder, Rachel Ward and an amusing Joseph R. Sicari) and particularly sharp script. Brad Fiedel composes the score in an understated manner, but it eerily works. A modest psycho slasher offering.

Like sadly too often the case with early 80's slasher-movies, this one honestly isn't as bad as the rating & reputation suggest and it obviously all depends on the viewers' prior expectations. If you're set to see a mindless and undemanding stalk 'n slash effort, you get just that, but with a tidbit of goodwill, you'll even notice and appreciate the creators' slightly more ambitious intentions. The vast majority of contemporary slasher flicks were blind copies of "Halloween", but "Night School" looks for role models that predate Carpenter's horror milestone by several years, more particularly Alfred Hitchcock (oh yes, yet another shower sequence) and various Italian Giallo movies! The killer's disguise and modus operandi, as well as the profile of the victims and several red herrings along the way, seem to come straight out of the script of the typical Giallo-effort. The stylish characteristics and outcome of the story may perhaps fall short (real Gialli have far more complicated denouements), but still this is one of the more likable non-Italian attempts at making a Giallo. "Night School" is also clearly sponsored by Boston's department of tourism, as the opening sequences depict multiple picturesque shots of the city by night. There's a killer on this loose in this beautiful city, completely dressed in black leather and wearing a pitch-dark motorcycle helmet, who brutally decapitates of young co-eds and dumps the chopped off heads in the nearest watery reservoir. Police inspector Austin quickly discovers a pattern, namely all victims attended night school classes and – more particularly – the anthropology lectures of professor / playboy Dr. Millett. All the evidence points either towards Millett himself or towards a simple-minded waiter/peeping tom, but that would just be too obvious, wouldn't it? The actual revelation of the killer's identity is ridiculously simple and easy to predict if you only just paid a little bit of attention to small clues. In spite of the gooey sounding head-hunter premise and its listing among the infamous Video Nasties, "Night School" is a rather tame and UN-shocking film. Most of the beheadings play off screen (at first, I even feared I was watching a censored version) and the rest of the bloodshed is kept to a minimum as well. The one sequence in the Sea Life Centre's locker room is quite mean-spirited, however, and probably single-handedly responsible for the notorious reputation. Director Ken Hughes (director of "Chitty Chitty Bang Bang", of all people) films a handful of effectively suspenseful scenes, the music is atmospheric and – even though I seem to be the only one who thinks so – the character of Taj (the assistant) was funny!