Shaolin and Wu Tang

I liked the classic plot of this one and didn't find it too convoluted or forced. There's not much elaborate choreographed kung-fu through most of the movie (you get little snippets and teases throughout), but the end fight sequence is elaborate (they saved all their choreography for here) and quite good and exciting to see the two styles get combined to overcome the main baddie. You can really feel the chemistry between the two opposing stars, friends with conflict, and when they fight, it's a lot of fun.

I'd love to see a better print of this, as I watched an old VHS copy with lots of scanlines and cropping that I'm sure take away from it all.

Grab it and see it if you have the chance and like kung fu movies.

5.7 stars!

I brought this movie because it starred Gordon Lui.He is one of the best Old School fighters no second thoughts.I loved this movie from the moment it started to the end.I wish the movie never ended.Like many of Gordon's movies (Master Killers)for one which was a big hit when it came out.. Shaolin Vrs Wu Tang I think is the kept secret behind Master Killers.It does not ask Master Killers for help in kung fu movie ranking.I loved the great show down on the two schools Wu Tang and Shaolin showing their respective fierce fighting styles and traditions.Many great foot,leg,swords,training scenes from the both clans comparing their styles to each other.Without spoiling it here now the movie has a great plot that keeps you thinking and your eyes wide open.Gordon Lui & Adam Cheng are best friends only thing is that both of them come from rival clans the Shaolin and Wu Tang.The evil prince played by (Wong Lung Wie) tries to get the two friends to fight each other til death in a true battle both schools stand aside at the end to watch a battle that means more than friends!.Is friendship thicker than honor?Find out and watch!!!!

I'm a fan of both Wu Tang and HK martial arts films.

This movie is good as a kung fu flick, great if you are a Wu Tang fan, just to hear the samples in context.

But as a standalone its quite uneven.

The costumes are pretty decent. Many other films of this era are less picky about such details. I don't know if any are historically accurate, but they at least fit the actors, and have some details.

Sets are not too bad either.

The lighting and cinematography are mediocre. So you have a strange circumstance where you are looking at pretty well dressed actors in a believable set, but the camera is barely in focus lighting seems to mostly be single point or available light. And its 4:3 aspect ratio further takes it down a notch in presentation.

The acting is nothing to write home about. But its really the story that stinks. Its just kind of meanders and there isn't a real compelling story arc or character development.

However the fight choreo is pretty decent.

Thought it might even be Yuen Wo Ping.

Its really one of those films where you are twiddling your thumbs while people are talking then a fight breaks out and it has your attention again.

I'm being a little hard on it because its an 80's film. But it comes off like a 60's or 70's film. It should have better production value. Look at Jimmy Wang Yu's Master of the Flying Guilllotine. It's from 1976 but had better lighting and cinematography. The story is a trite, but it at least has a B plot. And some great characters!

Despite all my quibbles Gordon Liu is great.

This 1983 actioner marks kung fu superstar Gordon Liu's directorial debut. Unfortunately, it also commemorates the moment at which the Shaolin trend in Hong Kong cinema became a schtick. Several of the training sequences from "The Thirty-Sixth Chamber of Shaolin" are re-enacted (Li Hai-sheng even returns as the contentious monk who, with his butterfly swords, challenges Gordon Liu's character), but they're divorced from the emotional impact they had in the earlier film. "Thirty-Sixth Chamber" was a martial arts movie, yes, but also a story about the triumph of the human spirit; "Shaolin and Wu Tang" is just a series of fight scenes woven together by a thin plot. Great fight scenes, certainly, but only that.

Gordon Liu plays the senior pupil of a Shaolin-style master. His best friend, the senior pupil of a master of the Wu Tang sword, is portrayed by Adam Cheng. A treacherous Manchu lord (Wang Lung-wei) pits the young friends against one another: Liu's resolve takes him to Shaolin Temple, where he becomes a monk, trains in the Buddhist fighting arts (first-hand this time) and vows to wipe out the Wu Tang school; Cheng, meanwhile, is detained at a Taoist monastery and learns the finer points of his sword style from the priests there. Will the two friends realize that they have been manipulated by the Manchu lord before they injure or even kill each other?

Characterization is sketchy, the drama almost entirely unconvincing. People die, but no one ever seems particularly distraught about it. Because the tragic events in the film are handled so awkwardly, I couldn't shake the feeling that I was watching mediocre community theatre. Granted, this isn't going to bother most viewers...but, on the basis of its reputation, I expected something more from "Shaolin and Wu Tang." Six stars for the fight scenes, dazzlingly choreographed by Liu Chia-liang.

It's safe to say that almost any movie Gordon Liu has ever appeared in is a classic. You can probably watch the intro of this movie (about four minutes) over and over and over and never get bored, it's that good. The movie itself is about two people from two different groups (the Shaolin and the Wu-Tang) and how they must unite to fight for one common cause. The fighting sequences are great, the storyline is easy to follow, and... well, just go out and see it.