Silsila

For a number of reasons this films stands out among the myriad mass produced Hindi films which the industry turns out. This isn't your average Hindi film for the very simple reason that it deals with a controversial theme - an extra-marital relationship. The script, barring a few flaws, is exceptionally good. The same can be said of the acting. Amitabh is simply brilliant. You cannot see any other actor taking his place. In the beginning of the film he plays the clown. The transformation of his persona in the face of getting married to a woman he does not love, is something only an actor of Amitabh's calibre could have pulled off. His role is central to the film, and it is quite exceptionally played. Then he is once again at his clowning best when he sings Rang Barse in his own voice.

I would have given this film 10 out of 10, if it were not for the ending. You get the impression that the film makers were in a hurry to end the film.

I've been dreaming of watching Silsila since 1981 and recently it has come true. I read an annotation in CineBlitz and Yash Chopra's interview in one of the Russian newspapers and thus expected to see something outstanding. Unfortunately I was disappointed at the plot. Shobha turned out to be a 100% selfish person. Amit was striving for his happiness and love but did not have enough strength and courage to win. Chandni was tearing apart yet she made her choice however Amit betrayed her again... Yash Chopra challenged moral principles speaking about adultery but even here those principles (or maybe stereotypes??) were not broken. How happy Amit and Chandni were when dancing at the festival! Do they not deserve to be together? I think they do. And remember the last words of Amit that he has burned his love and that Shobha is his wife and he is her husband. Looks like there is no parallel between love and marriage. And that is sad. However I got a pleasure from watching the movie. Nice actors and tears-provoking acting but not good to watch second time due to the above said.

This film is amazing in so many ways. Acting, chemistry of Rekha and Amitabh, songs and the beautiful scenery. I discovered this film from the song Dekha Ek Khwab, which was also originally mentioned in the Netflix documentary The Romantics. I wonder why the film didn't do well in the box office. The only thing I'm doing to say is that the ending could have been better. Shobhas character is shown to be dependent on Shekhar and marries her younger brother as she is becoming a mother. I feel like this part makes no sense because you should be able to show a woman that she can be independent. And the ending could have been better. Instead of showing Amits character going back to Shobha because she is expecting again, they should have shown that they parted ways and that Amit goes back to Chandni.

After the death of his elder brother, Amit finds out that his late brother's fiancée, Shobha, is pregnant. Taking pity on the devastated young woman, he decides to marry her, leaving behind the love of his life, Chandni. Chandni later marries a famous doctor. An accident during which Shobha loses her child and is taken care of by Chandni's husband, causes Amit and Chandni to meet again. There begins a new extramarital relationship between the two, through which the story deepens and grows.

This is Silsila, Yash Chopra's take on relationships and adultery in a modern 80s India. A romantic drama, it is quiet, serious and focused, and is shot beautifully like every other movie made by Chopra. What I particularly appreciated about this film was the matter-of-factness with which it was made and executed. There was not any overdone melodrama, no unnecessary subplots, and the writing did not go overboard. The story is simple to follow, the script and the characters are very well written, and the film is generally subtly made.

Chopra's portrayal of relationships is very well done. The dialogues are excellent. At times some proceedings were difficult to relate to or identify with, but who knows, maybe one should really be in a particular situation to understand its meaning and its effect on people at times of pressure. This is the reason I believed the story. Leaving the seriousness aside, as a film, Silsila is simply entertaining. It flows well, it is interesting, and is aided by several melodious and memorable songs composed by Shiv-Hari.

Rumour had it that Silsila was based on the true triangular story of Amitabh-Jaya-Rekha. Jaya Bhaduri is Bachchan's real-life wife and Rekha was rumoured to have been involved with him back then in an extramarital affair. This adds to the film's authenticity, but more than anything, the acting is natural to make it work the way it did. Bachchan is as great as always. Jaya Bhaduri is brilliant as his intelligent, sensible and smart wife Shobha, and displays her character's fear, strength and determination with great depth and conviction and as naturally as ever. Rekha gets less scope, yet she is wonderful in her restrained portrayal of Chandni. She is extremely beautiful and acts with grace.

Silsila has some other limited appearances by Shashi Kapoor and Sanjeev Kumar, the former being fine and the latter being exceptional. The main complaint with the film was its ending, but I quite liked it. The viewers must have been torn between two probable versions. The reason behind Amit's decision was a bit unjustifiable, but anyway, this is one of the better and more interesting works of Yash Chopra. It is well written, directed and acted. I recommend.

This movie was billed as a true story when it came out. Even though it is still a masala Bollywood movie, it has some striking resemblences to the life story of the leading ladies and the hero, Amitabh Bachan. In real life Amitabh had an affair with Rekha while married to Jaya Bhaduri. The movie version follows the same script, except adds many secondary characters, such as Sanjeev Kumar as Rekha's husband. Jaya Bhaduri gives a passable performance, while rekha and Amitabh both overact. There are a lot of unnecessary fantasy sequences shot in the Tulip farms in Holland which have no relevance to the rest of the movie. Camera work leaves a lot to be desired. In spite of all this, this movie remains interesting because it dared to treat the theme of extramarital romance when such topics were taboo in Bollywood.