Three Brothers

Beautifully directed and beautifully shot film from Francesco Rosi. From the wonderfully framed shot behind the opening credits at the very start I was enchanted and fascinated. A simple enough tale of an old man calling his three sons to his isolated farmhouse following the death of their mother. The three are all at work in the modern world and we gather it is rare that they meet up or visit their childhood home. Contrasts abound between the three and their father and their differing lifestyles. The judgmental judge, the utopian carer for delinquent boys and the militant factory worker (all representing facets of the director's personality, he is said to have claimed) all discuss the way they see the world and more especially their homeland, then being torn apart by assassinations, corruption and union and mafia intervention. Pastoral and yet vigorous with the undercurrents of pessimism and loss of hope and search for love are very well handled and make for absorbing viewing.

This film made during the late seventies studies how a family deals with the death of their martriarch. I found myself relatively bored watching the film but I was impressed with the amount of detail that went into developing the characters. What is most impressive is how the filmmaker concentrates on the differences in generations. That is to say the filmmaker compares and contrasts each caracter with where they were born, when, and how they were brought up.

If you are in the mood for a sit back and rest type of film this is not it. But if you want a thinker, you've met your match.

I've always been very interested in Italy, its culture, its architecture, its cinema,... and that's why I will not let a chance go by to watch an Italian movie, because most of the time you'll see a fine combination of all these factors in it. So far I've already seen several Italian films, including some fine award winners like "La Meglio gioventù" and "La Stanza del figlio", and I can't remember that I've seen many that I really didn't like.

"Tre fratelli" tells the story of three brothers who return to the farmhouse in southern Italy where they grew up after the death of their mother. Except for their family ties, the three adult men don't really seem to have anything in common. Raffaele is a happily married judge in Rome who risks to be assassinated for a political case he hasn't even accepted yet, Rocco is a single social worker who works at a correctional institute for boys in Naples and Nicola is a radical factory worker from Turin who lives separated from his wife and who is involved in labor disputes and therefor risks to be fired. Together they have several discussions about the meaning of life, marriage terrorism, the mafia,... while their father grieves over the loss of his wife with his young granddaughter, who he also teaches something about life in the countryside.

Perhaps not everybody agrees with me, but this movie reminded me a lot of "La Meglio gioventù". And you can definitely see that as a compliment, because I really loved that movie a lot. This movie too showed how several family members, who don't seem to have much in common at first, make the best of their lives together, with the current social and political situation in Italy on the background. The main difference is that this movie only focuses on the 1980's, while the story of the other movie started in 1966 and ended in 2000.

Philippe Noiret, Michele Placido and Vittorio Mezzogiorno are very nice to watch as the brothers and Charles Vanel was very good as their father, but if I have to chose one actor who really surprised me, then it must be the young Marta Zoffoli. Despite her young age, she gave away a very fine performance and in my opinion she was the true star of the movie.

Overall this is a very nice drama that certainly should get a lot more attention than what it has received so far. When I see that it has only received 130 votes until now, I truly believe that this movie doesn't get the audience that it deserves. It has a good story and some very fine acting to offer, the decors are nice and thanks to Francesco Rosi, the director and co-writer of this movie, everything has been brought together into one solid movie. I give this movie at least a 7.5/10 and hope that many more will see it.

"Tre fratelli" is a most evocative film that poses to the viewer fundamental questions of life, relationships, and how both can unknowingly be lost.

Raffaele, Nicola, and Rocco, the three brothers, had emigrated from their hometown in Puglia. Raffaele, the judge, although outwardly sedate, is consumed by paranoiac fear for his life. That fear puts a strain on his marital life. While Raffaele lives in fear, Nicola dwells over his poor marriage. His pain is so terrible not only because he still has feelings for his wife, but also because of Marta, his daughter. As Marta and her father were driving in the car back to Puglia, there was an intense chemistry between the two. The love he felt for his daughter was genuine and pronounced. Rocco, the third brother, is somewhat of a radical. That's almost expected; he runs a reform school, a very tiring job. He clashes with his brother, Raffaele, who fears that he is one of the terrorists that would kill him. "Tre fratelli" is a very ironic title. The brothers are not at all similar. They do, however, have on thing in common. They're all unhappy people.

Donato, the father, is in a world completely different from that of his sons. He's not the most loquacious person. However, he is a man of tremendous faith. He has no part of the Northern/Southern Italian class conflicts. By remaining at home, has retained his values. That's not to say that anyone who moves away loses his values. But, in the brothers' case, they had truly forgotten the "paese" that they had left.

In the film, there was an underlying theme of cultural change. As the boundaries between the North and South became less defined, so would the bucolic life of the South that could so easily impart values upon its people. Marta and Donato's relationship grows out of that nostalgic reflection on days gone by. Marta's presence is crucial. She brings out her grandfather's character, so representative of traditional familial values, which otherwise would have been drowned by the bickering of the brothers. With Donato's flashbacks, it becomes evident that Marta reminds him so much of his deceased wife; both could live their life in a simplistic, yet joyful way. The technique of flashback clearly enriches the message of director Francesco Rosi. Sadly, the viewer becomes predisposed to the feeling that those traditional values will die with time. In one of the more important instances of flashback, Donato recalls the time when he was at the beach with his wife, and they found her ring. In its unadulterated form, that scene conveyed pure joy. The final scene in which Donato held the ring was incredibly symbolic. As he held it, he came to the bittersweet understanding that he had lived his life in search of happiness, had found it. No matter how much longer he had to live, he would know that he had lived a good life. Regional and class conflicts obviously manifest themselves in the relationships of the three brothers. Before they even realized it, they were deprived of the values and maturing experiences that their father treasured so dearly. When they went home to Puglia, they truly didn't go home. That small town had ceased to be their home a long time ago. But, Rome, Turin, and Naples were no longer true homes to the brothers, either. To truly be home, one must first know what he truly desires.

At the end of the mother's funeral, while mourning their mother, it seems as if the brothers understand the essence of their family, as envisioned by their father and mother. Paradoxically, it takes the death of their mother to catalyze a rebirth in the lives of the three brothers.

"Tre fratelli" is obviously not acclaimed because of a climactic plot. It is Francesco Rosi's masterful portrayal of two conflicting perceptions of life that are so very clear to the viewer. By juxtaposing the relationships between the three brothers and that of Donato and Marta, Rosi's theme is magnified, reminding the viewer that we should all have an idea of the life we wish to lead. Let's note, however, that Donato does not live in a world of ignorant bliss; he is not naive. He merely had a clear perception of his true, human desires. The end of "Tre fratelli" is quite hopeful. It shows the viewer that no matter how much we isolate ourselves, we can always return. The brothers returned home as strangers, but it's obvious that in Puglia, their memories of the past were ignited, beseeching them to return to way that beatifies the fundamental joy in life, a joy that is not excluseive to southern Italy. We can live happily anywhere. As "Tre fratelli" so heart-wrenchingly reminds us, our lives can slip by quickly, yet without meaning. However, by looking inside of ourselves, we can always regain that which we have lost.

"Three Brothers" (Italian, 1980): An extremely melancholy movie – more like the depression of a Swedish film or the ennui of a French film, than anything typically Italian. Three estranged brothers receive word their Mother has died. Daily lives are put on hold, and each heads to the "country" for the funeral, their Father, and to reacquaint with one another in the village of their childhood. The three are shown in forgiving contrast to their Father, one of the son's daughters, and the old family dog. Think of this movie as a trim, non-commercial, patient, personal, very thoughtful "Big Chill". The scoring was perfectly sad and delicate throughout…you will not want to get up and dance. However, unlike a Swedish film, "Three Brothers" does slowly reveal glimmers of acceptance and hope.