A blade runner must pursue and terminate four replicants who stole a ship in space and have returned to Earth to find their creator.A blade runner must pursue and terminate four replicants who stole a ship in space and have returned to Earth to find their creator.A blade runner must pursue and terminate four replicants who stole a ship in space and have returned to Earth to find their creator.
- Director
- Writers
- Stars
- Nominated for 2 Oscars
- 13 wins & 22 nominations total
Kimiko Hiroshige
- Cambodian Lady
- (as Kimiro Hiroshige)
Bob Okazaki
- Sushi Master
- (as Robert Okazaki)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Reviewers say 'Blade Runner' is acclaimed for its deep themes, striking visuals, and intricate story, often noting its examination of humanity, identity, and artificial life ethics. Many commend its philosophical richness and immersive world, blending film noir with sci-fi. However, some find the pacing slow and characters underdeveloped. Debate exists over different cuts, with preferences varying between the original and director's cut. The soundtrack and special effects, though innovative, receive mixed reviews, with some considering them dated or mood-dependent.
Featured reviews
Just my personal opinion. Everything is perfect about this movie. I saw the movie the first time when I was 12 and it was mind blowing for me. 38 years later I feel the same about this movie. Timeless and beautiful. For me 10/10 with a star and smile
Blade Runner describes a future in which, through genetics, artificial humans are manufactured and called "replicants"; employees in dangerous jobs and slaves in the outer colonies of the Earth. Made by Tyrell Corporation under the motto "more humans than humans" -especially the "Nexus-6" models- not only resembles humans, they are far superior physically.
The replicants were declared illegal on planet Earth after a bloody mutiny occurred on the planet Mars, where they worked as slaves. A special police force, Blade Runners, is in charge of identifying, tracking and killing - or "withdrawing", in terms of the police itself - the fugitive replicants found on Earth. With a group of replicants loose in Los Angeles, Rick Deckard, the best agent that has existed in regard to the recovery and removal of the replicas, is removed from his semi-retirement to use some of "the old magic blade runner".
Ridley Scott fantastic dark cyberpunk style and futuristic design is so well made that accomplished to create a visual vocabulary: neon lights, abandonment, decay, loneliness, obscurity, indifference and alienation are the core of the aesthetics of the film, which will eventually become and serve as a pattern for successive cinematographic works.
The script David Webb Peoples adapted from 'Do Androids Dream of Electric Sheep?' takes the viewer into a dwelling and philosophical controversy, as it creates doubt and empathy to the so called replicants, primarily as seen in many shots of Rick Deckard hesitating about the true nature of his task.
Harrison Ford and Rutger Hauer haunts the attention into the essence of the story. Their characterization throughout infiltrates the different conceptions of life. A saddened soul searching for the meaning of his punished existence and the other, ruminating a task sinking him into a moral void brimming with guilt.
At the end, the movie leaves you wondering about the implications the creation of highly intelligent beings (IA) must have and, if it's worth treating them as machines or they have become so human that the difference is non existent.
"Time... to die".
10/10.
The replicants were declared illegal on planet Earth after a bloody mutiny occurred on the planet Mars, where they worked as slaves. A special police force, Blade Runners, is in charge of identifying, tracking and killing - or "withdrawing", in terms of the police itself - the fugitive replicants found on Earth. With a group of replicants loose in Los Angeles, Rick Deckard, the best agent that has existed in regard to the recovery and removal of the replicas, is removed from his semi-retirement to use some of "the old magic blade runner".
Ridley Scott fantastic dark cyberpunk style and futuristic design is so well made that accomplished to create a visual vocabulary: neon lights, abandonment, decay, loneliness, obscurity, indifference and alienation are the core of the aesthetics of the film, which will eventually become and serve as a pattern for successive cinematographic works.
The script David Webb Peoples adapted from 'Do Androids Dream of Electric Sheep?' takes the viewer into a dwelling and philosophical controversy, as it creates doubt and empathy to the so called replicants, primarily as seen in many shots of Rick Deckard hesitating about the true nature of his task.
Harrison Ford and Rutger Hauer haunts the attention into the essence of the story. Their characterization throughout infiltrates the different conceptions of life. A saddened soul searching for the meaning of his punished existence and the other, ruminating a task sinking him into a moral void brimming with guilt.
At the end, the movie leaves you wondering about the implications the creation of highly intelligent beings (IA) must have and, if it's worth treating them as machines or they have become so human that the difference is non existent.
"Time... to die".
10/10.
In the future year of 2019, a group of four replicas arrive on Earth in search of their creator, Blade Runner Rick Deckard is persuaded into hunting them down.
Love it or hate it, one thing that can't be questioned, is the amount of movies that this film inspired. Blade Runner was a ground breaking movie, one that was way ahead of its time.
Blade Runner is up there with Dune for me as one of the greatest movies to come out of the 80's, I would definitely deem it as a classic, it's so watchable.
The best element for me, the visuals, this is one the truly exquisite looking film, consider the era it was made in, and the lack of sophisticated special effects and tech, this is a triumph of creativity.
I know pacing is an issue for some, and storytelling has changed with time, but the pace here is very deliberate, it develops and builds, it's there to give you a sense of unease. Don't expect action at every turn, that's not the purpose of the film.
The music of Vangelis is terrific throughout, it adds to the film, and never imposes or tries to overtake.
I always love seeing someone's vision of the future, and the future world is wonderfully imaginative and perfectly realised, though still wonderfully 1980's, so there's plenty of punk and glam, big hair, clear plastic jackets and eye shadow galore. One thing that was spot on, a greater coming together of cultures.
A recent news article about AI made me think of this film, scientists are warning about the threat posed by AI development, after watching this film again, I can see where they're coming from.
Harrison Ford is great, perfectly cast as Deckard, another of his iconic roles. Rutger Hauer also manages to captivate and terrify.
This is a classic, quality movie.
9/10.
Love it or hate it, one thing that can't be questioned, is the amount of movies that this film inspired. Blade Runner was a ground breaking movie, one that was way ahead of its time.
Blade Runner is up there with Dune for me as one of the greatest movies to come out of the 80's, I would definitely deem it as a classic, it's so watchable.
The best element for me, the visuals, this is one the truly exquisite looking film, consider the era it was made in, and the lack of sophisticated special effects and tech, this is a triumph of creativity.
I know pacing is an issue for some, and storytelling has changed with time, but the pace here is very deliberate, it develops and builds, it's there to give you a sense of unease. Don't expect action at every turn, that's not the purpose of the film.
The music of Vangelis is terrific throughout, it adds to the film, and never imposes or tries to overtake.
I always love seeing someone's vision of the future, and the future world is wonderfully imaginative and perfectly realised, though still wonderfully 1980's, so there's plenty of punk and glam, big hair, clear plastic jackets and eye shadow galore. One thing that was spot on, a greater coming together of cultures.
A recent news article about AI made me think of this film, scientists are warning about the threat posed by AI development, after watching this film again, I can see where they're coming from.
Harrison Ford is great, perfectly cast as Deckard, another of his iconic roles. Rutger Hauer also manages to captivate and terrify.
This is a classic, quality movie.
9/10.
What can be said about this film that hasn't already been covered in preceding decennia? Blade Runner (either version) stands the test of time as an epic story which transcends a disparity of genres, as well as the seminal "dark" sci-fi film which has been mimicked so frequently (to varying degrees of success) since its original release. The interplay of film noir, sci-fi, and what is one of the most philosophically symbolic and academically analyzed narratives of the modern era holds its ground on both visual and cerebral levels even in the face of today's CGI laden blockbusters. The new director's cut, contrary to many cinematic re-hashings, actually serves to clarify many of the more nebulous aspects of the plot and makes a great film even better, arguably allowing it to be modernized and polished for a new generation of viewers who are more picky and yet simultaneously less idealistic. All while sustaining the feeling and flavor of the original. Call it restorative work if you will. The tinny and meandering score by Vangelis is pure 1980s at its most brooding and fits the texture and mood of the film beautifully. Indeed, for many reasons, finding this film in someone's DVD collection makes a true statement about their discriminating and refined taste in movies, and equally their appreciation of film as an artistic medium. I would suggest picking up a reader by someone like Nietzsche, Foucualt, Descartes, Kierkegaard, or any of the great existentialist philosophers after viewing this film in order to appreciate the story & its concepts at a whole new level, regardless if you're watching it for either the 1st, or the 100th time. An enduring classic and an intrepid piece of film-making with rich & often haunting visuals designed to entertain and promote introspection amongst its viewers. 9/10.
Rick Deckard is given an assignment to 'retire' several biologically engineered fugitives.
The plot follows Deckard as he hunts replicants, falls in love and questions his own humanity. It moves slow, allowing you to take in all the sights and sounds of 2019 Los Angeles (as imagined in 1982), whilst pondering some of its themes.
The imagery and dialogue associated with what defines a sentient being and what makes us human is compellingly portrayed. The device used to explore these themes is the genetically engineered humanoid life-form, the godlike status of its creator and the morally compromised nature of the ordinary human. Additionally the number of references to the eyes and linking of what we see and remember versus what is fake and reality, is cleverly mixed into the story. If you want in depth analysis, google 'Blade Runner Themes and Motifs'.
The character of Roy Batty has been interpreted as both a religious and philosophical allegory, but these theories are debatable. He is for me the most intriguing character in the movie and his final scene is one of the most memorable of all time. Along with Deckard, it made me wonder if there is any real difference between humans and replicants. He is portrayed wonderfully by Rutger Hauer who both looks and acts the part.
Deckard is impressively played by Harrison Ford, who is perfect for movies with an emphasis on visuals. Ninety percent of his power as an actor comes from his screen presence and soulful facial expressions. His scenes with Sean Young young are as touching as the action scenes are brutal.
One of Blade Runner's most memorable aspects is its depiction of 2019 Los Angeles, with its permanently dark rainy skies, overcrowding, neon lights, high concept technology, urban decay and environmental devastation. Take away the flying cars and off-world colonies and it's not far off an accurate prediction.
I could write about the atmospheric cinematography, artistic designs and special effects, but nothing I can say would do it justice.
The question of whether Deckard is replicant or human is interesting. There is evidence of both but you must watch and decide. Does it matter? Probably not. If I had to decide, I'd say replicant.
The plot follows Deckard as he hunts replicants, falls in love and questions his own humanity. It moves slow, allowing you to take in all the sights and sounds of 2019 Los Angeles (as imagined in 1982), whilst pondering some of its themes.
The imagery and dialogue associated with what defines a sentient being and what makes us human is compellingly portrayed. The device used to explore these themes is the genetically engineered humanoid life-form, the godlike status of its creator and the morally compromised nature of the ordinary human. Additionally the number of references to the eyes and linking of what we see and remember versus what is fake and reality, is cleverly mixed into the story. If you want in depth analysis, google 'Blade Runner Themes and Motifs'.
The character of Roy Batty has been interpreted as both a religious and philosophical allegory, but these theories are debatable. He is for me the most intriguing character in the movie and his final scene is one of the most memorable of all time. Along with Deckard, it made me wonder if there is any real difference between humans and replicants. He is portrayed wonderfully by Rutger Hauer who both looks and acts the part.
Deckard is impressively played by Harrison Ford, who is perfect for movies with an emphasis on visuals. Ninety percent of his power as an actor comes from his screen presence and soulful facial expressions. His scenes with Sean Young young are as touching as the action scenes are brutal.
One of Blade Runner's most memorable aspects is its depiction of 2019 Los Angeles, with its permanently dark rainy skies, overcrowding, neon lights, high concept technology, urban decay and environmental devastation. Take away the flying cars and off-world colonies and it's not far off an accurate prediction.
I could write about the atmospheric cinematography, artistic designs and special effects, but nothing I can say would do it justice.
The question of whether Deckard is replicant or human is interesting. There is evidence of both but you must watch and decide. Does it matter? Probably not. If I had to decide, I'd say replicant.
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The Life and Times of Harrison Ford
The Life and Times of Harrison Ford
Take a look back at Harrison Ford's movie career in photos.
Did you know
- TriviaDirector Sir Ridley Scott regards this movie as probably his most personal and complete movie, and also regards it as his personal favorite. He also noted that it "set the pace for many things".
- Goofs(at around 9 mins) When we see Deckard waiting for his noodles, he is reading that day's newspaper. Later in Leon's apartment (at around 25 mins), the same newspaper is seen in one of the drawers, except it is old and soiled, as if it has been there for years. We know they are the same since both newspapers have the same headline about farming on the moon.
- Crazy creditsIn the "happy ending" Theatrical/International cuts, the credits play over the gorgeous scenery. In later Director/Final cuts, they play over a normal black background.
- Alternate versionsAll U.S video tape releases before January 1993 are the unrated version and contain the extra violence in the Euro-release that's not seen in the 117 minute American theatrical release:
- When Roy attacks Tyrell we clearly see him pushing his thumbs into Tyrell's eyes, and blood spurting out
- When Pris (Daryl Hannah) attacks Deckard, she reaches down and grabs him by the nostrils
- When Deckard shoots Pris, he shoots 3 times instead of 2
- When Roy pushes the nail through his hand, there is a shot of the nail coming through the skin on the other side.
- ConnectionsEdited into Off the Air: Falling (2012)
- SoundtracksHarps of the Ancient Temples
Composed by Gail Laughton
Performed by Gail Laughton
Courtesy of Laurel Records
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Dangerous Days
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $28,000,000 (estimated)
- Gross US & Canada
- $32,914,489
- Opening weekend US & Canada
- $6,150,002
- Jun 27, 1982
- Gross worldwide
- $41,768,494
- Runtime
- 1h 57m(117 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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