Blood Song

Greetings And Salutations, and welcome to my review of Blood Song; before launching into my critique, here's a breakdown of my ratings:

Story - 1.00 Direction - 1.25 Pace - 1.00 Acting - 1.25 Enjoyment - 1.00

TOTAL - 5.50 out of 10

Here is another one of those stories that hold so many opportunities, but the writers fail to make use of them. Even with the reduced scope, the story isn't too terrible. It is pretty much your psycho who escapes from the asylum and starts a slaying splurge narrative. But there are some respectable elements in the story. The relationship between the father and daughter in the film is one instance. The pair don't get along. Theirs is a love-hate relationship - they love to hate each other. But when we learn the cause of their rift, everything becomes clear. The poor old mother has to be the referee to their angry bouts of word-slinging. This kinship is one of the elements that deserved more attention from the writers. Just as is the connection between the daughter and the psycho killer. It's touched upon early that she received a blood transfusion after an automobile accident. The rare blood type came from...yeah, you guessed it, the asylum. So does she have the slasher's blood running through her veins? We never get that clarification. It could have added so much more to the story.

Levi, however, does a decent job of shooting the script. The few changes in camera angles and lighting place it above average, though not far above. It would have been ideal if he could have varied the tempo some. The single pace is fast enough to keep your attention on the screen, but adding a mix of pacing would have helped create more tension and excitement. There may even be something you recognise if you're an avid watcher of horror films. When Marion takes a walk along the beach, she ends up at the bay featured in The Howling - shame the werewolves burnt up a year before she could have used their help.

Here's another reason the writers missed opportunities was so annoying. They had a reputable cast to perform their work, yet another waste. All of the performers are perfect in their roles. A couple even goes the extra mile. Donna Wilkes must have used a cane to help her walk at some time because when the doctor removes her leg brace, she correctly utilises the walking stick. It's a small thing, but these slight issues help a person to believe. But the actor who really goes the extra mile is Frankie Avalon. At the film's start, Psycho Paul isn't much to write home about. He's just an average bloke who gets annoyed whenever anyone tries to take his daddy-made flute from him. Shame he only knows one song. Though by the picture's climax, Psycho Paul is having fun - and it's kinda contagious.

If you like your slashers, then Blood Song may be worthy of your attention. Though it's run-of-the-mill genre fair, I found it an enjoyable film. Therefore, if you've exhausted your slash and dash library, feel free to check out Blood Song - it's okay for a quickie watch.

Please feel free to visit my Absolute Horror and Killer Thriller Chiller lists to see where I ranked Blood Song.

Take Care & Stay Well.

I was an assistant on this film. The staff was far from "un-professional" it is just in this business extras are not coddled. It was a fast paced, gotta get it right, no time for "pretty pleases". It is not the best horror flick but it has some great scenes as previous posted pointed out. Most extras and townsfolk enjoyed the film shooting and enjoyed the attention. We were in a great little Coos Bay hide away...fun little town. North Bend was great too! Lenny Montana - as big as he is - was the nicest and most gentle people I've met. It was odd seeing Frankie Avalon as a murdered. Still wickedly handsome. Low budget - blood, horror, fun story theme. It is great that it was repackaged as part of the double feature with Mausoleum.

Pretty Wilkes ('Jaws 2', 'Angel') stars as angsty teenager, crippled in an automobile accident caused by her father, now experiencing bizarre flashbacks that somehow connect with a spate of violent killings committed by a flute-playing escaped mental patient.

Character-driven slasher features an impressive cast and foreboding synth-pop soundtrack (including a soulful ditty by Lainie Kazan), although the dialogue is often drivel ('I see things that aren't there, I dream about people I don't know, and I keep hearing this weird flute').

Sympathetic Bower and rough-handed Jaeckel play Wilkes' bickering parents, Clark is the frustrated sheriff, and nasally North the dateless girl friend whose role sadly goes nowhere. As for Frankie Avalon, you may not see 'Beach Party' the same way again, and despite playing very much against type, he's quite effective as the childlike serial killer.

Quirky, gory psychological slasher flick is obscure, but worth finding if you like 'em downbeat and nasty although the laboured climax possibly doesn't do the rest of the film justice.

Of all the people to star in an early 80's slasher film, Frankie Avalon doesn't seem like the most obvious choice and yet here he is, trying to give a respectable performance as the screenplay of Blood Song lets him down nearly every step of the way. Don't get me wrong. There's still some fun to be had with Blood Song, but it's not as taut and potentially thrilling as it could have been.

A young boy witnesses his father killing his mother, her lover, and then himself and is so in shock that all he can do is play his little wooden flute his father made him. Cut to present day and he decides to escape from the mental hospital where he's been cooped up forever. While he was there, he donated blood and this blood provided a life saving transfusion for a teenage girl named Mary (Donna Wilkes) after her father got them into a horrible accident which left her in leg braces.

Somehow, this shared blood has given them a psychic link and Mary can see him escaping and killing anyone along the way who says something disparaging about his flute.

If Blood Song had left out the silly blood transfusion leads to psychic visions subplot and kept the killer's flute out of it, it would probably be a much more effective movie. As is, it's too unintentionally hilarious to have the tension of chase scene broken by Avalon pulling out his flute and playing a few notes.

The acting isn't horrible, but Wilkes has been better in other films. The downbeat ending is a really punch to the stomach as well, but would have fit better into a more frightening film.

"Blood Song" follows a teenager in a coastal Oregon town who finds herself stalked by a man whose blood she received through a transfusion; turns out the man is a psychotic killer who plays a wooden flute (yes, you read that right), and he has a psychic connection drawing him nearer to her.

All things considered, "Blood Song" is a pretty typical slasher flick aside from the weird flourishing touches, such as the killer who plays a small wooden flute gifted to him by his father who committed a murder-suicide with his wife; did I mention that '60s singer Frankie Avalon portrays the madman? Those two reasons alone make this film stand out from its peers, though, depending on who you ask, will be either to its detriment or success.

TV actress Donna Wilkes portrays the lead/final girl who is hobbled by a leg injury through most of the film, making her even more helpless; to make matters worse, her mother (Antoinette Bower of "Prom Night") and she are under the abusive power of her alcoholic father (a character that has strange incestuous undertones, I might add). The film is not conventionally scary, as the killer is no masked villain or elusive psycho; the audience sees and gets to know the goofy character from the outset, so that element of terror is stripped from the proceedings here. The film does feel like a made-for-TV movie, and has an innocence about it that belies its bloodier moments. The atmosphere is nicely established as well, and it's nice to see the coast of my home state get some representation in '80s horror.

In the end, "Blood Song" is a rather silly slasher flick that plays up its goofiness with no shame, even in its final moments. The whole thing is rather ridiculous, but if you can take it at face value, the offering here is amusing, slightly trashy, and utterly bizarre-it almost feels as though David Lynch attempted to make a slasher movie. Do with it what you will, but it's just weird enough to warrant a viewing from genre fans. 6/10.