IMDb RATING
6.5/10
1.4K
YOUR RATING
Police compel a couple of criminals to become its informants.Police compel a couple of criminals to become its informants.Police compel a couple of criminals to become its informants.
- Awards
- 3 wins & 6 nominations total
Jean-Paul Comart
- Le Belge
- (as Jean-Paul Connart)
Tchéky Karyo
- Petrovic
- (as Tcheky Karyo)
Galia Salimo
- Sabrina - la prostituée
- (as Galia Dujardin)
Featured reviews
Maybe I was a bit young (15 I think) when I first saw this, in a french cinema without subtitles so I didn't even understand that much - but it left a strong impression and when I rewatched it a few years later with a more critical eye, it was still a very strong movie. There are more violent thrillers out there, but in the case of "La Balance", it's unsettling because you care for those people. I guess it's got something to do with the cast, it's a bunch of character faces you won't forget, especially Philippe Léotard. So, in contrast to many other thrillers, the violence in "La Balance" is never fun to watch - those are scenes where you'd like to close your eyes (which is the best way to portrait violence, in my opinion, if you don't happen to make an action comedy). Highly recommended!
Watched this last night - a belting French Cops and Robbers drama set among the Paris version of the flying squad. It opens with their main informant being murdered and they need replacement to get Mr Big.
They lean on a Dede (Philippe Léotard) a small time crook and pimp and his whore/girlfriend(Nathalie Baye) to persuade them to snitch on Messina.
They use threats,beatings - in fact anything to get a result. The cops are played in a very unsympathetic light - the're really thugs who bend the law to suit their ends.
Interestingly both Dede and Nicole are are much more attractive characters - he's her pimp but he loves her as she loves him. You really care about them as they are exploited by the cops who don't care what happens to them as long as they get their villian. There are car chases and shoot-outs aplenty but its the central relationship that lifts this above your average cop movie.
All the leads are well played and you hope things will work out for Dede and Nicloe but you know life isn't like that.
Not an obvious ending either and directed with an intesity by Bob Swaim who films it almost as a documentry so real is the gritty feel of the Parisian undwerworld.
Highly reccomended.
They lean on a Dede (Philippe Léotard) a small time crook and pimp and his whore/girlfriend(Nathalie Baye) to persuade them to snitch on Messina.
They use threats,beatings - in fact anything to get a result. The cops are played in a very unsympathetic light - the're really thugs who bend the law to suit their ends.
Interestingly both Dede and Nicole are are much more attractive characters - he's her pimp but he loves her as she loves him. You really care about them as they are exploited by the cops who don't care what happens to them as long as they get their villian. There are car chases and shoot-outs aplenty but its the central relationship that lifts this above your average cop movie.
All the leads are well played and you hope things will work out for Dede and Nicloe but you know life isn't like that.
Not an obvious ending either and directed with an intesity by Bob Swaim who films it almost as a documentry so real is the gritty feel of the Parisian undwerworld.
Highly reccomended.
A small time ex-con (Phillipe Leotard as Dede) and his prostitute girlfriend Nicole (Nathalie Baye) are relentlessly pressured by an aggressive and at time brutal police squad led by Mathias Palouzi (Richard Berry) to inform on the mob. Using any means necessary, playing one off against the other, humiliation, beatings, or threats, the couple is forced to become informants on underworld leader Roger Massina (Maurice Ronet). The love story is at the heart of the film, while the cops and crooks make up opposite ends, though they often employ similar means. Berry seems to flourish in the middle, beating up on Dede while playing a little softer with his girlfriend Nicole. A fast pace takes us whizzing through some great Paris locations, through a stagey looking though fairly impressive shootout on a crowded street, and several seedy dead end alleyways. Many of the underworld characterizations are terrific, and the classy soundtrack (especially the ending) is perfect for the mood.
I can't believe that this movie has no comments and hardly any votes. It's a tough 1982 thriller set in Paris' Algerian sector. A specialist Police Unit pressurise a pimp and his hooker into becoming informants to enable them to bring down a local gangster. Although directed by an American (spot the U.S. film posters at the Police Station), the film is full of French style. The clothes, the food, the shades... The pacing is fast, the plot is good and the characters are fascinating. Baye is incredibly sexy as the 'tart with a heart' and Leotard looks suitably seedy as the pimp in love with her. It's a strange relationship, letting your lover have sex with strangers in order to put money in the joint account! I also like the way that the cops, who arrest and harass hookers, are shown to be willing to use their services on lonely nights. Pace, excitement, black humour and romance. What more can one ask from a thriller? 8/10
Gritty, nasty, overlong, at times silly, at times boring and very very over rated. If you want plenty of action with love interest, then the US turns them out all the time and if you want sex and violence, then for this sort of movie, Italy is where you should head. This seems to be stuck in the middle, lots of horrible guys doing nasty things to each other and scenes of 'true love', I don't think so, trust the French! The setting on the mucky streets of Belleville, now much cleaned up, is fine but when you set up a virtually plot less movie, it just to have a bit of style, that little bit of something to keep you interested. This moves so fast at the start that it looks as if all is going to be well but somewhere around half way it dawns that the film is going to carry on like this all the time.
Did you know
- TriviaThis film is the second French crime movie made by an American director after RIFIFI, back in 1953, and directed by Jules Dassin.
- How long is La balance?Powered by Alexa
Details
- Runtime
- 1h 42m(102 min)
- Sound mix
- Aspect ratio
- 1.66 : 1
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