Two cab drivers search San Francisco's Chinatown for the mysterious Chan, who disappeared with their $4000.Two cab drivers search San Francisco's Chinatown for the mysterious Chan, who disappeared with their $4000.Two cab drivers search San Francisco's Chinatown for the mysterious Chan, who disappeared with their $4000.
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Two cabbies search San Francisco's Chinatown for a mysterious character who has disappeared with their $4000. Their quest leads them on a humorous, if mundane, journey which illuminates the many problems experienced by Chinese-Americans trying to assimilate into contemporary American society.
It is widely recognized as the first Asian-American feature narrative film to gain both theatrical distribution and critical acclaim outside of the Asian American community. And come to think of it, this seems right -- where are all the "Asian" films? We have plenty of kung fu imports, but where are the home-grown efforts? Where is the Asian equivalent of a "blaxploitation" subgenre? Anyway, this is a fun film that blends mystery, comedy and social commentary. I haven't had the pleasure to go to San Francisco or its Chinatown, but films like this make it all the more appealing.
It is widely recognized as the first Asian-American feature narrative film to gain both theatrical distribution and critical acclaim outside of the Asian American community. And come to think of it, this seems right -- where are all the "Asian" films? We have plenty of kung fu imports, but where are the home-grown efforts? Where is the Asian equivalent of a "blaxploitation" subgenre? Anyway, this is a fun film that blends mystery, comedy and social commentary. I haven't had the pleasure to go to San Francisco or its Chinatown, but films like this make it all the more appealing.
These comments come as a counterpoint to the user review left some years ago, an opinion with which I completely disagree.
I think this was a wonderful examination of the Chinese American character, at least in the eyes of a Mexican American (me). While the film addresses assimilation, as the previous reviewer expressed, that just scratches the surface of what it's telling you.
This film highlights the depth of cultural differences, the conflicts faced by immigrants or those of immigrant background. But these are not just grandiose, operatic conflicts; they are daily, constant, and felt in both the major and minor issues of life. They are confronted in matters of life and death or musical preferences.
This grand theme is presented in a lighthearted, often very funny, but subtly so, way. I found the storyline to be very interesting and exciting, not at all boring. It was a mystery, clues and leads leading to other leads or dead ends, interesting characters along the way. Yes, the search for Chan is secondary to the subtext, but it makes it no less entertaining.
Car crashes? No. Shootouts? No. Sex and violence? No. But the film gives the viewer an alternate view of what is real, and an alternate context for the evaluation. Is it real, or is it not unreal? To me, this is both extremely funny and a brain burner.
All this aside from the fact that this was a film made with seemingly real Chinese Americans, not big screen actors playing routine stereotypes. Look at Joe, and then listen to him speak, and see if it doesn't contradict some stereotypes burned into your head by Hollywood.
This is a very good film.
I think this was a wonderful examination of the Chinese American character, at least in the eyes of a Mexican American (me). While the film addresses assimilation, as the previous reviewer expressed, that just scratches the surface of what it's telling you.
This film highlights the depth of cultural differences, the conflicts faced by immigrants or those of immigrant background. But these are not just grandiose, operatic conflicts; they are daily, constant, and felt in both the major and minor issues of life. They are confronted in matters of life and death or musical preferences.
This grand theme is presented in a lighthearted, often very funny, but subtly so, way. I found the storyline to be very interesting and exciting, not at all boring. It was a mystery, clues and leads leading to other leads or dead ends, interesting characters along the way. Yes, the search for Chan is secondary to the subtext, but it makes it no less entertaining.
Car crashes? No. Shootouts? No. Sex and violence? No. But the film gives the viewer an alternate view of what is real, and an alternate context for the evaluation. Is it real, or is it not unreal? To me, this is both extremely funny and a brain burner.
All this aside from the fact that this was a film made with seemingly real Chinese Americans, not big screen actors playing routine stereotypes. Look at Joe, and then listen to him speak, and see if it doesn't contradict some stereotypes burned into your head by Hollywood.
This is a very good film.
This movie is among the first in Asian-American cinema, and also a very excellent independent film. Very well-directed and visualized, it concerns the misdventures of two gumshoes Joe and Steve, Chinatown cab-drivers in search of the ever-elusive Chan Hong. With a variety of hilarious jokes, looks into Chinese-American culture, and witty anecdotal substance, Chan Is Missing is a classic film, infusing a tradition of mystery and drama into Asian American narrative.
Just watched the DVD, and Chan is Missing remains the one-off film it's always been - just a terrific little film. If people think the pap they call independent film today is anything but lower-budgeted mainstream film-making by people looking to get deals with majors, well, they should check out some real indy films. Thanks to companies like Miramax and Focus and others, there is no true independent film market anymore.
And a not to "laursene" - you give Chan Is Missing a pretty nice "review" or whatever one calls these amateur writings, and yet you give it one star. Brilliant. And the "novelty" song "probably from the 30s" is I Enjoy Being A Girl by Rodgers and Hammerstein, from their musical Flower Drum Song, which was hardly written in the 30s. 1957 or '58 if I recall correctly.
And a not to "laursene" - you give Chan Is Missing a pretty nice "review" or whatever one calls these amateur writings, and yet you give it one star. Brilliant. And the "novelty" song "probably from the 30s" is I Enjoy Being A Girl by Rodgers and Hammerstein, from their musical Flower Drum Song, which was hardly written in the 30s. 1957 or '58 if I recall correctly.
this is one of the most original stories to come along, and certainly the most important of Asian American films out there. produced with a low budget, this simple story of a missing person turns into an analysis of culture and stereotypes, not only of Asians, but all people. this is truly a must-see film for movie lovers.
Did you know
- TriviaWidely recognized as the first Asian-American narrative feature to gain theatrical distribution.
- ConnectionsEdited into The Green Fog (2017)
- Soundtracks(We're Gonna) Rock Around the Clock
(uncredited)
Written by James E. Myers (as Jimmy De Knight) and Max Freedman
Sung in Chinese during the opening scene
- How long is Chan Is Missing?Powered by Alexa
Details
Box office
- Budget
- $20,000 (estimated)
- Runtime
- 1h 16m(76 min)
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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