The Final Option

This is a film I'd heard of years ago, but never got around to watching it until yesterday.

While the plot seems a little slow at times (an illusion created by watching too many hollywood action movies), and (as many people here have commented) the dialog can get a little cheesy, add to the fact that the hairstyles, clothing, vehicles, etc... look dated now. But that's not what I was watching the film for.

The actual action sequences in the film are typical special operations style action sequences, i.e. they're over practically before they've started! This film, if not realistic (I'm sure it is, but as someone who doesn't know how the SAS really operate, I couldn't comment), is totally believable. From the handover by the police to the military, through the planning phase of the operation, the MOE (fast-roping from helicopters onto the roof, then abseiling down the side of the building), the total communication throughout the assault. It's absolutely breathtaking.

This is no Hollywood Action Movie. It's totally different from the likes of "Operation Delta Force", etc... There are no cheesy one-liners when a terrorist is dropped. There is no jumping about, emptying whole magazines (and more!) into people, shooting from the hip at targets 200 metres away and hitting them with the first shot, while snipers on the opposite side couldn't hit the Titanic from 2 metres away.

So, to sum up, I'd give the plot, characters and acting 7/10, but the action sequences, I'd wholeheartdly give 12/10! Fantastic stuff...

One of the more remarkable aspects about director Ian Sharp's garrote-taut hostage thriller is not only how well the gritty, flint-edged film holds up, but in today's divided world of political ferment, with clearly so little altered in the higher echelon's continued abuses of power, the crass media obfuscation, 'Who Dares Wins' (1982) continued relevance is additionally damning. Reginald Rose's lean, perfectly paced screenplay places our uncommonly heroic he-man Captain Peter Skellen (Lewis Collins) at the fulminating center of a well-funded, far from slumbering anti-nuclear terrorist cell, imperiously masterminded by intractable zealot Frankie Leith (Judy Collins) the unrelenting tension increases as Skellen embeds himself ever deeper into this murderous conspiracy, his covert solo mission fraught with myriad dangers, not only to himself, his lovely wife Jenny (Rosalind Lloyd) and new born baby Samantha but, perhaps, the continued peace of the western world. All too few action thrillers are both intelligent and unflinchingly bellicose, the exciting action is breathlessly swift and brutal, no slow-motion languor, precise, surgical, expeditious, kill or be killed, every retaliatory action timed to the millisecond and it is this coolly pragmatic take on violence that is so frequently fetishized today which not only proves immediately striking but exhilarating, while you are well aware this is merely splendidly made escapist entertainment, there is a glacial verisimilitude to the characters steadfast actions, and the morally 'grey' areas of both parties are expertly factored in, this isn't merely just another prosaic, spoon-fed, unquestionably good surmounting Evil, as both protagonist's relentless appropriation of extreme measures to justify their disparate means expose where such terrible power can be abused to suit secret, destructive agendas. 'Who Dares Wins' is a genuinely thrilling film and its classic status is greatly deserved, enlivened by a magnificently propulsive score by the inimitable genius Roy Budd, and never again will we enjoy such an exemplary cast assembled for our sublime cinematic edification: Judy Davis, Edward Woodward, Richard Widmark, with especially refined work by Tony Doyle as bluff, no nonsense Colonel Hadley (SAS), Ingrid Pitt as the terrifyingly tenacious Helga and a truly commanding performance by Lewis Collins who is extraordinarily vivid as indomitable SAS Captain Peter Skellen, effortlessly exuding the fascinating kind of steely integrity one only rarely sees today.

Very entertaining movie, this one. Saw it upon it´s initial release here in Sweden (1982). It has a 007-feeling and Bond-ish quality about it, which I love. Lots of crew members from 007-productions behind the camera.

It is also very suspenseful and it´s got solid action scenes combined with good acting and snappy directing. What´s not to like?!:/

I can very well imagine that the S. A. S. Operates with a similar modus operandi. Since they (of course) doesn´t reveal anything one can only speculate and read books on the subject matter (S. A. S.) It looks and seems real enough (yes, I know it´s a movie).

It´s a pity and very strange that some films doesn´t get the attention and respect they deserve?! Instead loads of crap (WOKE, PC, man-hating - etc.) finds an audience.

Highly recommended film!++++

Yes, there is some cheesy acting, but the payoff in this film is excellent! After reading other commentaries on this film, I won't spoil the ending for anyone who hasn't see the film when I say that it concludes with an accurate portrayal of special ops folks in action. But it is not only accurate, it is exciting, and well shot (love the view through the mask!). Combine accuracy and excitement and you have something that beats most of those other "special ops" films hands down. It makes Rambo et al seem downright nonsensical (which it is), and rightly so.

And as someone who studied in Europe for several years and saw the political far left in action on the streets of the major cities, I can tell you that many of them talked just like they do in the movie. And yes, the guerrilla theatre production lampooning the US is accurate, that type of theatre did take place.

I saw this movie when it was titled, "The Final Option". I was an avid reader of Soldier of Fortune (SOF) magazine and it was recommended as a must see movie. It was noted for its realism. In addition, it was felt the peace movement was actually supported by Russia because by having the "West" disarm, it would allow Russia to get stronger while the West got weaker. You see this in the movie when the bankers help funnel money to the peace movement.

The main reason for seeing the movie was the action by the Special Air Service (SAS). SOF magazine said the SAS cooperated in the making of the movie. I thought the movie was a little long but the action parts were first rate. The final part was the best part. The best part was when the camera was filming through the gas mask and you could hear and see what it is really like to be on the inside. I remember the huffing and puffing and the words, "One terrorist down, one terrorist down" as each one got shot. SOF magazine said when the SAS goes in, there are no prisoners taken-only dead terrorists. As a real law enforcement person I am always complaining how the public has no idea of what really happens during police actions. The public always seems to ask why did the police not shoot the gun out of a persons hand or why did the police shoot or didn't shoot. Split second decisions have to be made and it is so easy to to be a "Monday morning quarterback" They never see the confusion. I think every person who thinks the cops are always wrong should see this movie.