Heat and Dust

Excellent film, maybe Merchant-Ivory's best. The story is wonderfully compelling. I love how the lives of the two British women are linked together. It's fascinating to see how differently they were treated by falling in love an Indian at different times in the same century.

Great roles for Julie Christie and Greta Scaachi to play in this beautiful and poetic film. It's filled with great character parts for the English and Indian people surrounding them. Lots of food for thought, the film touches on the traditions and ways of life of both cultures showing how trapped people could be. There are some funny incidents when the cultures clash. The end brings both sadness and hope. A very underrated film that deserves to be seen and remembered!

I'm seeing this for the first time. Although I have enjoyed Merchant-Ivory films in the past (really want to see The Bostonians again, and A Room With a View), I can't say I was affected very much by this one. Shashi Kapoor gets off some funny lines, but is otherwise pretty bland. Nickolas Grace is the only memorable character--as he was in Brideshead Revisited. Passion just isn't present in this movie. Watch A Passage to India instead.

Unusually structured and travelling at about the speed of India's Metupalayam Ooty Nilgiri Passenger Train, this film still delivers an intriguing story.

Set in India it has the bonus of authentic locations, and features two beautiful actresses at different stages of their careers in the same movie, although they don't share a single scene together.

The story takes a little getting into. It's actually two intertwined stories and starts with Anne (Julie Christie) travelling to India to find out about the life of her great aunt Olivia (Greta Scacchi) - a forerunner of "Who Do You Think You Are?" Flashbacks reveal Olivia's story and the film cuts back and forth from one story to the other as we see that Anne's journey follows Olivia's path, and also begins to parallel her story.

A fascinating aspect of the movie is how it reveals two Indias: one under the British Raj during the 1920's, which Olivia inhabited, and the modern one of the 1980's that Anne experiences.

Over the years there have been many films about British rule in India - Hollywood loved an earlier period especially along the Northwest Frontier, but of late, British films and television have concentrated on the decades just before India's independence - the twilight of the Raj.

Another critical element in the drama is the relationship between a semi-independent prince, the Nawab of Khatm (Shashi Kapoor), and the British rulers. The film shows the attitudes of the British and Indians towards each other, and also the attitudes of the British towards their fellow Britons. It highlights the class system that existed between the races and how crossing that line was linked to the balance of power.

Despite being married to Douglas Rivers (Christopher Cazenove), a British colonial official, Olivia crosses the line, has an affair with the Nawab, and is virtually banished from both societies. Although Anne also has an affair with an Indian, it is 60-years later and no longer has the significance of her great aunt's fall from grace.

This film looks good and composer Richard Robbins created an evocative score blending electronics with Indian instruments.

Although the script and direction understates just about everything, even using narration to glide over what could have been emotion charged scenes, the combination of stars, locations and the lovingly recreated depiction of an era ensures that "Heat and Dust" still leaves an impression.

This, the the first internationally successful Merchant-Ivory production, continues to be a major achievement. Effortlessly passing from post-sixties soul-searching to twenties scandal, it uses the stylistic freedom of the filmmaker to make solid what can be only suggested in the novel.

Ruth Prawer Jhabvala, long-time Merchant-Ivory scenarist, got most of the gongs - and rightly so - for her adaptation of her own novel is a copy-book to be studied by any aspiring scenarist. However, one should not overlook the unforced direction by James Ivory and Walter Lassally's truly wonderful cinematography.

One of the most endearing aspects of the film is that a great range of attitudes are expressed by the English characters towards India and the Indians. One suspects that less culturally confident filmmakers nowadays would feel obliged to be more black and white (no pun intended)about 'colonialism' and the like. Not so here. Anne (JC) exhibits a range of attitudes to modern India, as does her ancestral alter ego (GC). Such plurality make the film richer, more complex, less ideological and dogmatic and much, much less boring.

In a way, this is a twin film with Jefferson in Paris... see them both together and you will understand what I mean...

MO

In essence, a ball of nostalgia, clash of two experiences, some drops of Madame Bovary, beautiful acting and fascination about India of a cinema decade and, not last, James Ivory. I saw it as seductive portrait of lost words, beautiful work of Greta Scacchi and Julie Christie and flavors of The Jewel in the Crown.