A priest-doctor chasing a man with supernatural regenerative abilities, who has recently escaped from a medical lab, reaches a small town where the mutant goes on a killing spree.A priest-doctor chasing a man with supernatural regenerative abilities, who has recently escaped from a medical lab, reaches a small town where the mutant goes on a killing spree.A priest-doctor chasing a man with supernatural regenerative abilities, who has recently escaped from a medical lab, reaches a small town where the mutant goes on a killing spree.
Cindy Leadbetter
- Peggy
- (uncredited)
Lucia Ramirez
- Angela - Woman on TV
- (archive footage)
- (uncredited)
James Edward Sampson
- Cop at the station
- (uncredited)
Mark Shannon
- Man on TV
- (archive footage)
- (uncredited)
Michele Soavi
- Lenny Herbert - Biker
- (uncredited)
Martin Sorrentino
- Deputy
- (uncredited)
Goffredo Unger
- Machine Shop Worker
- (uncredited)
Featured reviews
A priest is pursuing a madman who,the victim of a genetic experiment,has become a homicidal killer with blood that coagulates very quickly,making him virtually indestructible.The killer goes on the rampage in a small town.This ultra-gory sequel to Joe D'Amato's "Antropophagus" is very slow and boring at times but has also some creepy moments plus plenty of very strong violence and gore.The bandsaw killing is ten times nastier than the similar drill scene in Lucio Fulci's "City of the Living Dead".The gore flows freely resulting in a film that is simultaneously repellent and extremely funny.Highly recommended.
Luigi Montefiori aka George Eastman is definitely one of the scariest movie villains I've ever seen. His sheer size alone just makes him creepy. He obviously doesn't mind being violent; it seems to come naturally to him. If you've ever seen Bava's "Rabid Dogs," you should know what I mean. His role in "Rosso Sangue" is no exception. He delivers the goods here.
Transformed into an unstoppable machine by an experiment gone awry, the bad guy makes his way through the countryside in search of his next victim. His next victim is basically anyone who gets in his way. He eventually lands at the home of a family and stalks them down.
For the gorehounds, there will be a lot to love here. The scene with the band saw was sweet. For the lovers of Italian shock, there will be little we haven't seen before, but it is still worth a viewing.
Ultimiately, this one could have been as triumphant as "Buio Omega" if there had been a few added killings. There are really only a handful. I wish there had been twice as many. I would have given this one at least a nine.
Aficionados of Italian horror soundtracks will recognize a few of the tunes from other flicks.
Worthy of a viewing for fans of D'Amato. Also recommend, if you like this one: "Tenebre," "Anthropophagus: The Grim Reaper," and of course "Beyond the Darkness." 7 out of 10, kids.
Transformed into an unstoppable machine by an experiment gone awry, the bad guy makes his way through the countryside in search of his next victim. His next victim is basically anyone who gets in his way. He eventually lands at the home of a family and stalks them down.
For the gorehounds, there will be a lot to love here. The scene with the band saw was sweet. For the lovers of Italian shock, there will be little we haven't seen before, but it is still worth a viewing.
Ultimiately, this one could have been as triumphant as "Buio Omega" if there had been a few added killings. There are really only a handful. I wish there had been twice as many. I would have given this one at least a nine.
Aficionados of Italian horror soundtracks will recognize a few of the tunes from other flicks.
Worthy of a viewing for fans of D'Amato. Also recommend, if you like this one: "Tenebre," "Anthropophagus: The Grim Reaper," and of course "Beyond the Darkness." 7 out of 10, kids.
This cult film is both the follow-up to Joe D'Amato's notorious shocker 'Antropophagus', and one of the nastier films on the DPP 'Video Nasty' list. Those two facts alone will give many fans of cult horror reason enough to see it, and I'm pleased to say that the rest of the film isn't bad either; and while it's not quite as great as D'Amato's earlier film, Absurd plays out well as an overly gory slasher flick. Of course, you can't expect things like great acting and a plausible story line going into a film like this, and rather unsurprisingly; this film has neither. However, what it does have is a great gritty atmosphere, which is bathed in a scintillating soundtrack that succeeds in making the thrill scenes more exciting. The plot is silly in the extreme, but is somehow easy to buy as we follow a priest who travels to a small town on the trail of a supposed monster, who is currently lying on a hospital bed. The doctors are baffled to learn that his blood clots far faster than normal and this somehow makes him immortal. It's not long before the monster awakes and, naturally, goes on a killing spree.
George Eastman takes the lead role again and just as it did in Antropophagus; his imposing presence provides the film's main standout, despite him basically marauding around rather than actually acting. Obviously, the most important thing about this film for many will be the gore; and overall I'd say it just about tops Antropophagus. It was only two scenes that made the earlier film such a notorious shocker, and while there aren't a great number of highly nasty scenes here; they're more common and the film is more violent on the whole. Sequences involving a drill, a table saw and a severed head are among the best scenes in the movie. Director Joe D'Amato receives a lot of criticism, and while some of it is deserved; it has to be said that he has elevated this film over and above what you would expect of a grisly slasher. The atmosphere is superb, while the locations are well used and selected - and best of all, the director clearly knows how to build suspense; as the last twenty minutes of this film are truly gripping...and that's not bad at all considering that the characters are impossible to care for. Overall, anyone seeing this film will know not to expect great things - but its well worth seeing for the Video Nasty fan, and overall I'd say it's almost on par with the first film.
George Eastman takes the lead role again and just as it did in Antropophagus; his imposing presence provides the film's main standout, despite him basically marauding around rather than actually acting. Obviously, the most important thing about this film for many will be the gore; and overall I'd say it just about tops Antropophagus. It was only two scenes that made the earlier film such a notorious shocker, and while there aren't a great number of highly nasty scenes here; they're more common and the film is more violent on the whole. Sequences involving a drill, a table saw and a severed head are among the best scenes in the movie. Director Joe D'Amato receives a lot of criticism, and while some of it is deserved; it has to be said that he has elevated this film over and above what you would expect of a grisly slasher. The atmosphere is superb, while the locations are well used and selected - and best of all, the director clearly knows how to build suspense; as the last twenty minutes of this film are truly gripping...and that's not bad at all considering that the characters are impossible to care for. Overall, anyone seeing this film will know not to expect great things - but its well worth seeing for the Video Nasty fan, and overall I'd say it's almost on par with the first film.
Joe D'Amato and George Eastman's follow-up to the notorious "The Grim Reaper" (Antropophagus) is sick, twisted and oh yes deliciously absurd! There's no real story and the amount of genuine chills is limited, but the gory murder sequences are sensational and they easily rank among the craziest stuff ever caught on film. Eastman once again portrays a Greek psycho-killer, though a different one than the fetus-munching monster in Antropophagus (love that title!), cheerfully butchering half the population of a small American town. Nikos isn't your ordinary madman, but a scientific guinea pig whose blood coagulates much faster and hence he instantly recovers from severe wounds, like gunshots or impalement. He's pursued by an unintelligible priest, a chain-smoking copper and his black assistant who isn't allowed to talk without permission. No wonder none of these blokes is capable of catching or even tracing Nikos and the body count increases immensely. Whenever George isn't barbarically killing someone using band saws, surgical devices or axes, "Absurd" is rather dull, slow-moving and borrowing story ideas as well as direct quotes from John Carpenter's landmark slasher Halloween. There's babysitters in peril, young kids spotting the bogeyman everywhere around the house and dangerous killers escaping from hospital beds. Still, if you're looking for really good horror cinema, just wait for the climax which is quite suspenseful and it makes the popular title "Absurd" all the more meaningful.
It's no Anthropophagus, but it's still worth a watch.
If Anthropophagus is a symphony of terror than Absurd is more like chamber music. It's a smaller cast. The majority of the horror takes place in one house. This has a more claustrophobic feel than Anthropophagus. Also, you get to know the characters better here which is nice.
This killer lacks the intensity of the madness from Anthropophagus. But there is at least one violent scene that's sure to grab your attention. It's worth checking out.
If Anthropophagus is a symphony of terror than Absurd is more like chamber music. It's a smaller cast. The majority of the horror takes place in one house. This has a more claustrophobic feel than Anthropophagus. Also, you get to know the characters better here which is nice.
This killer lacks the intensity of the madness from Anthropophagus. But there is at least one violent scene that's sure to grab your attention. It's worth checking out.
Did you know
- TriviaThe film was one of the original 74 UK video nasties and banned by the BBFC in 1984. It was released uncut on Bluray in the UK in 2017.
- GoofsWhen Mr and Mrs Bennett drive away in Mrs Bennett's car, as they leave the driveway two members of the film crew can be seen reflected in the window of the car.
- Quotes
Willy Bennett: I want to watch the game!
- Alternate versionsBefore its inclusion on the video nasty list the film received a brief theatrical release in the UK in 1983. Unlike its pre-certificated video counterpart however the cinema version was cut by 2 mins 32 secs by the BBFC with heavy edits to the murder of the nurse with a drill, a man's forehead being sliced with a band saw, and a woman's face being burnt off in an oven.
- ConnectionsFeatured in Porno Holocaust - Die Filme des Joe D'Amato (2001)
Details
Contribute to this page
Suggest an edit or add missing content