Monsignor

saw this as a sneak preview, and there was a lot of mumbling in full theater as reeve was cast as priest, to begin with. more mumbling ensued as film went on, then laughter, and occasional comments from crowd. loved scenes as lines of people approached the pope, and the overhead camera view was hysterical when eyes met. one comment from crowd was directed at diminuative pope character- "ET phone home". i've been looking for it on video for years for a good laugh, but couldn't even find it among reeve's credits. kudos to bujold for listing everything no matter how nasty... i don't remember anyone leaving the theater, as i've seen in some sneak previews, probably because the of the 'so bad it was good' factor.

I had watched this movie when I was growing up. May be I was 20 or so. There are only few movies after which I would think "what the hell did I watch just now?". This is one of them. What impressed me most were two things: 1. Character of Christopher Reeve wants to experience everything without inhibition. And is prepared to face consequences. In a way he is crazy brave. 2. Someone asked in one of the question\answer site if they knew a movie in which character goes in gradual degradation. This movie came to my mind. No matter what happens in the end, the character is aware that he has lived his life to the fullest (in a sense in a immoral bad way but I don't think he cares much about rules laid down by some other man).

One of my favorites.

I have read some of the negative comments on this film, they must have been written by staunch Catholics. One person said Miss Bujolds career was ruined by this movie if that is so it is a shame.

I have watched this Movie many times. Monsignor delves into the many aspects of human sin and how we all fail God every moment of every day that we live. I think those who dislike this film have latched onto the notion that nuns and priest are perfect,they should pick up the paper.

Monsignor is a sad film but a good one,sad because of the longings of the heart not fulfilled. This film hit home with me because of the many times our deepest longings go unfulfilled.

This movie also had many redemptive qualities to it. I also think I liked it because it did not go the way I wanted it to.

Someone on a game show once named this as his favorite bad movie, citing that hilarious scene in the church when Genevieve Bujold, playing a tramp postulant, realizes that her boyfriend is a priest.

There's nothing good to be said about this film except that it has glorious scenery. It's sad today to see Christopher Reeve healthy and walking - and wasting what little time he was going to have in rotgut like this. As someone raised in the Catholic church, I loved hearing the Latin again. Also with the recent scandals in the church that have come to light, I don't really put much past the Catholic church or the high mucky-mucks. But this movie is really ridiculous.

The performances were okay, given what these poor people had to deal with. The Genevieve Bujold character is a riot; the role is a career-killer. I mean, bare breasts exposed, the woman is asking the Reeve character, "Do you think I'll make a good nun?" The Christopher Reeve character - that of a mafioso priest - is preposterous. I used to love Jason Miller. Not in this. I'm old enough to remember the old pope - were they kidding with that characterization of him?

Alas, today, you really wouldn't watch this with friends for a few laughs (as one of the older posts suggests) because it's just too awful to see young, handsome Christopher Reeve. So probably the best thing some higher-up can do is take this baby out of circulation. If I'm going to watch Christopher Reeve, I'll watch him fly and remember him when he was just starting out, vital, handsome, with it all in front of him.

It's inconceivable that a director like Frank Perry could have been associated with "Monsignor". Mr. Perry was a man responsible for some good movies in the sixties and seventies. Who knows what might have attracted him to direct this high camp picture that should be better forgotten.

The plot of the movie is preposterous, at best. The point the movie is trying to make is how the Catholic Church makes a perfect partner with the Mafia, something that could only make sense to the author of the novel. The second theme deals with the way Flaherty falls in love with the novice Clara, and how he keeps from her the secret of his identity, which is obvious, as the pair move in the same circles, so it would be inevitable for the young woman to find out who her lover really is.

"Monsignor" wastes two hours in trying to make sense without success. The cast does what it can trying to give life to these one dimensional characters they were asked to bring to life for the movie. Not even the musical score by John Williams does anything to help the movie.

Future viewers are warned as to what to expect.