The classic Charles Dickens tale of an orphan boy who escapes the horrors of the orphanage only to be taken in by a band of thieves and pickpockets.The classic Charles Dickens tale of an orphan boy who escapes the horrors of the orphanage only to be taken in by a band of thieves and pickpockets.The classic Charles Dickens tale of an orphan boy who escapes the horrors of the orphanage only to be taken in by a band of thieves and pickpockets.
- Nominated for 1 Primetime Emmy
- 1 nomination total
Phil Davis
- Noah Claypole
- (as Philip Davis)
Ann Tirard
- Mrs. Corney
- (as Anne Tirard)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This seldom-seen television movie from the early eighties does the best of any adaptation(up to that time)of capturing the dispair and wretchedness of life for the poor in 19th century London. George C. Scott's Fagin is oily and vile, and Tim Curry's Sikes is chillingly psychotic. The sets and photography convey a sense of grim poverty and desolation all but absent from most versions. Dickens wrote a Victorian horror story of abuse, starvation, and isolation, and this film does his grim novel justice.
Considered the finest author of the Victorian Era, Charles Dickens wrote, among other novels, the story of " Oliver Twist. " Beginning in 1922, many film adaptations have depicted the horrific settings of the young waif and the dark misery of England's Workhouses. This version which stars' the multi-talented George C. Scott as Fagin, is the most memorable. If you have read the original novel published in 1837, you are fortunate. Further, this particular movie is indicative of the harsh, indeed, brutal life of poverty-stricken English children, described by the author. The cast of the movie is superb and includes, Richard Charles as Oliver, Tim Curry as murderous Bill Sikes, Michael Hordern as Mr. Brownlow and Oliver Cotton as the compassionate Nancy. All in all, this is the best film adaptation of Dickens' superior novel and a true Classic in every sense of the word. Easily recommended to all. ****
I will tell you, the 1948 David Lean film is magnificent, and the definitive version of Charles Dickens' classic novel. Now I liked this; it did have a decent script, director Clive Donner does more than acceptably portray the harshness of the Victorian era, and fluid camera-work considering it is noticeably lower budget an adaptation of the novel out of all the adaptations I have seen. The performances were very good; George C.Scott was oily, vile, manipulative and shrewd like Fagin should be. I will admit, although I am a massive Tim Curry fan, I was initially perplexed why he was cast as Sikes. Curry isn't exactly big and burly and I don't associate him as a violent murderer, but in terms of acting, he was extremely chilling and very effective in his role. Especially when he sees images of Nancy after he kills her, and speaking of the death scene, that was very brutal. In fact, this film is one of the more violent adaptations of the novel I've seen. I liked the dog too. Cherie Lunghi is as lovely as ever, and indeed vulnerable as Nancy, and Michael Horden is a splendid Mr Brownlow. In fact the only two weak performances came from Richard Charles as Oliver-he just couldn't carry the film on its own- and Timothy West sadly is miscast as Mr Bumble not being grotesque enough. The plot was hugely condensed of the content from the book, and consequently lacked the masterly storytelling that made the David Lean film such a classic. All in all, a flawed but respectable adaptation of a complicated book. 7/10 Bethany Cox
This is without doubt the absolute worst version of Twist I've ever seen, and I've pretty much seen them all. Oh, no question, the cast was great. George C Scott was wonderful as Fagin, Curry was quite nice as Sikes. Cherie Lunghi and Michael Hordern have always been big favorites of mine, going back to their days as Shakespearean actors in the BBC filming of the entire Shakespeare canon. And I was so glad to see the character of Charlie get his due - his part in the plot is so often elided.
But the plot! Oh my God, the plot! Was there ever such a condensation? Dozens of characters left out, dozens of crucial plot points obliterated in the interests of squeezing this story into 100 minutes or so. Some of the most important story elements were kept, but were stuck in at the wrong places, leaching them of their poignancy. I even found myself laughing at a couple of places, the stuff was handled so badly. Nancy's death scene, by the way, was given the goofiest interpretation I've ever seen.
I liked Sikes' dog. It's usually shown as an English bull, but in this version it was a Benji-style mutt. Yeah. I liked the dog. That was about it.
But the plot! Oh my God, the plot! Was there ever such a condensation? Dozens of characters left out, dozens of crucial plot points obliterated in the interests of squeezing this story into 100 minutes or so. Some of the most important story elements were kept, but were stuck in at the wrong places, leaching them of their poignancy. I even found myself laughing at a couple of places, the stuff was handled so badly. Nancy's death scene, by the way, was given the goofiest interpretation I've ever seen.
I liked Sikes' dog. It's usually shown as an English bull, but in this version it was a Benji-style mutt. Yeah. I liked the dog. That was about it.
This is quite an accurate adaptation of the novel,and for the most part,quite satisfying.Curry does a good job,although I always thought of Sikes as a more burly chap.West does what he can as Bumble,but is miscast.Bumble's pride,arrogance,monumental conceit and collosal ignorance are to be matched by a hulking obese brute,masquerading as charity,piety,and responsibility.West comes across as a silly,dotty,and senile clod-he's just not grotesque enough.The muscular Scott lacks the physically frail quality for a proper Fagin-and his attempt to save Nancy at the end is totally out of character.Dickens created a villain-true,persecuted,discriminated against,and the victim of religious and racial bias-but a calculating,vicious,treacherous snake all the same.Everything else being considered,this is quite watchable,entertaing,and captures much of the spirit of the novel.
Did you know
- TriviaSir Michael Hordern, George C. Scott, and Tim Curry have something in common. They all played Ebenezer Scrooge, the main character in another Charles Dickens timeless classic, "A Christmas Carol". Hordern also played Jacob Marley in two productions of "A Christmas Carol".
- Quotes
Noah Claypole: [Sowerberry has handed Claypoole mourning clothes, instructing him to give them to Oliver] But these are funeral clothes! You promised me the job of silent mourner!
Mr. Sowerberry: I never did. Besides, he has a much better face for it than you. He looks so sad.
- Alternate versionsOn the original VHS release, for unspecified reasons, the pivotal scene in which Oliver asks for more gruel (in this case for a starving friend) was completely cut, as were the scenes that immediately followed, with the workhouse selling Oliver to Mr. Sowerberry and Oliver's first day as Sowerberry's apprentice. This added up to ten minutes (almost to the exact second) of footage eliminated.
- ConnectionsFeatured in Visible: Out on Television: The New Guard (2020)
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- Twist Olivér
- Filming locations
- Stage 4, Elstree Studios, Borehamwood, Hertfordshire, England, UK(street scenes; exterior and interior of Fagin's parlor; exterior and interior of Sikes' lodgings; narrow alleyway; streets and sidewalks with stalls; Brownlow's study; exterior and interior of tenement warehouse hideout; roof of warehouse hideout, demolished in 1989)
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