Rehearsal for Murder

Robert Preston plays a Broadway playwright who is just about getting over the death of Lynn Redgrave almost a year earlier. She was an actress involved with Preston who wrote a play for her in which she opened to mixed reviews. That night she went off her building roof and her death was ruled a suicide. Preston's never believed it though.

So he's gathered several friends and acquaintances though which include Lawrence Pressman, David Greene, Jeff Goldblum, Madolyn Smith, and William Daniels to read scenes from a new play he's written. Seems as though Preston has the flotsam and jetsam of a plot of a murder mystery that everyone discovers rather quickly is the plot of the murder of Redgrave the year before. Her death was ruled a suicide, but Preston never believed it.

He's borrowed from no less than the greatest playwright of all Master William Shakespeare who had Hamlet use that device to confirm his suspicions about Uncle Claudius. Preston's suspicions are confirmed, but the murderer is the last one you'd suspect.

This is a pretty good cast of players and they're quite up to the dialog that a clever script provides. Nothing special here, but nicely served up.

This has remained one of my favorite movies of all time. Written by Richard Levinson and William Link, the creators of "Columbo" and "Murder, She Wrote," the story takes place in an empty theater as playwright Alex Dennison stages an elaborate plan to reveal the truth behind his movie star fiancée's supposed suicide. Cast and crew from her first, and only stage play performance are gathered together a year after her death under the pretext of a reading of his new play. As the scenes are read, it becomes evident that Alex has an ulterior motive in inviting these people for this "rehearsal." When the group learns that Alex believes Monica was actually murdered, and that one of them is the prime suspect, it is only through various methods of duress that they reluctantly go along with his scheme. Very much like a stage play, each character is introduced, playing what seems to be a stock part: the ingénue yearning for stardom; the producer keeping his eye on the bottom line; the stage director trying to make a name for himself; the embittered ex-lover; the leading man with an eye for the ladies, and so on. At the center of the story, Robert Preston is perfect as the distinguished playwright who has suffered a tragic loss; determined to prove that the woman he loved was murdered. At times, you can't be certain that he hasn't simply gone over the edge in his grief.

Jeff Goldblum's face is the only one on the DVD cover, and although he was excellent playing the part of supporting actor Leo Gibbs, this movie truly is a shining example of ensemble performance, with great performances by William Daniels, Lawrence Pressman, Patrick Macnee, and Madolyn Smith. The only discordant note is Lynn Redgrave. Admittedly, playing a character that is only seen in flashbacks and manufactured scenes from a play, it is hard to get a sense of Monica Welles' true nature. Still, the movie was not so much about her, but rather about how others may have seen her from different perspectives, along with their possible motives.

There are many twists and turns, but the clues are there for anyone to see, especially in dialogue. The first and most notable one, is when Alex tells the group about his new play. "Unusual form, a mystery," Alex notes, "You take the audience by the hand, and you lead them... in the wrong direction. They trust you, and you betray them! All in the name of surprise." These words sum up the story perfectly and succinctly, and I'm glad I have the chance to give this movie a hearty recommendation.

Whenever you see the names "Levinson" and "Link" in the writing credits, you can be assured of a well scripted, unique whodunit, with plot twists that would give Dame Agatha a run for her money.

" ... unusual form -- a mystery -- you take the audience by the hand and you lead them -- in the wrong direction." Those are the prophetic words of playwright Alex Dennison in this Levinson and Link play within a play, called "Rehearsal For Murder". Dennison (Robert Preston) reunites five show-biz friends, ostensibly to get feedback on his new mystery novel. The real reason for the reunion is to unmask the killer of Monica Welles, Dennison's fiancé, who was murdered a year earlier. Which of the five friends is the killer?

"Rehearsal For Murder" is a filmed stage play, which means that the emphasis is on the crafts of script and acting, both of which here are excellent, and production design which in this case is adequate. The multiple plot twists make the screenplay ingenious, if perhaps a little far-fetched. The entire cast gives a fine performance, though I must confess to a preference for Robert Preston, one of the most credible actors of all time.

There's no heavy duty "message" in this film, no special effects, no cinematic gimmicks. It's just an old-fashioned, entertaining murder mystery for viewers who like whodunits. I have long considered "Murder By Natural Causes" (1979) to be Levinson and Link's best work. But "Rehearsal For Murder" is not far behind.

REHEARSAL FOR MURDER

Aspect ratio: 1.33:1

Sound format: Mono

One year after his wife (Lynn Redgrave) died in mysterious circumstances, a grief-stricken playwright (Robert Preston) lures several prime suspects - all personal friends - to a lonely theatre where he proposes to unmask Redgrave's killer by reconstructing events on the night of her death...

Wonderful, old-fashioned murder mystery (written by Richard Levinson and William Link) which pulls an astonishing about-face during its final reel, though not before a number of talented thesps (including Patrick Macnee, William Daniels, Jeff Goldblum and Madolyn Smith) have acted up a storm as chief suspects in a tragic crime. Performances and dialogue are crisp and believable, plot-holes are neatly plugged, and the climactic 'reveal' will knock your socks off! Magical stuff, highly recommended, though viewers are advised to see it 'cold' for maximum effect. Directed by TV veteran David Greene (ROOTS, GUILTY CONSCIENCE, THE TRIAL OF LEE HARVEY OSWALD, etc.).

I was confused not to see lieutenant Columbo in this film, written by the Levinson Link piece of work, which, of course looks very lie a COLUMBO series episode, except the very short cop appearance. Besides, that's a real good time waster for perfect crime schemes lovers. And what a surprise to see Pat Mc Nee here. I have nothing more to tell about this feature.