Chris returns from WWI unable to recognize his wife Kitty. He wants to reunite with Margaret, his former lover. Kitty hires a psychiatrist to address Chris's feelings for Margaret and cousin... Read allChris returns from WWI unable to recognize his wife Kitty. He wants to reunite with Margaret, his former lover. Kitty hires a psychiatrist to address Chris's feelings for Margaret and cousin Jenny, but sees the man she knew is gone.Chris returns from WWI unable to recognize his wife Kitty. He wants to reunite with Margaret, his former lover. Kitty hires a psychiatrist to address Chris's feelings for Margaret and cousin Jenny, but sees the man she knew is gone.
- Nominated for 1 BAFTA Award
- 2 nominations total
Allan Corduner
- Pianist at Party
- (as Alan Corduner)
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10trpdean
This is superb - the acting wonderful, sets, clothes, music - but most of all the story itself.
I am amazed there aren't more reviews of this movie - certainly one of the best of the 1980s.
It's also a wonderful movie to see in tandem with the great "Random Harvest" which has much the same opening crisis
-- a middle aged, unknown English W.W.I officer is in a hospital toward the close of the war, suffering from shell shock and complete amnesia without any idea of his name, origin, or anywhere he belongs - he proves to be a very wealthy established man - when he "recovers", he will not remember the years before the war --
But there the movies' resemblances end.
My warmest thanks to all who participated in the movie - particularly the actors Ian Holm, Alan Bates, Ann Margret (what a great and surprising casting choice), Glenda Jackson, Julie Christie.
This one stays with you forever.
I am amazed there aren't more reviews of this movie - certainly one of the best of the 1980s.
It's also a wonderful movie to see in tandem with the great "Random Harvest" which has much the same opening crisis
-- a middle aged, unknown English W.W.I officer is in a hospital toward the close of the war, suffering from shell shock and complete amnesia without any idea of his name, origin, or anywhere he belongs - he proves to be a very wealthy established man - when he "recovers", he will not remember the years before the war --
But there the movies' resemblances end.
My warmest thanks to all who participated in the movie - particularly the actors Ian Holm, Alan Bates, Ann Margret (what a great and surprising casting choice), Glenda Jackson, Julie Christie.
This one stays with you forever.
first, for the story who seems be a poem about vulnerabilities. than, for admirable performances. and for the great science of detail and for the lights who become second skin for each actor. a film about management of past. soft, nostalgic, seductive, bitter. about the war between two women for a man. a film in which each character is more than a presence but word from the experiences of the viewer. a special film. for the atmosphere and for the great art. for landscapes like translations of the states of the characters and for remarkable Glenda Jackson. for the science of exploration the nuances who define characters and impose each of them as the hero. a film who propose the dreamed Eangland from a lost age.
Wealthy, spoiled Englishman sustains shell shock during WWI and returns home unable to face reality.
I was drawn to this film because of the cast and the fact that it was a Rebecca West story. After viewing the film I found myself so overwhelmed by it that I had to return to the theater the next day to see it again. In the second viewing I was able to truly "watch" the film. Alan Bridges attention to detail was astounding, as when Jenny dropped a comb onto the white fur rug in the window area of Kitty's bedroom as she saw Margaret approaching their house. When Margaret sat in the foyer waiting and gently touched a small figurine of a little boy with her loving finger. All one needed to know about the character of Margaret Allington was revealed. One tends to overlook the work of Ann-Margaret among this seasoned,professional cast. Her connection with Chris Baldry was completely believable,poignant and ultimately heart breaking. Excellent work. In a stroke of genius Bridges set the deciding scene in which Margaret tells Chris of his dead son (and is ultimately restored to a present day state of mind) far away from our viewing eyes. We cannot see the expression on Chris' face as he hears the news. We can only see his physical reaction to the tragic news and then finally Margaret standing a minute alone as he "returns" to the house before she turns and walks away. A brilliant handling of arguably the most important scene in the film. Alan Bridges was among the greatest of directors.
It's a perfect film, and Ann-Margret with little or no makeup, mousy brown hair and a -- to my ears -- perfect British accent might have been totally unrecognizable if I hadn't already known she was in the cast. I can't say I was totally surprised at how good she was, since I have liked all her performances since Carnal Knowledge (I could just weep over all the wasted years and crummy movies preceding it), but the way she held her own as an Englishwoman with the royalty of the British screen was pretty impressive.
Bates is utterly heartbreaking and Jackson is quite wonderful. She is at, almost, her least physically attractive, which adds to the poignancy. Christie on the contrary, as a selfish and shallow beauty, really IS a beauty in the film, still, which adds to the interest. She is being overlooked in favor of Jackson, to whom the years have not been kind.
Bates is utterly heartbreaking and Jackson is quite wonderful. She is at, almost, her least physically attractive, which adds to the poignancy. Christie on the contrary, as a selfish and shallow beauty, really IS a beauty in the film, still, which adds to the interest. She is being overlooked in favor of Jackson, to whom the years have not been kind.
I just finished the novel today and watched this on YouTube and am only writing this to say it is amazingly faithful to West's novella. You rarely see a movie that stays so true to a book and then succeeds as a film as this one does.
Did you know
- TriviaAnn-Margret seemed to some reviewers to be oddly cast as a reserved English spinster of the First World War period. Julie Christie was full of praise for her performance and also said that the film couldn't have been made without her - suggesting that backers required the insurance of an American star in one of the leads before they put up the money.
- ConnectionsReferenced in Liberty Street: Return of the Soldier (1995)
- How long is The Return of the Soldier?Powered by Alexa
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- Also known as
- Die Schatten der Vergangenheit
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- Selston, Nottinghamshire, England, UK(location)
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