IMDb RATING
6.3/10
14K
YOUR RATING
A burned-out New York police detective teams up with a college psychoanalyst to track down a vicious serial killer randomly stalking and killing various young women around the city.A burned-out New York police detective teams up with a college psychoanalyst to track down a vicious serial killer randomly stalking and killing various young women around the city.A burned-out New York police detective teams up with a college psychoanalyst to track down a vicious serial killer randomly stalking and killing various young women around the city.
Almanta Suska
- Fay Majors
- (as Almanta Keller)
Andrea Occhipinti
- Peter Bunch
- (as Andrew Painter)
Cosimo Cinieri
- Dr. Lodge
- (as Laurence Welles)
Zora Kerova
- Eva
- (as Zora Kerowa)
Paul E. Guskin
- Desk Sergeant
- (as Paul Guskin)
Antone Pagán
- Morales
- (as Anthon Kagan)
Josh Cruze
- Chico
- (as Johs Cruze)
Featured reviews
You can say NEW YORK RIPPER is bad, boring, stupid, crap, worthless, mean spirited, vile, etc. Whatever you can say about NEW YORK RIPPER though, you can't say it's not sleazy. It's over-the-top sleazy and misogynistic. It never shies away from it. Personally speaking, it's sleaze par excellence. The misogynistic aspect bothers me but then 90% of horror films out there are misogynistic, so it's not like I'm not used to it. As for the sleaze aspect, well, if you don't like sleaze, don't watch it. If you're fascinated by sleaze, like me, then this is like the CITIZEN KANE of sleaze. What makes this so different than the majority of truly worthless sleaze out there is that Fulci is honest about the sleaze. Compare this to let's say the recent MURDER SET PIECES, which is very sleazy but almost totally worthless. It's so self-conscious about the fact that it's horrific and sleazy, it just doesn't work. It's not real sleaze. NEW YORK RIPPER is real 42nd Ave sleaze.
What makes NEW YORK RIPPER unique among the plethora of sleazy films made then and today is the way it's filmed. In scope, garish colors, grimy settings, very gloomy and harsh. I love the scenes shot in the subway or around other parts of a depressed NY city. The acting is not really good but the level of acting is what you expect from these kind of films. It's remarkably violent towards women. Truly appalling. But then after the stunningly blunt ending, everything is suddenly redeemed. Though most of the violence is directed towards women, the sleaze centers around women and men, including a couple having live sex in front of an audience, horny thugs, a nymphomaniac housewife who tries to sleep around with any guy, including the thugs and a hunky psycho who is thought to be the killer, and there's a gay character who's the most likable character in the whole film.
I can't say that I like this Fulci flick. NEW YORK RIPPER is not something someone likes per se. It's just too harsh to attach any affection to it. But I'm fascinated about it and that's why I give it an 8. There are very few films that can claim to be something that will never be topped and because of our PC times and depending of what's in store in the near future, it's almost guaranteed that NEW YORK RIPPER will never be topped as far as the sleaze factor is concern.
What makes NEW YORK RIPPER unique among the plethora of sleazy films made then and today is the way it's filmed. In scope, garish colors, grimy settings, very gloomy and harsh. I love the scenes shot in the subway or around other parts of a depressed NY city. The acting is not really good but the level of acting is what you expect from these kind of films. It's remarkably violent towards women. Truly appalling. But then after the stunningly blunt ending, everything is suddenly redeemed. Though most of the violence is directed towards women, the sleaze centers around women and men, including a couple having live sex in front of an audience, horny thugs, a nymphomaniac housewife who tries to sleep around with any guy, including the thugs and a hunky psycho who is thought to be the killer, and there's a gay character who's the most likable character in the whole film.
I can't say that I like this Fulci flick. NEW YORK RIPPER is not something someone likes per se. It's just too harsh to attach any affection to it. But I'm fascinated about it and that's why I give it an 8. There are very few films that can claim to be something that will never be topped and because of our PC times and depending of what's in store in the near future, it's almost guaranteed that NEW YORK RIPPER will never be topped as far as the sleaze factor is concern.
But I liked it! Obviously not Lucio Fulci´s best ("The Beyond" still holds the top, followed up by "Zombi 2"!), but nevertheless "The New York Ripper" is another gorefest that delights the fans and despairs the censors (Actually this flick is banned in many countries like Australia, the U.K., Germany or Norway...)! Endowed with some nudity (Maybe the sleaziest flick Fulci ever directed...) and elements from Giallo this gem has got some really unforgettable moments: I like the scene when Alexandra Delli Colli (She plays a woman which is permanently on the search for sexual adventures...) gets stimulated by two Latino-boys in a billiard bar and the take where wonderful Zora Kerova ("Cannibal Ferox") was maltreaten by bottle is pretty gut-wrenching! The bloody climax however is when the ripper tortures a prostitute to death with using a razorblade! Really shocking and disturbing!! People who demand a clever story surely will be disappointed, gorehounds however will find a revelation in this! So if you had fun with William Lustig´s "Maniac" (1980) you will also like this effective shocker!!!
There's not much need to go into detail on the plot. Simply put, The New York Ripper is the story of a mad killer with a penchant for slashing young woman and harassing the police with his duck-like voice. That's really all you need to know.
The New York Ripper is Lucio Fulci's latter day ultra-violent take on the Giallo. When I say ultra-violent, I mean ULTRA-violent. If you're a fan of Fulci-style gore, there's surely something here for you. There's one scene where a girl's eye meets a razor that's particularly nasty and particularly difficult to watch. And, if you're a fan of Fulci-style sleaze, there's surely something here for you also. While I won't go as far as some reviewers and call it pornographic, there are a variety of sexual perversions on display. But it's not all blood and sex. Fulci actually manages to create a few scenes with real tension. There are moments where you know that killer is about to strike, but the anticipation Fulci builds in the audience is quite good.
Unfortunately, there are problems I have with the film. I'll limit this to two examples. First, the resolution of the mystery is a real letdown. The killer's identity is far too easy to guess. Fulci telegraphs the answer form the opening moments of the film. Second, Gialli often ask the viewer to suspend reality to accept various plot points, but the final scenes in The New York Ripper cross the line into ridiculousness and really hurt the overall film. I'm certainly no expert, but I sincerely doubt that all the psychological babble made any real sense to anyone.
The New York Ripper is Lucio Fulci's latter day ultra-violent take on the Giallo. When I say ultra-violent, I mean ULTRA-violent. If you're a fan of Fulci-style gore, there's surely something here for you. There's one scene where a girl's eye meets a razor that's particularly nasty and particularly difficult to watch. And, if you're a fan of Fulci-style sleaze, there's surely something here for you also. While I won't go as far as some reviewers and call it pornographic, there are a variety of sexual perversions on display. But it's not all blood and sex. Fulci actually manages to create a few scenes with real tension. There are moments where you know that killer is about to strike, but the anticipation Fulci builds in the audience is quite good.
Unfortunately, there are problems I have with the film. I'll limit this to two examples. First, the resolution of the mystery is a real letdown. The killer's identity is far too easy to guess. Fulci telegraphs the answer form the opening moments of the film. Second, Gialli often ask the viewer to suspend reality to accept various plot points, but the final scenes in The New York Ripper cross the line into ridiculousness and really hurt the overall film. I'm certainly no expert, but I sincerely doubt that all the psychological babble made any real sense to anyone.
Upon going to all the effort to import this film to my native shores (Australia)I must certainly say that everything i was expecting and more was recieved from this film...(Not that this is positive upon wanting to see the film purely for it's notoriety)
What i was hoping (But not keeping my fingers crossed) was to see a violent,and well made "Giallo" with all the trademark trimmings that give them the artistique upper hand over most American horror films,What i was met with in terms of "more" was an incredibly unsettling film from the depiction of the extreme gore and purely downright cruel actions shown in this film.I can understand now why this film had so much trouble passing Australian Censors (Which believe it or not,are rather lenient).
For a horror fan dedicated to seeing all the nasties around,this certainly topped the list and the NASTIEST film in terms of Physical grue,It oversteps the line from entertainment value just to extreme exploitation...I had to watch a feel good film straight after before going to sleep that night,to flush the images this film provided,and for me,that is making a bold statement.Normally i would expand a little further,but i really wish not to think about this film any further.
Proceed with extreme caution,You have been warned.
What i was hoping (But not keeping my fingers crossed) was to see a violent,and well made "Giallo" with all the trademark trimmings that give them the artistique upper hand over most American horror films,What i was met with in terms of "more" was an incredibly unsettling film from the depiction of the extreme gore and purely downright cruel actions shown in this film.I can understand now why this film had so much trouble passing Australian Censors (Which believe it or not,are rather lenient).
For a horror fan dedicated to seeing all the nasties around,this certainly topped the list and the NASTIEST film in terms of Physical grue,It oversteps the line from entertainment value just to extreme exploitation...I had to watch a feel good film straight after before going to sleep that night,to flush the images this film provided,and for me,that is making a bold statement.Normally i would expand a little further,but i really wish not to think about this film any further.
Proceed with extreme caution,You have been warned.
Lt. Fred Williams a new york cop is investigating a number of disturbing killings where the women are to say the least butchered. His first clue is that the killer speaks like Donald Duck, and soon the killer is calling and taunting Williams, so he calls in the help of a local Professor of Psychology to help profile the killer. There are plenty of gruesome killings and seedy set pieces to keep any sleaze fan happy ie.A Latino *beep* a woman with his foot, the same woman masturbating in a live sex porno theatre and taping it to pleasure her husband with later,a girl being butchered with a razor blade ripping open her face right down through her eyeball
pretty gruesome
.but wholly enjoyable as only Fulci can do. The dubbed dialogue is poor at times but it didn't take away from my enjoyment
a real video nasty
Did you know
- TriviaAfter the film was rejected for a UK cinema certificate in 1984 chief censor James Ferman ordered the original print to be re-exported back to the rights holder in Italy. This was to avoid any possible prosecution of either the UK distributor or the BBFC itself.
- GoofsWhen Cinzia de Ponti's character gets stabbed in her breast, it was on the right side of her nipple. But later in the morgue, it is shown that the stab wound was on the left side of the nipple.
- Quotes
The Ripper: [voice] But you won't understand me, you'll never understand me! You're too stupid! Quack! Quack! Quack!
- Alternate versionsAfter being banned for many years, the film's eventual release in 2002 by Vipco was cut by 22 secs by the BBFC to heavily edit the sight of a woman's stomach and breast being cut with a razor blade in accordance with the BBFC's guidelines over eroticised sexual violence. The 2007 Shameless DVD release reduced the cuts to 19 secs via editing.
- ConnectionsFeatured in Banned (1991)
Details
- Release date
- Country of origin
- Languages
- Also known as
- El descuartizador de Nueva York
- Filming locations
- Cavalier Hotel, 200 East 34th Street, Manhattan, New York City, New York, USA(the hotel where Scallenca takes Jane; closed since 2008)
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 25m(85 min)
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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