IMDb RATING
7.1/10
1.3K
YOUR RATING
Leonard Vole is accused of murdering an elderly rich woman, and the only alibi to him depends on his wife Christine.Leonard Vole is accused of murdering an elderly rich woman, and the only alibi to him depends on his wife Christine.Leonard Vole is accused of murdering an elderly rich woman, and the only alibi to him depends on his wife Christine.
- Nominated for 1 Primetime Emmy
- 1 nomination total
Ken Kitson
- Policeman
- (as Kit Kitson)
Featured reviews
This is Dame Agatha at her best. I also have the 1957 original, but I gotta tell you this version is far better! Credit Diana Rigg for that, she steals the show and gives a towering performance.
The film starts when Janet is on her way back to the house(Wendy Hiller)She hears two people-she sees one of them-but can't see the other-it's a man. She goes upstairs-then she hears screams and crashing about. She goes down stairs to find a middle aged woman dead.
That's the set up. What follows is a series of plot twists. Leonard Vole(Beau Bridges) Is arrested for the crime and is brought to trial. The Barrister Sir Wilford Robarts(Ralph Richardson)is asked to take the case.
Is Leonard Vole Guilty? Be prepared for one of the most surprising endings in a mystery! It's shot in the arm from Agatha Christie! Oh, Agatha How could you?
The film starts when Janet is on her way back to the house(Wendy Hiller)She hears two people-she sees one of them-but can't see the other-it's a man. She goes upstairs-then she hears screams and crashing about. She goes down stairs to find a middle aged woman dead.
That's the set up. What follows is a series of plot twists. Leonard Vole(Beau Bridges) Is arrested for the crime and is brought to trial. The Barrister Sir Wilford Robarts(Ralph Richardson)is asked to take the case.
Is Leonard Vole Guilty? Be prepared for one of the most surprising endings in a mystery! It's shot in the arm from Agatha Christie! Oh, Agatha How could you?
This is a fine adaptation of one of Christie's best known works. When people rate and compare this I wonewoif they're comparing the Dietrich film, or the text. Let's face it the text is so short that the play lends itself so well to development and interpretation. It is one of her most ingenious plots, and relies on convincing characters.
This features, for the most part excellent performances, Ralph Richardson steals the show, closely followed by Diana Right, who manages to make Christine as cold as ice. Pleasance and Hiller are also fine.
The problem for me comes from Beau Bridges, whom was wildly miscast, lacking the emotional depth required to make Leonard convincing. I would have loved to see Simon MacKorkindale in the role, he had so much charm.
Some great scenes, some wonderfully dramatic moments, particularly the theatrical finale. I'd rank it third after, firstly 1957's classic, and secondly the BBC's deliciously dark adaptation from 2016.
A very enjoyable watch, 8/10
This features, for the most part excellent performances, Ralph Richardson steals the show, closely followed by Diana Right, who manages to make Christine as cold as ice. Pleasance and Hiller are also fine.
The problem for me comes from Beau Bridges, whom was wildly miscast, lacking the emotional depth required to make Leonard convincing. I would have loved to see Simon MacKorkindale in the role, he had so much charm.
Some great scenes, some wonderfully dramatic moments, particularly the theatrical finale. I'd rank it third after, firstly 1957's classic, and secondly the BBC's deliciously dark adaptation from 2016.
A very enjoyable watch, 8/10
While this TV remake of the classic 1957 Billy Wilder film can't hold a candle to the original, it's fun if taken on its own. It's well cast and has a beautiful period feel. And let's face it, any chance to see Diana Rigg is a welcome one!!
Excellent TV version of the Agatha Christie classic with an amazing array of talent for this type of enterprise. This is the sort of high quality fare that was standard on American television in the 70s & 80s and is sadly missing today.
Bridges is okay but miscast. Leonard Vole needs to be played by someone with a slick charm as it was by Tyrone Power in the original, a persona like George Clooney projects now and Bridges while a capable actor doesn't have that quality.
Therefore he is easily put in the shade by the powerhouse team of Sir Ralph Richardson and Diana Rigg. Both give exceptional performances, Richardson sly, knowing and wise while Diana Rigg is perfect as the determined if misguided Christine. Deborah Kerr provides a nice light touch as Richardson nurse. Good fun all around.
Bridges is okay but miscast. Leonard Vole needs to be played by someone with a slick charm as it was by Tyrone Power in the original, a persona like George Clooney projects now and Bridges while a capable actor doesn't have that quality.
Therefore he is easily put in the shade by the powerhouse team of Sir Ralph Richardson and Diana Rigg. Both give exceptional performances, Richardson sly, knowing and wise while Diana Rigg is perfect as the determined if misguided Christine. Deborah Kerr provides a nice light touch as Richardson nurse. Good fun all around.
Sorry but I find the original a bit slow. The original court case is probably more dramatic. However, I like the cast better in this newer rendition and wish it was available on DVD. Diana Rigg as always is great. Deborah Kerr and Donald Pleasance also turn in good performances.
Did you know
- TriviaThe 1957 version of this same material, starring Charles Laughton, Tyrone Power, Elsa Lanchester and Marlene Dietrich, directed and co-written by Billy Wilder, is widely considered a classic of the courtroom drama genre. This TV movie is far more a version of Wilder's film than of Christie's play, which Wilder had adapted very freely (although it was one of the very few films based on her work of which Dame Agatha approved),
- GoofsIn the witness box, the maid Janet McKenzie states that September 14th 1954 was a Friday, which was her day off. That date was, in fact, a Tuesday.
- ConnectionsEdited into Hallmark Hall of Fame (1951)
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- Agatha Christie's Witness for the Prosecution
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