When a friend's daughter gets killed, a former police detective returns to Los Angeles as a private detective and vigilante to catch a serial killer, while trying to rekindle his relationshi... Read allWhen a friend's daughter gets killed, a former police detective returns to Los Angeles as a private detective and vigilante to catch a serial killer, while trying to rekindle his relationship with his estranged wife.When a friend's daughter gets killed, a former police detective returns to Los Angeles as a private detective and vigilante to catch a serial killer, while trying to rekindle his relationship with his estranged wife.
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Unfortunately he ignores their warning and the film drags on for another hour.
The plot is good standard fare for an action movie. Ex cop turned private detective returns to LA where formerly served to solve the murder of a friend's daughter. He meets up with old enemies and his ex wife while things dont go as planned. The movie would have worked with a good healthy edit and better action sequences like the last one which didn't make sense. Alot of gloating to prolong it too long.
Might have been alot better with a good edit. Wings Hauser was good in the role. Also nice seeing Al Ruscio not playing the stereotypical bad guy for a change.
There's no surprises here, but it's well made in workman-like manner by director Paul Aaron ("A Force of One"). Fundamental is how you can describe the b-grade story, but it did somewhat change route in the back-end after what I thought was going to be your typical stalk and slash outing with a (ex-maverick) cop after a psycho serial killer. In away I probably would have preferred if stuck to that formula (something similar to Charles Bronson's "10 to Midnight"), then where it actually headed. Even the added love-interest with Joyce Ingalls's character felt like nothing more than padding. The narrative does have a scattered pattern going on, but everything is thinly examined when it comes to its finale. Pacing can be very uneven, but the action is physically tough and breakneck (as well as that pumping soundtrack) but you end up wishing there were more extreme dynamics than what's produced. Also showing up in the cast is Paul Shenar, Al Ruscio, Lincoln Kilpatrick and Arlen Dean Snyder.
Middle-of-the-road entertainment.
"You leave L.A, I'll have your ass!"
Did you know
- TriviaProducer Sandy Howard had just worked with star Wings Hauser on 'Vice Squad' (1982) and was impressed with his ability and charisma. Howard immediately searched for a vehicle for his star and found it with this film. Howard hoped it would be the beginning of a Dirty Harry-like series, but plans for more Stony Cooper films fell through.
- Quotes
[last lines]
Joshua Adams: We're two of a kind Cooper we both know violence is a means to an end... now hand over your gun... do it
- Crazy creditsThe concluding credits roll over a stilled image of Wings Hauser, Joyce Ingalls and Al Ruscio moving away together outside the Canfield Institute.
- ConnectionsFeatured in The Cinema Snob: Deadly Force/The Big Score (2023)
- SoundtracksI Can't Fight It
Music by Lori Lieberman and Gary S. Scott (as Lieberman/Scott)
Lyrics by Janus Cercone (as Janis Cercone)
Performed by Lorraine Devon Wilke (as Lorraine Devon)
Produced by Gary S. Scott (as Gary Scott)
- How long is Deadly Force?Powered by Alexa
Details
Box office
- Budget
- $3,000,000 (estimated)