An 18-year-old female amateur dancer who performs nightly at a dancing bar, and works as a welder during the day, dreams of joining the Pittsburgh ballet school.An 18-year-old female amateur dancer who performs nightly at a dancing bar, and works as a welder during the day, dreams of joining the Pittsburgh ballet school.An 18-year-old female amateur dancer who performs nightly at a dancing bar, and works as a welder during the day, dreams of joining the Pittsburgh ballet school.
- Won 1 Oscar
- 14 wins & 17 nominations total
Philip Bruns
- Frank Szabo
- (as Phil Bruns)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
6.263.1K
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Featured reviews
What a feeling
Astronaut John Glenn once said (about seeing earth from outer space) "To look out at this kind of creation and not believe in God is to me impossible". I bring this up because I more or less said the same thing when Jennifer Beals first lifted up her welding mask in 'Flashdance'. Wow. But she's more than a pretty face. The material may only be thimble deep, but Beals brings just the right mix of energy, grit and old fashioned spunk to the part and instantly gets us on her side. That she was only 18 at the time is mind boggling. No, it's not her dancing, and this is painfully obvious on a large HD TV, but she does just fine with the dramatic heavy lifting, such as it is.
Born out of the BIG Bang that was MTV, 'Flashdance' became a phenomenon in 1983. Marrying the visual style of the former with an old fashioned underdog tale in the spirit of Rocky, it captured people's imagination and remains a well loved guilty pleasure for many. So much so that it recently inspired a musical in the UK that has since traveled the U.S. as well.
It does one no good to hold the film up to any sort of deep scrutiny. Just put on your legwarmers and go with the beat. What a feeling.
Born out of the BIG Bang that was MTV, 'Flashdance' became a phenomenon in 1983. Marrying the visual style of the former with an old fashioned underdog tale in the spirit of Rocky, it captured people's imagination and remains a well loved guilty pleasure for many. So much so that it recently inspired a musical in the UK that has since traveled the U.S. as well.
It does one no good to hold the film up to any sort of deep scrutiny. Just put on your legwarmers and go with the beat. What a feeling.
Nostalgia
As other users have said this film is very dated, but not necessarily bad. It was looked upon as a bit of fluff that was very successful in the box office. So now, it would come across as nostalgic (in the same vein as Dirty Dancing). But the thing I do like about it, is just that. Adrian Lyne perfectly captured the time, a post disco era when Break-dancing and Synth Pop were all the rage - Who could forget the FANTASTIC theme song, sung by Irene Cara (Fame) and composed by Synth Pop genius Giorgio Moroder (I feel love - Donna Summer among many others). So what if Jennifer Beals wasn't a great actress? So what if it wasn't her dancing? (Think one of them was a break dancer from "The Rock Steady Crew" - see? All about the era!) she was a good looking girl, and this was a harmless bit of fun at the time.
80s flash and trash
Sure, Flashdance will never make the AFI's Top 100, but it has an infectious charm. Jennifer Beals is really only so-so in the leading role, and her leading man Michael Nouri is no better off, but it doesn't matter. What does matter here is the great music! Really, the whole film is played like a 90-minute ad for MTV! Laugh at the dopey plot and listen to the great tunes. Great film to earmark the 80s.
Lively Popular Entertainment
In recent years there have been a number of British films based on the theme of working-class people who find fulfilment through their cultural activities; examples being Educating Rita (the first and most distinguished), Brassed Off, The Full Monty and Billy Elliott. Such films are frequently described as `quintessentially British' or `something that we can do and Hollywood can't', whereas the truth is that twenty years ago Hollywood was indeed making very similar films, mostly centred upon dancing, such as Saturday Night Fever, Dirty Dancing or Flashdance. Whereas these American films may not have had the covert (or, in the case of Brassed Off, highly overt) political message of their British counterparts, they nevertheless concentrated on differences in social class far more than Hollywood movies usually do.
The heroine of Flashdance, Alex, is a young woman who works as a welder and whose main joy in life is dancing. She moonlights as a dancer in a local nightclub, but her great ambition in life is to become a ballet dancer. The film tells the story of how she achieves that ambition, as well as the story of her romance with a wealthy middle-class divorcee, set against frequent dance sequences as Alex and her ice-skating friend Jeanie go through their paces. The climax comes with a scene in which she auditions for a place at a prestigious ballet academy and treats the judging committee to a bravura display of breakdancing. (Would a ballet school really be prepared to offer a place to a candidate whose dance skills owe more to the disco than to Swan Lake and who seems completely ignorant of balletic idiom?)
The film has its weak points. Although the plot is not as non-existent as some reviewers have felt, it nevertheless tends to take second place to the showpiece dance numbers; at times, it felt as if I were watching an extended series of pop videos. Potentially interesting themes are ignored; for example, Alex is a practising Catholic, but this seems to be a plot device to enable scenes set in the confessional to be used as soliloquies in which she can air her emotional problems. No attempt is made to explore the possible conflict between the demands of her religion and her sexually provocative dancing or her love for a divorcee.
The acting is undistinguished; Jennifer Beals makes an attractive and personable heroine, but it is clear why, despite the success of this film, she did not go on to become a major star. Her acting is too weak to enable her to carry a film; certainly I felt that she would be out of her depth in one that depends more upon plot and less upon song and dance. The other characters are little more than ciphers, with the exception of Hanna, the old lady who acts as Alex's mentor. I could certainly have done without the tasteless ethnic jokes told by Alex's comedian friend.
Yet, despite its faults, I enjoyed this film. Its redeeming feature is the zest and energy of its dance sequences, set to some well-chosen music such as Laura Branigan's Gloria or Irene Cara's title song. It may not be deep or significant, but it is an enjoyable, well-made piece of popular entertainment. 6/10.
The heroine of Flashdance, Alex, is a young woman who works as a welder and whose main joy in life is dancing. She moonlights as a dancer in a local nightclub, but her great ambition in life is to become a ballet dancer. The film tells the story of how she achieves that ambition, as well as the story of her romance with a wealthy middle-class divorcee, set against frequent dance sequences as Alex and her ice-skating friend Jeanie go through their paces. The climax comes with a scene in which she auditions for a place at a prestigious ballet academy and treats the judging committee to a bravura display of breakdancing. (Would a ballet school really be prepared to offer a place to a candidate whose dance skills owe more to the disco than to Swan Lake and who seems completely ignorant of balletic idiom?)
The film has its weak points. Although the plot is not as non-existent as some reviewers have felt, it nevertheless tends to take second place to the showpiece dance numbers; at times, it felt as if I were watching an extended series of pop videos. Potentially interesting themes are ignored; for example, Alex is a practising Catholic, but this seems to be a plot device to enable scenes set in the confessional to be used as soliloquies in which she can air her emotional problems. No attempt is made to explore the possible conflict between the demands of her religion and her sexually provocative dancing or her love for a divorcee.
The acting is undistinguished; Jennifer Beals makes an attractive and personable heroine, but it is clear why, despite the success of this film, she did not go on to become a major star. Her acting is too weak to enable her to carry a film; certainly I felt that she would be out of her depth in one that depends more upon plot and less upon song and dance. The other characters are little more than ciphers, with the exception of Hanna, the old lady who acts as Alex's mentor. I could certainly have done without the tasteless ethnic jokes told by Alex's comedian friend.
Yet, despite its faults, I enjoyed this film. Its redeeming feature is the zest and energy of its dance sequences, set to some well-chosen music such as Laura Branigan's Gloria or Irene Cara's title song. It may not be deep or significant, but it is an enjoyable, well-made piece of popular entertainment. 6/10.
Amazing Soundtrack of 80's
What makes a good film for me is that it is enjoyable, entertaining, gripping, likable and emotional. Flashdance without a doubt ticks all these five boxes. Flahdance is a very retro, cheesy entertaining film that is at no point boring and never drags, and is also a very clear symbol of the great 1980's and the night club exotic dancing scene of the time. Jennifer Beals puts down an amazing performance, as a dancer and as an actress. I guess the story comes down to the fact that reality bites, that life is tough, but if you push hard you just might make it.
All in all, Flashdance despite its few undeniable faults is a very decent and enjoyable film in my opinion. As it mostly meets all of my requirements I am happy to give it a positive review. This film is one of the quintessential 80's films, that works well as a symbolic artifact of its time. I highly recommend this film to anyone who loves 80's.
Overall rating: 7 out of 10.
All in all, Flashdance despite its few undeniable faults is a very decent and enjoyable film in my opinion. As it mostly meets all of my requirements I am happy to give it a positive review. This film is one of the quintessential 80's films, that works well as a symbolic artifact of its time. I highly recommend this film to anyone who loves 80's.
Overall rating: 7 out of 10.
Did you know
- TriviaJennifer Beals' trend-setting collarless sweatshirt came about by accident. The sweatshirt, which Beals brought from home, had shrunk in the wash and she had to cut the collar off in order to get it over her head. When director Adrian Lyne and costume designer Michael Kaplan saw it at the wardrobe fitting, they both loved it and Kaplan improved the overall look of the sweatshirt for the shoot.
- GoofsIn the climactic dance, Alex is played by several noticeably different people.
- ConnectionsFeatured in Irene Cara: Flashdance... What a Feeling (1983)
- SoundtracksImagination
Performed by Laura Branigan
Courtesy of Atlantic Records
Music by Michael Boddicker, Jerry Hey and Phil Ramone
Lyrics by Michael Sembello
Produced by Phil Ramone
- How long is Flashdance?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Electrodanza
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $7,500,000 (estimated)
- Gross US & Canada
- $92,921,203
- Opening weekend US & Canada
- $4,076,124
- Apr 17, 1983
- Gross worldwide
- $92,921,447
- Runtime
- 1h 35m(95 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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