An ordinary sex-starved teenager and his friends start secretly video recording high school girls and their activity irks the community, as well as their principal.An ordinary sex-starved teenager and his friends start secretly video recording high school girls and their activity irks the community, as well as their principal.An ordinary sex-starved teenager and his friends start secretly video recording high school girls and their activity irks the community, as well as their principal.
C.K. Bibby
- Mr. White
- (as Charles King Bibby)
Mark Alton Rose
- Ricky Schramm
- (as Mark Rose)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
3.6399
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Featured reviews
Warm and winning teen comedy
Originally titled "American Voyeur" but released as "Getting It On", this North Carolina-lense teenage comedy nimbly pumps new life into the overdone high school hijinks genre. Though marketed as another raunchy "Porky's" followup, the William Olsen production is a well-acted, sweet and funny picture.
Filmmaker Olsen targets our consumerist and video-obsessed culture for some ribbing in this story of high school freshman Alex Carson (Martin Yost), with a crush on the girl next door, Sally (Heather Kennedy). Devising a video software business to earn money, Alex borrows his startup capital (at 15% interest) from his very businesslike dad, and with the help of his cutup classmate Nicholas (Jeff Edmond) takes the video equipment to record hidden camera footage of Heather and other pretty girts. When Nicholas is kicked out of school by mean principal White (Charles King Bibby), the heroes enlist he services of a friendly prostitute (Kim Saunders) to record footage of White in flagrante delicto.
What makes this material work is a fresh, enthusiastic cast, witty writing and direction by Olsen that bears no hint of malice. Though Alex's parents are caricatures, more interested in getting the latest satellite dish installed in the backyard than in their son's future, they are drawn as ingratiating characters, and even the practical joke directed against the principal turns out to benefit everyone, with no hard feelings. The script even includes a subplot reminiscent of the Matt Dillon-starrer "Tex", concerning Nicholas and his older brother Irving without parental supervision.
Young, attractive cast members match the teenage role requirements, though the pleasant lead player Martin Yost, an empathetic Timothy Hutton type, is of course older than the virginal 14-year-old in the script. Of special note is Bryan Elsom, very funny in a small role as a loquacious young Southern cab driver.
Tech credits for this modestly-budgeted effort are fine.
My review was written in August 1983 after a Times Square screening.
Filmmaker Olsen targets our consumerist and video-obsessed culture for some ribbing in this story of high school freshman Alex Carson (Martin Yost), with a crush on the girl next door, Sally (Heather Kennedy). Devising a video software business to earn money, Alex borrows his startup capital (at 15% interest) from his very businesslike dad, and with the help of his cutup classmate Nicholas (Jeff Edmond) takes the video equipment to record hidden camera footage of Heather and other pretty girts. When Nicholas is kicked out of school by mean principal White (Charles King Bibby), the heroes enlist he services of a friendly prostitute (Kim Saunders) to record footage of White in flagrante delicto.
What makes this material work is a fresh, enthusiastic cast, witty writing and direction by Olsen that bears no hint of malice. Though Alex's parents are caricatures, more interested in getting the latest satellite dish installed in the backyard than in their son's future, they are drawn as ingratiating characters, and even the practical joke directed against the principal turns out to benefit everyone, with no hard feelings. The script even includes a subplot reminiscent of the Matt Dillon-starrer "Tex", concerning Nicholas and his older brother Irving without parental supervision.
Young, attractive cast members match the teenage role requirements, though the pleasant lead player Martin Yost, an empathetic Timothy Hutton type, is of course older than the virginal 14-year-old in the script. Of special note is Bryan Elsom, very funny in a small role as a loquacious young Southern cab driver.
Tech credits for this modestly-budgeted effort are fine.
My review was written in August 1983 after a Times Square screening.
A terrible amateur comedy that is devoid of laughter, as well as racy sex.
GETTING IT ON bills itself as a typical promiscuous sex comedy and fails miserably. It is a painfully amateur production with a cast of no-names that tend to make a viewer cringe every time they open their mouths. The cast is lead by Martin Yost, who plays Alex, a teen-age Peeping Tom who decides to turn his perverted pastime into a money-making scheme. His father blindly agrees to give his son the $4000 to start a security surveillance business, which Alex can then use as an excuse to spy on other people, presumably "in the act". The father is unbelievably naive. It would have helped if the father was more suspicious of what his son was doing with all this expensive equipment. As for the "peep" sequences, they are far and few in the film and lack imagination for what the film is trying to advertise. No new ground is broken here.
There is no drive to the film. It is dull and the actors just seem to be going through the motions. That and the director tries to use two different sequences in which an actor pulls a gun on someone else as a surprise comedic effect, which is a lousy attempt at cheap laughs. The film weighs in at about 90 minutes, and by 90 minutes it's too long! Don't bother with this one. Try PORKY'S or MISCHIEF instead.
There is no drive to the film. It is dull and the actors just seem to be going through the motions. That and the director tries to use two different sequences in which an actor pulls a gun on someone else as a surprise comedic effect, which is a lousy attempt at cheap laughs. The film weighs in at about 90 minutes, and by 90 minutes it's too long! Don't bother with this one. Try PORKY'S or MISCHIEF instead.
I'm in this movie!
This was filmed in my neighborhood when I was a Freshman in High School. I was an extra in the school auditorium scene where the "sex tape" is shown, Want to know more, email me. This was originally called 'American Voyeur' when I went to the premiere where the mayor of Hickory, NC gave Olsen a key to the city, with a crowd full of people dressed to the 9's. Then, a coming-of-age flick movie came up on the screen; nice surprise for that crowd.
Do yourself a favor and avoid this waste.
Wow is this a bad film,even by T&A standards. Other reviews have said it well...Not funny at all,creepy/sleazy story (this coming from a fan of R rated teen sex comedies),bland acting and ALMOST NO NUDITY. To make things even worse the film is shot poorly and the print is very dark and flat,i'm sure at least partly due to next to zero budget.
Who came up with the brilliant idea to make a T&A comedy about a guy secretly video taping women undressing,and then make it not funny with barely any nudity!?
I am telling you as a T&A connoisseur-avoid this movie at all costs,its a complete waste and there is nothing to see here.The DVD cover is the only thing good about Getting It On.
Who came up with the brilliant idea to make a T&A comedy about a guy secretly video taping women undressing,and then make it not funny with barely any nudity!?
I am telling you as a T&A connoisseur-avoid this movie at all costs,its a complete waste and there is nothing to see here.The DVD cover is the only thing good about Getting It On.
As dull as a film can be
How can someone make a 90 minute feature and still end up with absolutely nothing? The answer lies within the confines of the tape of this (thankfully very rare) so-called "sex comedy" which jettisoned both claims to such an extent it should be prosecuted under the False Claims act. Supposedly about a high school boy who gets state of the art video equipment (for 1983) to spy on his sexy female next door neighbour getting undressed, it actually abandons this sick but promising premise about half-way through in favour of a myriad of sub-plots about five uninteresting character's love-lives. Unfortunately this plays out as all talk and no action, so skin fans will be bored out of their skulls, and everybody else will be tearing their hair out at the amateurish acting and the extreme slow pace of the movie. So to sum up then, a film for no-one. Right, back to the video store we go.. 2/10
Did you know
- TriviaThe music that the band The Late Bronze Age play at the party was prerecorded from a live gig that the group did at a bar two days prior to the shooting of the party sequence.
- GoofsWhen Alex and Sally are on the phone discussing which movie to see, Sally suggests "Revenge of the Jedi." The correct name when that movie was released was "Return of the Jedi," but during filming, the working title was "Revenge of the Jedi." "Getting it on" was filmed about the same time as "Return of the Jedi," and that is why the wrong title was used in the script.
- Crazy creditsBarking Dog ......... Probably The Ballingers'
- ConnectionsFeatured in Indie Sex: Teens (2007)
- SoundtracksForever More
(Theme from American Voyeur)
by Carol Veto
Courtesy of Landslide Records, Inc.
- How long is Getting It On?Powered by Alexa
Details
Box office
- Budget
- $220,000 (estimated)
- Gross US & Canada
- $975,414
- Opening weekend US & Canada
- $975,414
- Aug 21, 1983
- Gross worldwide
- $975,414
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