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7.3/10
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When an aging, but gentlemanly stagecoach robber is released from prison, he decides to go to Canada to become a train robber.When an aging, but gentlemanly stagecoach robber is released from prison, he decides to go to Canada to become a train robber.When an aging, but gentlemanly stagecoach robber is released from prison, he decides to go to Canada to become a train robber.
- Awards
- 12 wins & 9 nominations total
Don MacKay
- Al Sims
- (as Don Mackay)
Jim McLarty
- Accomplice
- (as James McLarty)
Garry Chalk
- Oregon Train Crew - Mail Clerk
- (as Gary Chalk)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Bill Miner, the "Gentleman Robber" robbed stages and trains from Arizona to British Columbia. This is a beautifully photographed and lyrical telling of his later career, fighting the law and the law winning.... for a while at least. Richard Farnsworth handed in a great and totally credible performance as the laid back but cunning Miner and his love affair with most interesting woman in Kamloops. All the characters are the real thing... no Hollywood veneer here. Great pace and photography- get it with John Sayles' Matewan and have an authentic trip back into time. Its' a pity that Phillip Borsos didn't live long enough to put out a few more of these.
8tavm
When Richard Farnsworth died a few years ago, among the films cited were his Oscar-nominated roles in Comes a Horseman and The Straight Story, and his supporting roles in hits like The Natural and Misery. The Grey Fox rarely got a mention which is a shame because it's one of Mr. Farnsworth's most compelling as we follow his portrayal of the real-life stagecoach robber Bill Miner after being freed from jail and his attempts in living a straight life with his sister and her husband. But times have changed the last 33 years and so in the early 20th century, Miner goes back to his old habits and robs trains (he got the inspiration watching The Great Train Robbery), then poses as George Edwards in a British Columbia town with his cohorts in tow. He also later falls for a feminist who takes pictures...I'll stop there and say while Miner does bad things, he gets some admiration for the gentlemanly way he does them, hence his "gentleman bandit" moniker. If you're interested in western rarities and are a fan of Farnsworth, I highly recommend The Grey Fox.
I first heard of The Grey Fox a number of years ago, when I decided to look into some of the films made by Francis Ford Coppola's American Zoetrope film studio - it put out a number of real gems, like The Escape Artist, Kagemusha and Koyaanisqatsi, as well as a bunch that missed the mark a tad, but for some reason I never got round to watching this one till now.
It's the (relatively) true story of the aged stagecoach robber Bill Miner who, released back into a changing world after decades inside in 1901, takes up trainrobbing and finds himself up in Canada, with a new name and a new romance.
This, of course, isn't anything all that new, really just a lesser attempt on the same ideas of Butch Cassady and the Sundance Kid and other films with a sprinkling of Unforgiven thrown in. One of its main weaknesses is that it tells too much and doesn't show enough - we don't get to see hardly any of Miner's life, and there are no real action scenes to speak of. On the other hand, there is a great deal of beautiful photography, a heavenly soundtrack of Irish music by The Chieftains, and Richard Farnsworth gently twinkling in the lead role.
It's a small film, that doesn't really add up to all that much in the end, but it's a nice journey all the same, and the (fictionalized?) ending made me smile.
It's the (relatively) true story of the aged stagecoach robber Bill Miner who, released back into a changing world after decades inside in 1901, takes up trainrobbing and finds himself up in Canada, with a new name and a new romance.
This, of course, isn't anything all that new, really just a lesser attempt on the same ideas of Butch Cassady and the Sundance Kid and other films with a sprinkling of Unforgiven thrown in. One of its main weaknesses is that it tells too much and doesn't show enough - we don't get to see hardly any of Miner's life, and there are no real action scenes to speak of. On the other hand, there is a great deal of beautiful photography, a heavenly soundtrack of Irish music by The Chieftains, and Richard Farnsworth gently twinkling in the lead role.
It's a small film, that doesn't really add up to all that much in the end, but it's a nice journey all the same, and the (fictionalized?) ending made me smile.
I think this is one of the most flawless and beautiful movies of all time. The acting and casting is impeccable. What I particularly love is the script; so few words but when something is spoken each line has such weight and impact. And the music is amazing. What a brilliant idea, a western with Celtic (the Chieftains) music. The spirit and emotion of the music enhances every scene and is so fresh and unexpected and ultimately, right. And it's such a wonderful love story. Normally I wouldn't care about a romance between two older characters, but I root for these two characters in each and every scene. Richard Farnsworth was nominated for Best Actor and it is a shame he didn't win. Please, watch it if you haven't.
What's not to like about Richard Farnsworth? He was one of the few actors that received nothing but compliments during his acting days, an extremely likable "old man." Hey, few people every remember seeing this guy as anything but old, since he spent his younger days as a stuntman, rather than as an actor.
So, he was a very good choice to portray a likable thief: Bill Miner, the last of the stagecoach and train robbers. "The Gentleman Bandit," I believe, was his label. This is a nice low-key adventure, with almost no bad language and the British Columbia and Washington state scenery is absolutely gorgeous. It would look great on widescreen DVD. What's the holdup? (pun intended)
The only bad news of this tale is the usual filmmakers' twisted message to root for a man who simply was a crook, nothing else. The film also - especially to get the younger audience - needs more action. It will be too slow for them, but I liked it, if for no other reason that I can listen to Farnsworth's voice all night. What a "cool" guy he was, and it''s always a pleasure to see him on screen.
So, he was a very good choice to portray a likable thief: Bill Miner, the last of the stagecoach and train robbers. "The Gentleman Bandit," I believe, was his label. This is a nice low-key adventure, with almost no bad language and the British Columbia and Washington state scenery is absolutely gorgeous. It would look great on widescreen DVD. What's the holdup? (pun intended)
The only bad news of this tale is the usual filmmakers' twisted message to root for a man who simply was a crook, nothing else. The film also - especially to get the younger audience - needs more action. It will be too slow for them, but I liked it, if for no other reason that I can listen to Farnsworth's voice all night. What a "cool" guy he was, and it''s always a pleasure to see him on screen.
Did you know
- TriviaThe film has been designated and preserved as a "masterwork" by the Audio-Visual Preservation Trust of Canada.
- GoofsAfter Bill reunites with his Sister they walk together toward the house to meet her husband and pass a 3 point spring tooth harrow. The three point system wasn't invented until the late 1920s.
- SoundtracksSea Image
Arranged by Paddy Moloney
- How long is The Grey Fox?Powered by Alexa
Details
Box office
- Budget
- CA$4,500,000 (estimated)
- Gross US & Canada
- $5,516,140
- Gross worldwide
- $5,516,140
- Runtime
- 1h 32m(92 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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