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The Hunger

  • 1983
  • R
  • 1h 37m
IMDb RATING
6.6/10
31K
YOUR RATING
POPULARITY
3,208
3,576
Susan Sarandon, David Bowie, and Catherine Deneuve in The Hunger (1983)
Theatrical Trailer from MGM/UA
Play trailer1:56
1 Video
99+ Photos
Supernatural HorrorVampire HorrorDramaHorror

A love triangle develops between a vampire, her cellist companion, and a gerontologist.A love triangle develops between a vampire, her cellist companion, and a gerontologist.A love triangle develops between a vampire, her cellist companion, and a gerontologist.

  • Director
    • Tony Scott
  • Writers
    • James Costigan
    • Michael Thomas
    • Whitley Strieber
  • Stars
    • Catherine Deneuve
    • David Bowie
    • Susan Sarandon
  • See production info at IMDbPro
  • IMDb RATING
    6.6/10
    31K
    YOUR RATING
    POPULARITY
    3,208
    3,576
    • Director
      • Tony Scott
    • Writers
      • James Costigan
      • Michael Thomas
      • Whitley Strieber
    • Stars
      • Catherine Deneuve
      • David Bowie
      • Susan Sarandon
    • 186User reviews
    • 106Critic reviews
    • 52Metascore
  • See production info at IMDbPro
    • Awards
      • 3 nominations total

    Videos1

    The Hunger
    Trailer 1:56
    The Hunger

    Photos275

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    Top cast38

    Edit
    Catherine Deneuve
    Catherine Deneuve
    • Miriam Blaylock
    David Bowie
    David Bowie
    • John Blaylock
    Susan Sarandon
    Susan Sarandon
    • Sarah Roberts
    Cliff De Young
    Cliff De Young
    • Tom Haver
    Beth Ehlers
    Beth Ehlers
    • Alice Cavender
    Dan Hedaya
    Dan Hedaya
    • Lieutenant Allegrezza
    Rufus Collins
    Rufus Collins
    • Charlie Humphries
    Suzanne Bertish
    Suzanne Bertish
    • Phyllis
    James Aubrey
    James Aubrey
    • Ron
    Ann Magnuson
    Ann Magnuson
    • Young Woman from Disco
    John Stephen Hill
    • Young Man from Disco
    Shane Rimmer
    Shane Rimmer
    • Arthur Jelinek
    Bauhaus
    Bauhaus
    • Disco Group
    Douglas Lambert
    • TV Host
    Bessie Love
    Bessie Love
    • Lillybelle
    John Pankow
    John Pankow
    • 1st Phone Booth Youth
    Willem Dafoe
    Willem Dafoe
    • 2nd Phone Booth Youth
    Sophie Ward
    Sophie Ward
    • Girl in London House
    • Director
      • Tony Scott
    • Writers
      • James Costigan
      • Michael Thomas
      • Whitley Strieber
    • All cast & crew
    • Production, box office & more at IMDbPro

    User reviews186

    6.630.8K
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    Featured reviews

    Michael_Elliott

    Too Much Style and Not Enough Substance

    The Hunger (1983)

    ** (out of 4)

    When vampire Miriam Blaylock (Catherine Deneuve) bites a new lover, they don't age, which is a great benefit but that changes when she's done with you and wants someone else. John (David Bowie) finds himself aging at a rapid pace so he goes to a doctor (Susan Sarandon) for help but soon the doctor finds herself under the spell of Miriam.

    THE HUNGER features some truly great stuff but sadly it's all pretty much lost in this rather bland movie that's certainly a strange take on the vampire story but in the end there's just way too much style and not a lot of substance. Director Tony Scott certainly likes his style even when it overtakes any sort of story that might have been in the screenplay. There's all sorts of quick edits here and it's clear that the director wants you to be impressed with how many cuts there are in one small sequence. As far as the story goes, I guess they figured since you had two beautiful women naked and making out with each other you didn't need a story.

    As I said, there are some terrific things here including the special effects of Dick Smith who had to take a very young Bowie and age him in front of our eyes. The special effects used are simply brilliant and you almost with that the entire 97-minutes would have been devoted to watching Bowie grow old. This sequence doesn't contain the power that it should have, thanks to the direction, but there's no doubt that you're eyes will be one the effects. Another major plus are the actual performances from the three leads. Bowie is marvelous here and steals the film as you really can feel his character's fear of growing old, which of course means his life is going to be over. Deneuve is also extremely good having to work with limited dialogue. The same with Sarandon who falls under her spell.

    The now infamous lesbian scene has two beautiful women who are obviously easy to look at but even the style to it wasn't all that impressive. Obviously, I wasn't overly thrilled in how director Scott handled the picture. It's really a shame because there aren't too many horror movies that get this type of cast and in the end you can't help but feel that it was a wasted opportunity even with the great moments that are scattered throughout.
    darth_sidious

    Interesting to watch

    A film with lots of style, beautifully shot, almost like a dream. This must be Tony Scott's best film to date, why do you ask? The director shows vision, not only in its visual medium but the editing, the music, the production design, the classical costumes and the chance to work with some talent.

    David Bowie is very good, almost perfect for his part and Catherine steals the whole film. Susan Sarandon is also very good, the infamous Lesbian scenes are highly erotic and also very artistic.

    This film isn't your usual Vamp movie, the film adds depth to these so-called Vampires.

    The film probably required a bit more plot but nevertheless, this is all about style, this film looks fantastic.

    Do not watch this in pan and scan, make sure you see it in widescreen because the director and cinematographer make full use of the panavision width.
    fedor8

    Vampire films are so very boring - but not this one.

    Vastly underrated, but it's easily the best vampire film. Seems to be regarded as some kind of a trashy lesbian story, with a little bit of horror and gore thrown in for good measure; well, that's nonsense. These critics would have us believe that some silly Dracula film from the 30s is a masterpiece while this original approach to vampirism is a cheap, exploitative, erotic tale. The film is visually terrific, very atmospheric, has a good cast (Sarandon is excellent), and a superb soundtrack. Sarandon and Deneuve naked in bed is not exactly a deterrent, either. The last scene - a combination of visuals and music, is the absolute highlight of the film. If you'd like to read my parody/biography of Susan Sarandon (and other Hollywood intellectuals), contact me by e-mail.
    6rosscinema

    Highly styled gothic story

    I just watched this film again for the first time in maybe 15 or 20 years and I did forget how slow moving this film is. I don't mind a film taking its time to tell a story but there are so many scenes where nothing happens and the characters are just staring at one another. Lots of style and beautiful cinematography and great sets really set the gothic mood in a contemporary setting. But while all this looks great there really is not much in the way of characterization. Film could have benefited from that. The make-up is terrific as we watch David Bowie age in a short time. For you trivia buffs they're are some recognizable actors in small roles like Willem Dafoe, John Pankow, Ann Magnuson and Jane Leeves. Not a bad film. Well made technically and some effective music but little characterization. A real curio.
    6ala-49478

    Cult classic for All 80's Goth's

    I watched the Hunger in my teens as a young punk in the 80's. Honestly, back then the fact that Bowie, Peter Murphy and vampire lesbianism was in it made it a 'cool' movie.. flash forward to me now and it's nostalgic 80's with lots of bad makeup and a sub par plot. The lighting effects in the movie annoy me as they use a lot of shadows and dim lighting with blurred backgrounds and points of bright lights. I feel like I need to squint while watching it. Anyway the acting is good and the story is good (never read the book). Do you want to live forever? Do you like vampires, do you like over the top 1980's style ? If so then it's worth the watch.

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    Related interests

    Daveigh Chase in The Ring (2002)
    Supernatural Horror
    Tom Cruise and Indra Ové in Interview with the Vampire (1994)
    Vampire Horror
    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drama
    Mia Farrow in Rosemary's Baby (1968)
    Horror

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      David Bowie actually learned to play the cello for his music scenes.
    • Goofs
      When Sarah is on the TV program discussing the condition Progeria, she pronounces it "Pra-j-eriah'. The correct pronunciation is "Pro-geria."
    • Quotes

      Sarah Roberts: What's that piece you're playing?

      Miriam Blaylock: It's "Lakme" by Delibes. Lakme is a Brahmin princess in India, she has a slave named Malika.

      Sarah Roberts: Malika...

      Miriam Blaylock: In a magical garden they sing how they follow the stream to its source, gliding over the water.

      Sarah Roberts: Is it a love song?

      Miriam Blaylock: I told you, it was sung by two women.

      Sarah Roberts: It sounds like a love song.

      Miriam Blaylock: Then I suppose that's what it is.

      Sarah Roberts: Are you making a pass at me, Mrs. Blaylock?

      Miriam Blaylock: Miriam.

      Sarah Roberts: Miriam.

      Miriam Blaylock: Not that I'm aware of, Sarah.

      [Sarah smiles, shakes her head, and then spills wine on her top]

    • Crazy credits
      Ironically, in the credits Willem Dafoe is identified as "2nd Phone Booth Youth"; whereas, he is the first "Phone Booth Youth" to be seen and speak in the Phone Booth scene. Likewise, John Pankow is noted in the credits as "1st Phone Booth Youth"; whereas, he is actually the second "Phone Booth Youth" to be seen and say his lines.
    • Connections
      Featured in At the Movies: Adult Sexuality (1983)
    • Soundtracks
      Le Gibet
      by Maurice Ravel

      Published by Arima and Durand SA

      Music Supervised and Arranged by Howard Blake

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    FAQ23

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    Details

    Edit
    • Release date
      • April 29, 1983 (United States)
    • Country of origin
      • United Kingdom
    • Language
      • English
    • Also known as
      • El ansia
    • Filming locations
      • 6 Chesterfield Gardens, London, England, UK(Miriam & John Blaylock's house)
    • Production company
      • Peerford
    • See more company credits at IMDbPro

    Box office

    Edit
    • Gross US & Canada
      • $5,979,292
    • Opening weekend US & Canada
      • $1,832,898
      • May 1, 1983
    • Gross worldwide
      • $5,991,807
    See detailed box office info on IMDbPro

    Tech specs

    Edit
    • Runtime
      • 1h 37m(97 min)
    • Color
      • Color
    • Sound mix
      • Mono
    • Aspect ratio
      • 2.35 : 1

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