The Lords of Discipline

Will McLean (David Keith) is a senior cadet at the Carolina Military Institute, a school that promises to make men of honor but practises brutal hazing to freshmen. McLean's roommates are Dante Pignetti (Rick Rossovich), Mark Santoro and Tradd St. Croix. In the time spent there McLean will join all the academy's activities (except breaking new cadets) and will see the corruption inside the institute, and will also try to unmask it (without some trouble and Pignetti getting expelled).

Despite I have not read the original novel LORDS OF DISCIPLINE I still liked the movie because it has some very good acting by everyone. I am not a huge David Keith fan but here he was very good as the lead, Rick Rossovich was very funny as the cadet that didn't stopped screaming, while Michael Biehn and Judge Reinhold give some of their best performances in their careers. The plot was great as there were lots of twists and turns when the leads were finding the truth.

Overall, a good militar academy drama that excedded my expectations as I was very surprised that I liked it very much. If you are searching something underrated from the 1980s, then this is for you.

If there were no Pat Conroy novel to compare this film to, the movie might fare better. Gone is the "love interest" (major) and added is a much more upbeat ending. Conroy's novels tend toward cynicism and this one is no different. Keith and Prosky do a good job of creating two of the main characters. There is some suspense toward the end, but too much is communicated too fast to be believable. Location shots are impressive (England!) and the pacing is right. The music (Howard Blake) is weak. One would like to have seen this film directed by Sam Peckinpah or Martin Scorsese.

It's 1964 at the Carolina Military Institute. Returning for his senior year as a cadet, hunky David Keith (as Will "Bubba" McClean) and his pals discover the freshman "Knobs" include, for the first time, a young black man. As you might expect, he is the victim of racial hatred. Old-timer Robert Prosky (as "the Bear") enlists Mr. Keith's help in watching over the black cadet, Mark Breland (as Pearce). Keith gets reluctant help from his three roommates - piano playing Mitchell Lichtenstein (as Tradd St. Croix), weight-lifting Rick Rossovich (as Dante "Pig" Pignetti), and Italian Elvis fan John Lavachielli (as Mark Santoro).

Keith and his friends participate in "Hell Night" with the usual shenanigans. Of course, "scumbags," "maggots," and "faggots" are encouraged to vacate the premises. Overweight Malcolm Danare (as Poteete) is the first casualty. Then, a (not so) secret organization known as "The Ten" targets Mr. Breland. But, "The Lords of Discipline" isn't really about Breland or his race. Rather, it's a mystery thriller focusing on Keith and his roommates. And, even then, it's not much of a mystery. Most enjoyable are Keith and his three roommates, who manage to be appealing in some unappealing (and obvious) roles.

****** The Lords of Discipline (2/18/83) Franc Roddam ~ David Keith, Mitchell Lichtenstein, Rick Rossovich, Robert Prosky

The movie is adequate and casting for "The Bear" was perfect. The film lost the eliminate of mystery and intrigue the book had. By showing "The Ten" to early and on campus they stole from the mythology of the fraternity. On the other hand, it is impossible to make a film that lives up to a Conroy novel as their is just too much. If a producer was smart they would hire Pat Conroy to make a TV series out of any one of his novels. I don't mean a mini series, but an actual TV series that would probably need to run three seasons. If Conroy didn't want to write the series than David E. Kelley could possibly do justice to many of Conroy's novels or in the case of the Lords Of Discipline Arron Sorkin could possibly write it. Obviously Pat would be the ideal writer though. Trying to do any Conroy novel in a two or even three hour film is just ridiculous. That's why "The Prince of Tides" was such a bad film. It did not stand a chance of having even the same story line as the novel because the real story could not be covered by a film.

I was impressed with how well this movie captured the flavor of time and place. As a viewer I easily felt that it was Charleston, SC in the mid 1960's. The parts were well-cast and convincingly played. I would be comfortable suggesting this movie to others and would not mind seeing it again myself.

Having read Pat Conroy's original novel years ago I found that the characters in the movie looked remarkably like my imagination expected them to. That was another plus.

However......and this is minor......Pat Conroy's novels tend to be sprawling affairs with several plot lines (and the ensuing chaos) running concurrently. They do not condense down into a standard length feature film without editing a good bit of the original novel out. This is the case here......several minor items had to be changed for the movie to cover the fact that one of the major plot elements in the novel were left out entirely.