A collection of expertly photographed phenomena with no conventional plot. The footage focuses on the relationship between nature, humanity, and technology.A collection of expertly photographed phenomena with no conventional plot. The footage focuses on the relationship between nature, humanity, and technology.A collection of expertly photographed phenomena with no conventional plot. The footage focuses on the relationship between nature, humanity, and technology.
- Awards
- 6 wins & 1 nomination total
- Self - On TV
- (archive footage)
- (uncredited)
- Self
- (archive footage)
- (uncredited)
- Self - On TV
- (archive footage)
- (uncredited)
- Self - On TV
- (archive footage)
- (uncredited)
- Self - On TV
- (archive footage)
- (uncredited)
- Self - On TV
- (archive footage)
- (uncredited)
- Self - On TV
- (archive footage)
- (uncredited)
- Self - On TV
- (archive footage)
- (uncredited)
- Self - On TV
- (archive footage)
- (uncredited)
- Self - On TV
- (archive footage)
- (uncredited)
- Self - On TV
- (archive footage)
- (uncredited)
- Self - On TV
- (archive footage)
- (uncredited)
- Self - On TV
- (archive footage)
- (uncredited)
- Self - On TV
- (archive footage)
- (uncredited)
- Self - On TV
- (archive footage)
- (uncredited)
Featured reviews
one of the great things about this film is that while the intrusion of man is initially presented as profane and abhorrent, ultimately there is found a symmetry to the human experience that is as organic as anything found in the `natural' world. i used to be tempted to perceive humans as the only species on the plant that didn't fit, that threw everything out of balance, as it were. but over time it has become apparent that even the blight of man on earth is a naturally occurring phenomenon. the evolution of life is the destruction of life. the circle is unbroken.
The images that are presented in the film are just beyond belief. The fantastic music score by that genius, Phillip Glass, compliments and enhances our experience. This film will live forever in spite of some of the comments submitted to this forum, because it deals with universal themes that will stay with us on this planet while human life will exist. This was pioneer movie making that later on became main stream. The originality being in the way the director presents the different sections in the film with some unusual photography that, while imitated, remains the standard for comparison with any new so called latest technique and innovation.
Kudos to Mr. Reggio, Mr. Glass and the people behind this gorgeous film.
One of the things I also like about this movie is the fact that since there is no dialogue, it can be shown in any country in the world unchanged. We would all see it the exact same way. I like the idea of that very much.
Did you know
- TriviaGodfrey Reggio was hooked on Philip Glass doing the music. He approached Glass through a mutual friend, and Glass replied, "I don't do film music." Reggio persisted, and finally the friend told Glass that the tenacious guy was not going to go away without at least an audience. Glass relented, though he still insisted he wasn't doing the music. Reggio put together a photo montage with Glass' music as the soundtrack, which he presented to Glass at a private screening in New York. Immediately following the screening, Glass agreed to score the film.
- GoofsThe two explosions at about 18 minutes into the film were shot with anamorphic lenses and not properly desqueezed for the film's 1.85:1 aspect ratio.
- Quotes
[last lines]
title card: Translation of the Hopi Prophecies sung in the film: "If we dig precious things from the land, we will invite disaster." - "Near the Day of Purification, there will be cobwebs spun back and forth in the sky." - "A container of ashes might one day be thrown from the sky, which could burn the land and boil the oceans."
- Crazy creditsEnd credits go over mashed voice recordings in English ranging from call operator answers to television news.
- ConnectionsEdited into Wide Awake (2006)
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Koyaanisqatsi: Life Out of Balance
- Filming locations
- San Onofre Nuclear Generating Station, San Diego County, California, USA(as seen from San Onofre State Beach)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $1,723,872
- Gross worldwide
- $1,728,699