The Pendulum, the Pit and Hope

I am not really that familiar with the work of Jan Svankmajer, and this film came as quite an eye-opened; its one of the most intense and disturbing films I have ever seen. For this loose adaptation of Poe's "The Pit and the Pendulum" Svankmajer uses grainy black and white footage and shoots mostly from the point of view of the story's unfortunate protagonist. It's a struggle of man, his will to live, and his intellect serving this will versus the slow but seemingly inescapable domination of machines (sort of a medieval version of "2001: A Space Odyssey"). The visual imagery is fascinating and an outstanding presentaion of the Gothic sensibility. The film is also the best realization of Poe's fiction that I have seen (much better than the surprisingly bad adaptations of Poe that Vadim, Malle and Fellini directed in "Spirits of the Dead"). Its a masterpiece. I give it a 10. If you have the chance to see this work, I advise you not to pass it up.

In this horror masterpiece, Svankmajer utilizes his surreal filmmaking style to adapt the Gothic Edgar Allan Poe classic "The Pit and the Pendulum". Svankmajer definitely shows the audience that he is a master of his craft, which isn't only animation, but filmmaking itself. He is one of the true, underrated geniuses in all cinema, and this film proves it perfectly.

This is a flawless adaptation that is true to the source but unique in its own way. It has the ability to shock, haunt, and surprise due to its surrealistic and legitimately terrifying atmosphere and style. Few films have had the power to actually scare me, and this is one of them. It may only be about 15 minutes in length, but it is still one of the most effective horror films I have ever seen, and ever will see! I was on the edge of my seat throughout, my stomach filled with butterflies. This is a work of superb brilliance, a genuinely perfect film.

It's one of Jan Svankmajer's least comprehensible short films, and I think that also makes it one of his best. The vibes are so bad throughout, making this often feel like a nightmare put to film. And sure, you can say that about many of his short films, but you can really say it about this one.

It's easy to talk about the visuals in just about any given Svankmajer film, but here I'm realising that the audio is just as distinct. I don't know what he does to have all his short films sound this particular way, but it's just hit me here, more than any other short film of his.

The Pit, the Pendulum, and Hope unnerved me in just about the best way possible. What a trip.

This little film is mesmerizing. It is a stark recreation of Poes' Pit and the Pendulum. A man, whose face we never see, has been sentenced to death by some sort of druids or the inquisition. We follow him as he tries to save himself, using every means he has at his disposal. It is wildly surrealistic and very intense.

"The Pit and the Pendulum and Hope" shares a common quality of Jan Svankmajer's earlier work: its use of live-action. Svankmajer, generally speaking, was an animator: a filmmaker who made use of everyday objects as well as antiques and other junk to create surreal stop-motion shorts. This film is indeed surreal (the source material also was, although I heard it too long ago to be able to remember the whole thing) yet it is not about stop-motion at all, preferring to focus on the object of darkly depicting Poe's story. Not a bad thing necessarily, just very much similar to how his earliest shorts were filmed - little stop-motion, more live-action centered - and it's interesting to see him directly adapting a story without incorporating a large amount of his own animated additions.

In terms of pulling off the darkness of the story, Svankmajer succeeds masterfully. The setting of the film itself is reason enough to view it: an underground cavern full of man-made corridors. The camerawork is another large plus, as the film shows with a sense of impending doom, the pendulum swinging back and forth, and also carries the following events from the POV of the protagonist (which I rather liked). Strangely, there is no intense music, just the natural sound, which might be a plus in the long run even if it seems sort off cheap and careless at first. All in all, the film's main goal seems to be about visual interest through its intriguing camerawork and setting. It is not necessarily terrifying for a modern horror fan, but very well made as it is and worth seeing.