IMDb RATING
6.1/10
4.2K
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A man becomes destructively obsessed with killing a dangerous rat, which has taken residence in his recently renovated house.A man becomes destructively obsessed with killing a dangerous rat, which has taken residence in his recently renovated house.A man becomes destructively obsessed with killing a dangerous rat, which has taken residence in his recently renovated house.
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Peter Weller anchors a cast of Canadian actors in this entertaining low budget thriller directed by George Cosmatos. Plenty of action and a good through line of how an obsessively detailed individual would battle a threat to his environment. Louis "Seeing Things" Del Grande is very good as the helpful janitor next door to Weller's yuppie palace. Features rising Canadian actors Kenneth Welsh, Jennifer Dale and a slimmer Maury Chaykin. The Canadian Tax Credit system helped put this film in Montreal, doubling as New York. With little to work with in terms of sets and exteriors, Cosmatos shows his chops as a director who tries to make each shot pay off in a particular way. The overhead shot of Weller looking out over the "human" rat race crossing the street draws an interesting parallel with the main story. More than a couple of 'homages' to Jaws, which Cosmatos admits was one of his favourite movies.A bit repetitive at times but better than 'Willard'. Worth a look.
This is the story of a man (Bart Hughes played by Peter Weller) who becomes obsessed with a little rat problem he's having at his newly renovated house. Instead of focusing on Bart's growing insanity, the director unfortunately showcases the rat as a vicious and dangerous beast. Although there are some quite effective closeups of the rat-villain, we never really feel any threat emerging from this little creature. Bart's obsession seems all but unbelievable. It's implausible that he would not just move to a hotel or try (harder) to contact an exterminator. Also, the movie just doesn't seem to have any real purpose. After a quick showdown it just ends, leaving some plot lines (Bart's job, his relationship to his family) unresolved.
"Of Unknown Origin" is still a very watchable movie. The pacing is quick and Weller does a pretty decent job in this one man-show. Had director George P. Cosmatos added anything to make it more than a mere monster movie, "Of Unknown Origin" would no be the obscure left-over from the early 80's that it is.
"Of Unknown Origin" is still a very watchable movie. The pacing is quick and Weller does a pretty decent job in this one man-show. Had director George P. Cosmatos added anything to make it more than a mere monster movie, "Of Unknown Origin" would no be the obscure left-over from the early 80's that it is.
Though I don't really consider it a horror film, if you are one of many who happens to be afraid of rodents this film will terrify you. Hell, even you you don't mind rodents it might freak you out a bit. Peter Weller is always a great actor, and he stars in this film as Bart, a man who wages an all out war with one hell of an angry rat while the rest of his life begins to fall apart because of it. He is the only leading actor in this film, and he carries it almost completely on his own. His dinner table speech about the dangers of rats was both hilarious and a bit unnerving at the same time. I liked how this film was almost self-mocking in parts, though it always kept a straight face about it and never went to far. The rat's point of view shots really show this. The scenes with the rat were all very well done, congrats to whoever trained the rat. The plot was very original, and I liked how smart the rat was. Always a couple steps ahead of poor ol' Bart. I think I jumped a foot when the damn thing came out of the toilet. Last but not least, that was one heck of a bat he made near the end! Overall, this is a great film. Admittedly it's a bit cheesy in places, but it knows what it is and handles itself very well. Highly recommended.
8.5/10
8.5/10
This movie is about a large, smart rat threatening to undermine everything a worldly wall street climber (Peter Weller) has worked to create for his world. The movie is like it's clever rat...creeping up with more intelligence than should be expected.
Great movies work equally on separate levels so that a wide audience can take what they will from it and still enjoy it immensely. Although technically a B-movie punctuated by 80's camp, it is unmistakable that "Of Unknown Origin" is truly special.
It's unfortunate that this movie has enough unattractive elements to deter a viewer's interest. First of all, it's a "rat movie". When has that ever been a favorable genre? Second of all, Shannon Tweed's involvement, however early in her career, emits an odor of genericness and illegitimacy.
Don't be turned off by all these potentially fatal bad traits. Director George P. Cosomotos and Peter Weller had an interesting, artful collaboration going on in "Of Unknown Origin". The film has a tight focus on theme and story, and goofy, highly entertaining, cult-status-worthy performance bits from Weller. It's a fun film- there's no doubt about that. There may be cheese, but there's also sincerity in how the film refuses to take itself seriously. Also, the familiar moral of the story is shown in so fresh a form that you won't even care.
For a story that works so well on an intellectual level, it's a blessing that the actual rat combat scenes are a great time. As Weller's lost yuppie starts to lose his sanity, his battles with his furry foe become more and more extravagant. Let's just say the conclusion is incredible.
The title refers to the clouded evolution of rats. It also speaks of the burning, unavoidable core of our hearts that is pure and determined to defeat our dark sides. Our consciences? Our God? Or is it just a fear of a big friggin' rat? Ponder that if you'd like, but enjoy "Of Uknown Origin" regardless.
Great movies work equally on separate levels so that a wide audience can take what they will from it and still enjoy it immensely. Although technically a B-movie punctuated by 80's camp, it is unmistakable that "Of Unknown Origin" is truly special.
It's unfortunate that this movie has enough unattractive elements to deter a viewer's interest. First of all, it's a "rat movie". When has that ever been a favorable genre? Second of all, Shannon Tweed's involvement, however early in her career, emits an odor of genericness and illegitimacy.
Don't be turned off by all these potentially fatal bad traits. Director George P. Cosomotos and Peter Weller had an interesting, artful collaboration going on in "Of Unknown Origin". The film has a tight focus on theme and story, and goofy, highly entertaining, cult-status-worthy performance bits from Weller. It's a fun film- there's no doubt about that. There may be cheese, but there's also sincerity in how the film refuses to take itself seriously. Also, the familiar moral of the story is shown in so fresh a form that you won't even care.
For a story that works so well on an intellectual level, it's a blessing that the actual rat combat scenes are a great time. As Weller's lost yuppie starts to lose his sanity, his battles with his furry foe become more and more extravagant. Let's just say the conclusion is incredible.
The title refers to the clouded evolution of rats. It also speaks of the burning, unavoidable core of our hearts that is pure and determined to defeat our dark sides. Our consciences? Our God? Or is it just a fear of a big friggin' rat? Ponder that if you'd like, but enjoy "Of Uknown Origin" regardless.
Greetings And Salutations, and welcome to my review of Of Unknown Origin; here's the breakdown of my ratings:
Story: 1.75 Direction: 1.25 Pace: 1.25 Acting: 1.50 Enjoyment: 1.50
TOTAL: 7.25 out of 10.00
This little creature feature flick had me surprised. Delightfully surprised. For one, the story is incredibly potent in its credibility. It not only deals with a rat infestation but the troubles it can cause, let alone the physical destruction there's the mental assault to consider. Secondly, the direction is on-point and commendably captures the events as they unfold. And thirdly, the acting is excellent.
Everything should be grand in the life of Bart Hughes. He's successful, married to a beautiful woman, has a marvellous son, and has just finished renovating his new city home. Life is paradise until his wife takes their son to the inlaws for their annual few weeks' vacations, and ratty the rat starts scurrying behind his expertly plastered walls. In a few days, Bart's life spirals out of paradise down the plug hole of hell. Since this is a story about one man's battle against a rascally rodent, it's nice that Brian Taggert made it more of a character-driven piece. Doing so allows the audience to place themselves in Bart's shoes. It also enables his breakdown and mental deterioration to be displayed thoroughly. And, I have to say, Taggert handles it superbly. And though the times get harrowing for Bart, Taggert peppers in some humour to keep the audience's interest. Another plus is the use of facts. We see Bart head to the library to gen up on his enemy. What he learns is shocking and more than a tad disheartening. But this is genuine information compiled from reliable sources and not something the writer dreamed up. This realism adds to the credibility of the story.
George P Cosmatos is a decent filmmaker and tells Bart Vs Ratty faultlessly. He adds some appealing and stimulating camera angles, though he chiefly employs a standard point-and-shoot style, with some fine compositions and steady pans. He also utilises natural light and shadow, which adds to the realism of the story and movie. Additional potency could have been created by increasing the number of engaging angles and scenes. There are plenty of opportunities to display the damage the rat had wrought. Had these been captured in a more striking style it would have only strengthened the picture.
This movie is Peter Weller's, and he should be proud. That's not to say the rest of the cast are rubbish; on the contrary, they are superb. But this story is about one man versus one rat. And that man is Bart Hughes, portrayed exceptionally by Weller. Weller gives the ideal presentation of a man who has an unspoiled life. And as we progress through poor old Bart's trials and tribulations, Weller, by turns, takes him deeper and deeper into the darkness of anxiety and depression and obsession. It's a great depiction of falling down the rabbit hole.
And, for that alone, I would gladly recommend Of Unknown Origin to every movie watcher. It's entertaining, credible, full of realistic characters, exemplary acting, and admirably filmed.
Now, if you've set all the rat traps, get your arse over here and have a gander at my Absolute Horror and Monstrous lists and see where I ranked Of Unknown Origin.
Take Care & Stay Well.
Story: 1.75 Direction: 1.25 Pace: 1.25 Acting: 1.50 Enjoyment: 1.50
TOTAL: 7.25 out of 10.00
This little creature feature flick had me surprised. Delightfully surprised. For one, the story is incredibly potent in its credibility. It not only deals with a rat infestation but the troubles it can cause, let alone the physical destruction there's the mental assault to consider. Secondly, the direction is on-point and commendably captures the events as they unfold. And thirdly, the acting is excellent.
Everything should be grand in the life of Bart Hughes. He's successful, married to a beautiful woman, has a marvellous son, and has just finished renovating his new city home. Life is paradise until his wife takes their son to the inlaws for their annual few weeks' vacations, and ratty the rat starts scurrying behind his expertly plastered walls. In a few days, Bart's life spirals out of paradise down the plug hole of hell. Since this is a story about one man's battle against a rascally rodent, it's nice that Brian Taggert made it more of a character-driven piece. Doing so allows the audience to place themselves in Bart's shoes. It also enables his breakdown and mental deterioration to be displayed thoroughly. And, I have to say, Taggert handles it superbly. And though the times get harrowing for Bart, Taggert peppers in some humour to keep the audience's interest. Another plus is the use of facts. We see Bart head to the library to gen up on his enemy. What he learns is shocking and more than a tad disheartening. But this is genuine information compiled from reliable sources and not something the writer dreamed up. This realism adds to the credibility of the story.
George P Cosmatos is a decent filmmaker and tells Bart Vs Ratty faultlessly. He adds some appealing and stimulating camera angles, though he chiefly employs a standard point-and-shoot style, with some fine compositions and steady pans. He also utilises natural light and shadow, which adds to the realism of the story and movie. Additional potency could have been created by increasing the number of engaging angles and scenes. There are plenty of opportunities to display the damage the rat had wrought. Had these been captured in a more striking style it would have only strengthened the picture.
This movie is Peter Weller's, and he should be proud. That's not to say the rest of the cast are rubbish; on the contrary, they are superb. But this story is about one man versus one rat. And that man is Bart Hughes, portrayed exceptionally by Weller. Weller gives the ideal presentation of a man who has an unspoiled life. And as we progress through poor old Bart's trials and tribulations, Weller, by turns, takes him deeper and deeper into the darkness of anxiety and depression and obsession. It's a great depiction of falling down the rabbit hole.
And, for that alone, I would gladly recommend Of Unknown Origin to every movie watcher. It's entertaining, credible, full of realistic characters, exemplary acting, and admirably filmed.
Now, if you've set all the rat traps, get your arse over here and have a gander at my Absolute Horror and Monstrous lists and see where I ranked Of Unknown Origin.
Take Care & Stay Well.
Did you know
- TriviaDebut cinema movie of actress Shannon Tweed.
- Quotes
Bart Hughes: [Bart is setting traps] Watch and weep, you furry fucker.
- ConnectionsFeatured in Trailer Trauma 3: 80s Horrorthon (2017)
- How long is Of Unknown Origin?Powered by Alexa
Details
Box office
- Budget
- $4,000,000 (estimated)
- Gross US & Canada
- $1,080,470
- Opening weekend US & Canada
- $540,446
- Nov 27, 1983
- Gross worldwide
- $1,080,470
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