The Right Stuff

An incredibly under-rated director, Philip Kaufman adapted Tom Wolfe's best-selling tale of the Mercury astronauts in 1983 and, since that time, he has been unable to top himself (he came very very close with Unbearable... and Quills, but The Right Stuff is very much out of their league).

Why? The Right Stuff is a perfect blend of intelligence and wit and action. At just three hours long, it occasionally feels too short. The audience comes to know the characters through terrific performances by Ed Harris, Dennis Quaid, Sam Shepard, and Fred Willard and Kaufman's deft pen (which, no doubt, Wolfe's novel helped guide). We are sad when the story ends; we want more. It's rare that a movie creates such an inviting and intriguing world that, after three hours, we still do not want to leave.

This movie is absolutely one of a kind. Its critical patriotism shows that films can show their love of country without wandering into nationalistic or jingoistic propaganda. It is very rare that a film this indebted to America and American history can be so ambivalent.

That, in my mind, is a positive rather than a negative. The filmmaker and actors understand that the Space Race was not a simple process; they understand that heroes have a dark side.

They all refuse to let the heroism cover the unsavory aspects of a person's life and, simultaneously, they do not let those aspects darken their contribution to mankind.

The Right Stuff is really an amazing filmic experience. It's an expert adaptation, an expert recreation of the early US Space Program, and an expert entertainment. Apollo 13 wanted so very much to be the Right Stuff. It's not; nothing will ever beat the Right Stuff.

'The Right Stuff' is one of the most glorious adventure films ever made, a story of incredible heroism, poignant romance, gripping drama, and broad humor...and amazingly, it has actually happened within our lifetimes!

This is a tale of test pilots, 'pushing the envelope', proving the sound barrier couldn't constrain mankind's reach for space. Leading the way is plain-speaking Chuck Yeager (portrayed by Sam Shepard with Gary Cooper-like charm), a Beeman's gum-chewing cowboy with a passion for his feisty wife (the beautiful Barbara Hershey), and hot planes. Not even a broken rib could hold him back when an opportunity to fly the X-1 was offered. His record-breaking flight could fill a movie by itself...and this is just the BEGINNING of the story!

Jumping ahead a few years, Yeager is joined by a new breed of test pilots, whose total love of flight challenges their relationships, and is the true measure of how they define themselves. Among them are 'Gordo' Cooper (Dennis Quaid), a hot dog jet jockey with an unhappy wife (Pamela Reed, giving an exceptional performance); and Gus Grissom (Fred Ward, in his breakthrough role), coarse and direct, and anxious for his shot at the fastest jets.

The entire world changes when the Russians launch Sputnik, in 1957. As the American space program struggles to 'catch up', the government realizes that American men will have to go into space, and President Eisenhower wants 'educated' test pilots to fill this role. Yeager is out (he never completed college), but Cooper and Grissom, and many others, compete for spots in the New Frontier.

These pilots, from all services, are weeded down to seven men, dubbed 'Astronauts', and the Mercury Space Program is born! Along with Cooper and Grissom, the story focuses on Navy pilot Alan Shepard (Scott Glenn), laconic and prone to ethnic humor; and Marine John Glenn (perfectly cast Ed Harris), a 'boy scout' of unimpeachable morals, who loyally supports an impaired wife (sensitively portrayed by Mary Jo Deschanel). Working under the glare of the world press, the seven gradually come to respect one another, and embark on an epic adventure, full of triumph and tragedy!

Meanwhile, Chuck Yeager, snubbed by NASA, continues to test new generations of jets, pushing the 'envelope', until, in a climactic scene, he achieves the threshold of space, himself. The flight is a near disaster, resulting in a horrendous crash, but the image of the burned but undefeated pilot, walking proudly away from the wreckage, is an unforgettable image of courage, and truly defines 'The Right Stuff'!

This is a REMARKABLE film in every way, and is director Philip Kaufman's masterpiece. Lushly scored by Tom Conti (who won an Oscar for the Tchaikovsky-inspired music), the film soars, both on earth and in space!

If you believe the Age of Heroes is past, watch 'The Right Stuff', and you might change your mind! This is a film to treasure!

An interesting insight into the United States' space program, beginning with the exploits of fighter pilot Chuck Yeager (Sam Shephard) and concluding with the dramatic flights of the first astronauts.

Those astronauts - the Mercury 7 pilots - are a varied group of aviators and they are all pretty interesting guys. John Glenn (Ed Harris) gets favorable treatment in here among the group. Gordon Cooper might be the wildest with the cocky and humorous Dennis Quaid playing him. Overall, it's a good cast including not just the fliers but their wives. I also enjoyed Scott Glenn as Alan Shepard and Barbara Hershey as Yeager's wife.

Yeager's feats were perhaps the most interesting and they set a fast tone to this 3-hour film as we witness him breaking several sound-barrier records prior to the formation of the astronaut team. Then we are treated to a long-but-interesting segment of how those first astronauts were trained.

The only unnecessary and ludicrous parts of this film were the ones on Lyndon Johnson, where they made him into a total fool. It was as if the screen writers had a personal vendetta against him, to make him look almost like a cartoon figure. And the bit with the Australian Aborigines smacks too much of Hollywood's love affair with tribal religions. I sincerely doubt some sparks from a fire on earth could be seen miles and miles above in space.

At any rate, this was an informative look at a period in our history than came-and-went way too fast. Sad to say, most people know very little about those first astronauts, who were true heroes. At least this film gives them their due, as well as to Yeager, who deserved this tribute, too

I have to correct "mrbsico" for not paying attention to the very things he comments on. It's not that he turned down the opportunity to apply to be an astronaut, it's that Chuck Yeager wasn't allowed to apply. When seraching for astronauts Harry Shearer's character praises Yeager as the ace of aces, but goes on to say that he "doesn't fit the profile" of the type of man Washington is looking for because he never went to college. This was a true pre-requisite which the Mercury Program had. Also, the scene at the end where Yeager crashes his NF-104 doesn't bring him down, it glorifies him. Gordo Cooper even comments that he gets on the cover of magazines, gets a free car, free lunches all across America, a free home with all the furnishings and loads of money and "I ain't even been up there yet". He's famous because he's an astronaut alone - not because of anything he's done. Kaufman cuts back and forth between the scene where Cooper is with Yeager's flight in the desert for reason. Yeager's almost alone with no media around, out in the desert attempting a record which won't put him on Life Magazine's cover. He's trying to set a record because that's what he's made of. He has The Right Stuff; which is something Cooper reazlies as we cut back to the reception and Gordo is asked by the reporters who the best pilot he ever saw was. Yeager may have crashed his plane in his last flight of the movie, but he emerges as a fearless man ever up for the challenge. And that he's not doing any of it for fame or fortune (although in real life the real Yeager cashed in with TV ads and a best-selling autobiography after both the book and the movie were released!!). That's what's rare about this movie for Hollywood to have made. Films are almost never about measuring a man's inner desires, but rather his being able to win the fight at the end. Yeager in contrast doesn't win the flight record at the film's end, but he is still the hero. This is because he dares to do what we never would. And even after his plane crashes he walks out of the gulf of fire and smoke with a severely burned face as if he will be back; you can't keep him down. This is why as the rescuer driving the ambulance as he sees Yeager's figure walking out of the fire in the distance asks, "Is that a man?", Jack Ridley replies, "You're damn right it is!". Ridley isn't merely remarking that it's a man over there, he is commenting that in our world Yeager is one of the few true "men". This film is not about the space program. That is merely a pretext to explore the type of men who have what it takes to volunteer for dangerous missions - even in times of peace. It's about men who have The Right Stuff - and of all those men whom we see in the movie it is Yeager who shines about all others.

I always loved anything connected to science fact and science fiction and this movie is no exception.

I already owned the Laserdisc version of it, but the DVD is even better.

I love this movie, but I must consider the interest of the public and I honestly cannot say that this is one for the vast public.

The theme alone is a difficult one and deals with the history of the Space Age, as it began from an American perspective, and by telling the story of the astronauts involved in the Mercury project.

Being very long, it might not fit the modern view of a quick-fix movie. This one has to be watched as if your were watching "JFK" or "Gettysburg", therefore with the outmost attention.

It has spectacular recreations of the actual launches, combined with more private moments, involving the astronauts, their loved ones and those who trained them.

This is not Science Fiction and it is not an Adventure movie, this is truly a history lesson about how the Space Race got started, how, with whom and why.

It is a very thoroughly researched movie, although it is not to be confused with a documentary. It is an intelligent movie, with good dialogues, good character recreations, with humor and moments of sadness and tragedy. The heroism of the first astronauts is not represented by their fabulous deeds, but rather by the sacrifices they had to make, in order to be successful.

If you can bare to sit in front of your TV for 3 hours and 15 minutes without unnecessary interruptions, then this documentation may make it clear why men and women risk so much in going "where no one has gone before".

But, as I stated before, this is not an easy going movie and is reserved for all those who want to enjoy a good movie in peace.

I would recommend its showing in every school of the United States, and why not, also throughout the world. Many children would then really appreciate what the conquest of space is all about.