The Pirates of Penzance

Ah, Gilbert & Sullivan, how do I love thee? Let me count the ways! This movie is pure fantastical enjoyment. The cast is an absolute joy, especially Kevin Kline as the Pirate King. Kline is truly one of the most over-looked and under-appreciated actors of our time. His ability to convey his characters through body language, facial expression, and voice is unparalleled. He is one of my favourite actors, and he plays the Pirate King to the hilt -- what a lark!

The vocal talent in this film adaptation of the stage play is phenomenal! I have never heard a more beautiful, powerful, yet sensitive male voice as Rex Smith's, and Linda Ronstadt is, of course, pretty as a picture as Mabel. Angela Lansbury may not have as fabulous a voice as the rest of the cast, but her characterization of Ruth more than makes up for it. Tony Azito absolutely cracks me up as the Chief of Police, those "undaunted men in blue" make me laugh every time.

The one person that everyone seems to forget, however, is the one whose performance I enjoyed even more than Kline's -- and that's saying something. George Rose as the Major-General is perfect, and I never laughed so hard at an individual character as I did when he was tiptoeing through the tulips with the pirates in close pursuit! What a hoot!

This movie is truly a classic, and it's a shame that it's been so overlooked. I finally managed to tape it off the TV one night, since I've never managed to find it on video (other than for rent), and I've watched it so many times, I may have to re-tape it soon. All of the subtle (and not-so-subtle) G&S jokes are a true joy, and the music is pure magic. If you love musicals, you HAVE to see this movie!!

History records that Gilbert and Sullivan were personally often at odds when producing their great comic operettas - no doubt that, if they are still monitoring this, they are surprised to find both their humour and their music - despite its limitations in both time and location - still has a great appeal to audiences throughout much of the world. The music of course is timeless, but music too evolves and many people today have no appreciation of the types of lyrics which G & S exploited so shamelessly. Perhaps the remarkable thing is the wide and continuing appeal of so many of their works. This film is a movie version of a 100th anniversary Broadway stage production of this operetta in New York. A review of previous comments show, not unexpectedly, that it has been adored by numerous G. & S. fans; but that its appeal to those who are not in this category is much more limited. They also make it clear that this is a very fine production; and it would be a serious omission if I did not re-emphasise it is almost a classical example of the way in which a major stage production should be presented on film, both to retain the best of the original production and to as fully as possible exploit the more fluid form of presentation that is possible on the screen.

To your reviewer who reports fears about wearing out her taped version, I would recommend doing what I have done and converting this to a VCD disk that she can play, almost for ever, on her DVD player. It is, I believe, a great film; and my wife and I have also viewed it repeatedly whenever we have been a little "blue", we never fail to feel cheered up afterwards. However we recognise that most members of the contemporary generation would not respond in this way, and that our appreciation will not even be understood by them. We remain thankful that minority tastes can still be satisfied without infringing on the perogatives of the majority, and that in the process of doing so the film will be seen by many who initially have little sympathy with the production, but who find that - as with so many of us in the older generation - they have come to appreciate both its music and its humour.

I fell in love with Linda Ronstadt the first time I saw this film in 1983. I also fell in love with Angela Lansbury and, perhaps even Kevin Kline.

This fantastical, comedic, interpretation of the wonderful Gilbert and Sullivan musical updates the music, the humor, and performance, while actually enhancing the theatrical quality of the original play and leaving the plot, characters, and script largely intact.

The film feels like an exciting, quite silly, and very fun play seen from the best possible angles on an elaborate but very stagy set. The actors intentionally overact - as if their most subtle movements must be seen by an audience in a three story balcony. The music is also somewhat overblown, but absolutely wonderful. Did I mention Linda Ronstadt? Her vocal performance is frankly unbelievable! She might not be much of an actress, but acting talent was really not required for the role of Maybelle.

The story is about Frederick (Rex Smith), a young man who has just left his indenture under the flamboyant, somewhat unsuccessful and soft-hearted 'Pirate King' (Kline) and his band of fairly inoffensive ruffians. Vowing to slay his beloved friend to atone for the sins he probably did not commit during his indenture, Frederick leaves his doomed friends and comes ashore, only to fall immediately in love with Maybelle, but the pirates are only a few steps behind him.

The entire story is told with very minimal dialog and a lot of great music, slapstick, and camp. The voices are cast perfectly, and Kline's physical performance is nothing short of amazing.

What can I say? I've just watched 'Pirates' again after a hiatus of about 18 years, and the old magic came back immediately. I love this film, and heartily recommend it to all. Not everybody will feel as I do, but I can't even attempt objectivity in reviewing this film.

Enjoy!

We start off as a band of pirates approach the town, and the citizens all rush to seek shelter in buildings that are clearly made of canvas and greasepaint... I found that to be quite an useful introduction to this film version of Gilbert and Sullivan's 1870s operetta; it made it clear that this was going to be a stage version on film, rather than any attempt to recreate the story for the cinema. Expectations suitably set - it goes off on a pretty enjoyable romp through this (mixed with one or two other of their works) story of the young "Frederic" (Rex Smith) who has been doing a sort of youth opportunities scheme with a band of ruthless pirates led by Kevin Kline. To stave off this imminent destruction, and the capture of his daughters - the "Maj. General" (George Rose) appeals to their sense of pity by declaring that he is an orphan, and that they wouldn't want to leave an old man lonely and bereft in his latter years. Their evil hearts melt, and his daughters (and the town) are spared. "Frederic" has an encounter on the beach with the beautiful "Mabel" (Linda Ronstadt) - one of the daughters of the old solider and they both fall head over heels in love and all looks set fair. Snag? Well the poor soul was born on the last day of February in a leap year, and has had actually only had five (not twenty one) birthdays - so the terms of his indenture mean he must serve another 60-odd years with the pirates! Luckily for him, "Mabel" agrees to wait for him and what ensues now are a series of gently comedic escapades as their love story develops, and the "Maj. General" and "Pirate King" come to a perilous reckoning before the very timely intervention of Queen Victoria. Accomplished theatre actress Angela Lansbury features, importantly but sparingly, as the deaf old nurse "Ruth" and Tony Azito is quite entertaining as the "sergeant" too. G&S purists might not appreciate the slightly hybrid nature of this effort, but I rather enjoyed the wobbly sets, the scenery clearly made of polystyrene and papier-mâché and the tightly shot photography - it is offering us a variety of theatre seats to watch it from, but we are never in doubt that this is essentially still a stage production. Kline and Smith are on fine form, the latter really takes the part by the scruff of the neck and even though his voice is not quite what it might be, he gives it everything he can and his enjoyment, his daft love scenes and songs with the Golden Globe nominated Ronstadt, along with a soupçon of swash and buckle and plenty of camp humour all keep the momentum moving along nicely. The song of the film is "Model of a Modern Major General" but the patter song works really well too. As cinematic adaptations go, Wilford Leach has allowed the cast to thrive with the colourful, nonsense elements of this story and we are presented with something as akin to that which we might see on stage as possible - and it's good.

I first saw this incarnation of Gilbert and Sullivan's "Pirates of Penzance" at the age of 10, but just recently saw it again when my school decided to perform it for our annual spring musical. At the age of 18, I expected that I would find it immature after having liked it at 10. Needless to say, I was wrong. This is a wonderful adaptation of a great operetta, and becomes even better with the experience of performing it.

Fans of Kevin Kline rejoice! He plays the perfect "Pirate King," the silly leader of a band of pirates who seem to be completely incompetent, if only at piracy. He delivers his lines with precision and, along with David Hatton (Samuel), adds a much needed low bass-baritone to Rex Smith(Frederic) and the rest of the pirates' tenor in the pirate tunes.

The late Tony Azito(Police Sergeant)'s performance is literally unbelievable, as he looks more like a man made out of rubber rather than flesh and bone.

I would recommend this to anyone, especially die hard Gilbert and Sullivan fans.