Five years later, Tony Manero's Saturday Night Fever is still burning. Now he's strutting toward his biggest challenge yet: succeeding as a dancer on the Broadway stage.Five years later, Tony Manero's Saturday Night Fever is still burning. Now he's strutting toward his biggest challenge yet: succeeding as a dancer on the Broadway stage.Five years later, Tony Manero's Saturday Night Fever is still burning. Now he's strutting toward his biggest challenge yet: succeeding as a dancer on the Broadway stage.
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Continuing my plan to watch every Sly Stallone movie in order, I come to Saturday Night Fever.
Plot In A Paragraph: In this sequel to Saturday Night Fever, former disco king Tony Manero (John Travolta) has left Brooklyn and lives in Manhattan. He stays in a cheap hotel and works as a dance instructor by day and as a waiter at a dance club on a night, trying to succeed as a professional dancer on Broadway. The breakaway from his Brooklyn life, family and friends seems to have matured Tony and refined his personality, represented by his diminished accent and his avoidance of alcohol and swear words. However, certain things have not changed, as with his most recent girlfriend, who's a dancer and also the singer of a band. He feels free to pursue other women, but gets very jealous if someone looks at her too long.
Stallone has Travolta looking the heat he ever looked, the movie movies at a good pace and is entertaining enough, while not getting close to the first movie. Despite a critical mauling, this was one of the 1983 top ten most successful films at the box-office.
To date this is the only movie Sly has directed, that he didn't star in. Which I think is a shame, as he is a talented director.
Plot In A Paragraph: In this sequel to Saturday Night Fever, former disco king Tony Manero (John Travolta) has left Brooklyn and lives in Manhattan. He stays in a cheap hotel and works as a dance instructor by day and as a waiter at a dance club on a night, trying to succeed as a professional dancer on Broadway. The breakaway from his Brooklyn life, family and friends seems to have matured Tony and refined his personality, represented by his diminished accent and his avoidance of alcohol and swear words. However, certain things have not changed, as with his most recent girlfriend, who's a dancer and also the singer of a band. He feels free to pursue other women, but gets very jealous if someone looks at her too long.
Stallone has Travolta looking the heat he ever looked, the movie movies at a good pace and is entertaining enough, while not getting close to the first movie. Despite a critical mauling, this was one of the 1983 top ten most successful films at the box-office.
To date this is the only movie Sly has directed, that he didn't star in. Which I think is a shame, as he is a talented director.
The original writer of Saturday Night Fever Norman Wexler gets a co-writer credit for the sequel.
Staying Alive was directed and co-written by Sylvester Stallone. The story owes a debt to A Chorus Line. Some of the clunky dialogue and scenes are likely to be the fault of Stallone.
However Stallone also got John Travolta into shape. Here he looks like a dancer with rippling muscles.
The story has moved on six years. Tony Manero is trying to hit it big as a bit part player in Broadway. He gets a long list of rejections and struggles on with the support of his girlfriend.
An abrasive relationship with the star of a new Broadway show, Laura (Finola Hughes) has not gone unnoticed by its director. Tony might have a girlfriend but he hits on Laura if it might help his career.
Travolta presents an older Tony Manero but he is still immature, shallow and self centred. Manero has a rawness and streetwise that attracts the attention of the director of the new Broadway show.
The film is let down by a thin uninvolving plot and too many songs that just does not fit in with the film. Whereas those Bee Gees songs became classics in Saturday Night Fever, they just are forgettable here. I thought Vince DiCola's composition blended better.
The real low point was the opening night of the campy Broadway show 'Satan's Alley' that Manero gets a starring role opposite with Laura. Conceptually is should had been reworked, maybe something more disco themed.
Travolta understands Manero but the film felt too different from Saturday Night Fever. Staying Alive did well at the box office when it was released but it was critically lambasted. It was a big task for it to even equal the original's success which had entered public consciousness in a big way. Looking at the movie again it does fit in well with the MTV aesthetics of the 1980s but it lacks the grittiness.
Staying Alive was directed and co-written by Sylvester Stallone. The story owes a debt to A Chorus Line. Some of the clunky dialogue and scenes are likely to be the fault of Stallone.
However Stallone also got John Travolta into shape. Here he looks like a dancer with rippling muscles.
The story has moved on six years. Tony Manero is trying to hit it big as a bit part player in Broadway. He gets a long list of rejections and struggles on with the support of his girlfriend.
An abrasive relationship with the star of a new Broadway show, Laura (Finola Hughes) has not gone unnoticed by its director. Tony might have a girlfriend but he hits on Laura if it might help his career.
Travolta presents an older Tony Manero but he is still immature, shallow and self centred. Manero has a rawness and streetwise that attracts the attention of the director of the new Broadway show.
The film is let down by a thin uninvolving plot and too many songs that just does not fit in with the film. Whereas those Bee Gees songs became classics in Saturday Night Fever, they just are forgettable here. I thought Vince DiCola's composition blended better.
The real low point was the opening night of the campy Broadway show 'Satan's Alley' that Manero gets a starring role opposite with Laura. Conceptually is should had been reworked, maybe something more disco themed.
Travolta understands Manero but the film felt too different from Saturday Night Fever. Staying Alive did well at the box office when it was released but it was critically lambasted. It was a big task for it to even equal the original's success which had entered public consciousness in a big way. Looking at the movie again it does fit in well with the MTV aesthetics of the 1980s but it lacks the grittiness.
I would give Staying Alive 1 star for actual goodness, and 10 stars for being in that rare category of movie that is so awful it's great. I will say that John Travolta is good dancer and his character is actually rather well portrayed here. But the film itself: ZOMG. The dance sequences are cheesy as hell. I have almost hurt myself from laughing so hard. It's like everyone in the movie lives in a world where cruise ship shows are considered the apex of entertainment. The script is a knock off of a knock off of a knock off of 42nd Street, with obvious rip-offs of All That Jazz. The choreographer character is straight out of the book of Hollywood clichés. The love triangle is as flimsy and transparent as used Saran wrap. The songs are all ridiculously over-earnest, especially the echo-laden 'Dance Close to the Fire' sequence. But I gotta say: watching this is pure joy. Pure 'oh my god I can't believe I'm watching this' guilty pleasure joy.
It's five years later and Tony Manero is still dreaming of becoming a professional dancer.He may get his big break on Broadway.He has something going on with two girls, his girlfriend Jackie and an English dancer called Laura.Staying Alive (1983) is a sequel to the disco movie classic Saturday Night Fever.It has a new director, a fellow called Sylvester Stallone.You can see him giving a cameo as Man on Street.John Travolta is just as good here as he was in the original.The girls, Cynthia Rhodes and Finola Hughes are both great.Julie Bovasso is also in this part playing Tony's mother.Steve Inwood plays the part of Jesse.Kurtwood Smith plays Choreographer.Sly's brother Frank Stallone plays Carl.Music by the Bee Gees can be heard also in this movie, as was in the first part.From the brothers Gibb we sadly lost Robin on May at 62.This sequel doesn't get too close to the original, but I don't find it a bad movie.It's still entertaining, it has some cool dance scenes.The movie looks very 80's, so if you're allergic to the 80's, you shouldn't probably watch this movie.
Oh! So hokey! So bad! Tony Manero gets a job on the world's worst Broadway musical where two soap opera actresses catfight over his affections. Did I mention that all the music is by Frank Stallone? Of course this is because Sylvester Stallone directed, but Sly also keeps things in the family way by plopping Mama Jackie Stallone headbands on every friggin' chick in the film. The musical seems to involve a lot of dancers writhing about in "hell" (Drowning in dry ice, wearing Jackie headbands and listening to Frank, so there is at least a few scant shreds of reality fluttering here.), basting Tony in baby oil and tearing at his loincloth. This goes on non-stop for about the last 20 minutes, except for the moment when the director comes back waving his scarf at Tony and hollering "What is going on out there?" (Yeah, man, I was wondering too.) Still, if you're a fan of Travolta in his liberally greased and half-naked physical prime, you might derive a modicum of enjoyment from this. (I didn't. My mom did.) Great basket shot at the end, though.
Did you know
- TriviaJohn Travolta has claimed his favorite director to work with was Sylvester Stallone. He said Stallone knew how to make him look the best on screen.
- GoofsDuring the rehearsal segment, the camera crew is reflected in the mirrors.
- Quotes
[last lines]
Tony Manero: Do you know what I wanna do? You know what I wanna do?
Jackie: What?
Tony Manero: Strut.
- Alternate versionsNBC edited just 30 seconds from this film for its 1987 network television premiere.
- ConnectionsFeatured in Someone Belonging to Someone (1983)
- SoundtracksThe Woman In You
Performed by The Bee Gees
Written by Barry Gibb, Robin Gibb and Maurice Gibb
Produced by Barry Gibb, Robin Gibb and Maurice Gibb, Karl Richardson and Albhy Galuten
- How long is Staying Alive?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- Sobreviviendo
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $22,000,000 (estimated)
- Gross US & Canada
- $64,892,670
- Opening weekend US & Canada
- $12,146,143
- Jul 17, 1983
- Gross worldwide
- $64,893,329
- Runtime
- 1h 33m(93 min)
- Color
- Aspect ratio
- 1.85 : 1
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