Stroker Ace

Stroker Ace,a film directed by Hal Needham (the same director of such souped-up hits,like Smokey and The Bandit and Hooper),is a real surprise for the audience!it offers a lot of fun and laughs,all of this accomplished by dangerous and incredible scenes of action,which make Speed look like a boring movie!the character was made for Burt Reynolds,and combines with his own personality and way of interpretation!it's a nice movie,that everybody should discover,specially because it symbolizes a time when what really counted in the box-offices was the protagonist's charisma,and not stupid special effects!good times,when Burt was the best...and this time is going to be back!

Stroker Ace (Burt Reynolds) grew up with moonshining Seegles being chased by the cops in the backwoods. He is a reckless arrogant womanizing three-time NASCAR champ. Aubrey James (Parker Stevenson) is his ambitious young rival. Lugs (Jim Nabors) is his crew chief. He is taken with virginal Pembrook Feeney (Loni Anderson). She's Clyde Torkle (Ned Beatty)'s new employee. When Stroker loses his sponsor, he signs up with untrustworthy Fried Chicken king Torkle as The Fastest Chicken in the South. He grows to hate his contract and tries to get out of it.

This is Burt Reynolds at his most Burt Reynolds. As a kid, I didn't really mind the bad writing and didn't get some of the jokes. It wasn't my favorite racing movie but I didn't know the critical panning this received. I love Cannonball Run and I knew this is inferior. Watching it again recently gave me a few more problems. Loni is a big robotic problem. Her innocent act does not work. The writing is not that funny either. It's just a lot of camp from the cast. I don't actually hate this but it's not good.

Burt Reynolds goes through the motions as an absurdly-named stock car driver in this dull, deeply unfunny 'comedy' directed by long-time buddy Hal Needham. Nonsensical plot concerns Reynold's efforts to get out of a sponsorship contract (what, he doesn't want to be on a competitive team?) while trying to woo Loni Anderson's PR flack/Sunday school teacher, over the course of a seemingly endless racing season.

Big hair, cornpone accents and superficial performances abound, with particularly annoying turns from Jim Nabors (as Reynolds' crew chief) and Ned Beatty (as a fried chicken magnate). Only potential points of interest are the period racing scenes (including some of the top NASCAR drivers), and the vast cleavage displayed in the few female roles: Anderson, Cassandra "Elvira" Peterson, Debbie Casperson and the legendary Linda Vaughn.

Normally I find myself defending Burt Reynolds' supposed lesser works but in this case I have to agree with the majority that this one's the pits. I want to like it much like I love the Cannonball Run and Smokey movies but this just isn't very funny. Jim Nabors has no comedic chemistry with Burt. Every line he utters I'm kind of annoyed. He actually makes me miss Dom Deluise which I never thought I'd say. Loni Anderson looks nice but brings nothing else to the table. I enjoyed her on WKRP so I know she's capable of better with a decent script. Ned Beatty is doing his best Charles Durning and failing miserably. As for Burt he's sleepwalking through this role, which he reportedly only took as a favor to director and friend Hal Needham. If true that he turned down Terms of Endearment for this then wow George Raft is no longer the actor with the worst decision-making skills in Hollywood history. If you like Burt's other 80s comedies then give it a shot but be warned it's not as much fun.

Stroker Ace isn't a bad movie - it has some fun moments and a bit of charm - but it's not exactly Burt Reynolds at his best either. I'd say it's slightly better than Smokey and the Bandit II, but still nothing too memorable.

It makes sense why this film didn't do much for Burt's career, especially since he famously turned down Terms of Endearment to make it. That choice really puts this movie under a harsh light.

There are a few interesting touches, like the use of real TV broadcast footage of race car crashes, but it almost feels like that was thrown in to give the film more intensity - and it doesn't really work.

I borrowed the DVD (2018 Warner Brothers Archive Collection Reissue) from the library, and the technical quality was honestly pretty rough. The mono audio mix lacks energy, and the music doesn't add much excitement. The subtitles were especially bad - out of sync and didn't match what was being said at all.

Overall, it's kinda a good movie for a casual watch, especially if you're into NASCAR or Burt Reynolds. But it's not one I'll be rushing to revisit.