Zu: Warriors from the Magic Mountain

Set during a feudal period with many warring clans, Yuen Biao stars as a young warrior who deserts his army and , after falling off of a cliff, finds himself in a magical land in the middle of its own war. The forces of Good, lead by the ancient sorcerer White Brows (Sammo Hung), are at odds with the forces of Evil, lead by the Blood Demon (Corey Yuen). Biao teams up with a group of heroic warriors, including Adam Cheng and Brigitte Lin, to help defeat the evil menace.

Filled with bizarre characters (White Brows fights with his extendable eyebrows!) and dazzling, if primitive, special effects, this film is a non-stop feast for the eyes. It maintains a light tone for the most part, and the choreography, which utilizes a lot of "wire-fu", is spectacular. It has a low budget (for American audiences, anyway) can-do feel, and a lot of the effects are done with in-camera trickery that is quite clever.

The script is convoluted, the way a lot of kung-fu epics are, and there are times when you aren't quite sure who is who and what is what. Some of this I blame on the DVD I watched, a poor quality edition from a Chinese distributor, with a shoddy English-dubbed audio track. If someone were to put this out on a re-mastered Blu Ray, I would buy it in a second. Highly recommended for martial arts fans, and fans of weird world cinema.

Hark's action fantasy 'Xin Shu Shan Jian Ke' is a whole lot of fun. Needless to say one can expect lots of extravagant martial arts action sequences which are well choreographed (but some of them are so long that they tend to drag a little). The movie is loaded with special effects and even though they don't look as refined as movies of today, they're still fun to watch. The sets don't look particularly authentic but they hold a certain appeal and I like the way they appeared. The story isn't told in the traditional fashion and at some points question marks will appear in the mind but there's always something happening to keep the viewer engaged. Yuen Biao and Sammo Hung are simply great as they infuse humour and energy into their roles. Energetic, funny, bizarre, wacky, magical...these are just a few words that describe Tsui Hark's 'Xin Shu Shan Jian Ke'. Forget the abysmal 2003 remake. This is where the real fun is.

This is a visual masterpiece that outdoes the special effects of later movies with sheer artistry, because it is a magical piece.

It is a larger than life movie about a fight against evil. It begins with a "scout" giving two leaders a report. They each give him conflicting orders, and then ask which he'll obey. He says "Both", so they both call him insubordinate and condemn him to die.

He finds himself on the run. This sets the pace for the film, which is nonstop action and breathtaking visuals. It helps that the visuals are perfectly placed, and logical in their Magic.

The scout finds comrades, at first another warrior from an opposing side, and then later some monks who work in a very magical world.

The film manages to be the best of all worlds. In spite of the magic, the comedy of human errors is always there. The characters fly in the air, fight demons, and do outrageous acrobatics, yet bump their noses, can't swim, and get smacked by pretty girls. They engage in battle, but play dead at the first opportunity, only to find dozens of others also playing dead.

It is one of the funniest films of all time, and also one of the most passionate.

This is how to make a masterpiece.

This eye-popping, special-effects-laden Asian fantasy is a real feast for the eyes. It stars Yuen Biao as a soldier who, fed up with the constant and seemingly pointless civil war, deserts his platoon only to find himself caught in another battle. He escapes the battle by falling off a cliff, but descends unharmed into a cave, where he is rescued from an attack by glow-eyed flying demons by a fantastic warrior with a magical flying sword. He goes under the tutelage of the warrior, who is reluctant to take on a new pupil. What follows, words cannot aptly describe. Suffice it to say, it's an absolutely frenzied mix of action, special effects and bizarre, magical occurrences. The action is non-stop and the editing is laser-paced. I was absolutely exhausted by the end of the film. The cast is likewise first-rate. I was impressed especially by Sammo Hung in a dual role: as Yuen Biao's soldier buddy, and as Long Brows, the ancient priest who holds the Blood Monster at bay using his "sky mirror" and magical extending beard and eyebrows...You'd have to see it to understand. Suffice to say that there's many moments in this film that will have you thinking, "I have no idea what's going on, but it sure *looks* cool." Trust me, you won't be able to tear your eyes from the screen.

Because this movie was made in the 1980s, I did not expect the special FX to be the equivalent of anything made in the states, or even up to the level of The Stormriders. However, I found this film a lot more enjoyable than the latter. This film is almost a non-stop ride full of swordfights, optical FX battles, flying people, and it still leaves room for some interesting themes also.

The plot deals with a soldier being disillusioned by the endless civil wars that have been fought. He goes to a mountain where he joins a swordsman, a monk and his apprentice, Sammo Hung, and some lovely ladies in a quest to defeat the Blood Demon, a being of pure evil. On the way, the soldier (Yuen Biao) and the monk's apprentice (Mang Hoi) must find some swords to use in the battle.

The action is nearly non-stop. It first starts out with some basic swordplay. Once Yuen reaches the mountain, than everything shifts into overdrive. Optical FX fly across the screen at dizzying speeds. Humans and demons fly across the screen at dizzying speeds. People get frozen alive. Women fly around with swirling cloth in their wake. Men fly around chained to boulders. Eyebrows are used to contain evil. All I can say is...wow. Only Ching Siu Tung could come up w/ some as imaginative as this.

As I mentioned earlier, there are some interesting themes involved. Tsui Hark seemed to make a statement against world leaders who start senseless wars and kill innocent people. Also, he talks about how battles become futile when people won't set aside their differences for a common cause. If we want to save the world or even ourselves, we all have to work together.

Of interesting note is the International dubbed version. That version makes the film into a dream sequence and turns the war parable into a love story spanning many generations. A lot of scenes are cut and shortened, giving the Zu mountain segment a very rushed feel. Overall, the subtitled version is a lot more preferable.