Silkwood

This movie was only a glimpse into the future. We all, should be very thankful that Hollywood had the guts to produce a story like this. Meryl Streep did a wonderful job of portraying Karen Silkwood. This movie was only a glimpse into the future. I think this movie was a real eye opener at the time. Unfortunately, now there are enough true stories out there like this, it would keep Hollywood busy full time, if they produced them all. Meryl Streep you are my star for ever, but please mentor someone else with your talent. Our country needs it.

With CSI on TV today it would be nice to have a spin off with details of Karen's head x-rays and auto damage in order to get closer to the truth. A modern day story called 'Wounded Bear' depicts a very similar story. This story has CT's and would bring you to the truth of both stories. I have Silkwood

on tape because I feel it is an important part of history.

One of the things that many movies are missing these days are the small details and things that happen in everyday life - and how we are able to learn about characters through small visual clues rather than the large hammer of exposition-driven dialogue.

For instance, in the scene where the characters are looking at the slides of the trip to Washington: towards the end are two photos with Streep and Ron Silver's character. In the second photo, she leans into him a little bit. That tiny bit of body language makes us wonder - and Kurt Russell's character too. He suddenly moves his arm from around Streep's and suddenly she's aware that something's wrong. It's all in the unspoken. There isn't a preceding scene where she picks up the other guy, or goes to bed with him or even lies to Kurt Russell. It just cuts to this scene, and we the viewer learn along with Kurt that she's been unfaithful - which also reveals a little more about this person Karen Silkwood.

She's not a perfect hero - she's flighty, irresponsible, impulsive and non-committal - so the question becomes, why did she change? Why did she risk her life when she finally truly understood the risks? And how does Kurt Russell come to terms with this changed person he is in love with, given that he is just a guy who knows how to fix a car not save the world?

Watch Mike Nichols' inspired direction; he rarely cuts away in the middle of a scene. A lot of Kurt, Cher and Meryl's acting happens all in one take. *That's* truly good acting and directing.

Good dialogue in a film is in knowing what's happening without it being said. Don't fast forward the first hour - really pay attention and see how much you learn from the small details that will enrich your viewing of this film.

I took the time to register with IMDB just to present a more accurate review of this movie than the person that wrote that the movie was a joke. While not one of the best movies of its type, it's still pretty well done. The story moves along well....clues are dropped throughout the movie to show the possible conspiracy at work. I would consider "The Insider" as one of the better movies of this type that was made in recent years, and even that movie shows traces of having evolved from movies like Silkwood.

I find most movies of this type that were done in the 80s as generally pretty cheesy. Silkwood does a pretty good job of "not being too cheesy". And if there is any trace of "cheesiness" (if you will), it's represented in the way that the townspeople react to Karen Silkwood. And the reactions worked for me, because when I think of how seriously people reacted to issues like nuclear or toxic contamination back in the late 70s/early 80s, there was a lot less info available. Nowadays in the "Oprah" and "11 o'clock news warnings" generation, where there's something new that we should be cautious of everyday, these types of stories are much more believable.

Meryl Streep (as expected) far outshines the rest of the cast. Kurt Russell turns out a pretty nice performance. Cher's performance was ok. I think at the time she probably received a lot more recognition for this role because it began to show her range. But she's been better in subsequent roles.

All in all, Silkwood is a movie that doesn't suprise or open the eyes of all the conspiracy- conscious people that are alive in 2003, but it does provide a touching story about a town that was dealing with the prospect of having to choose between the risk of toxic infection and their livelihood. But the real story here is about the one woman that cared enough to dig a little and ask a few questions and the danger that developed from taking a stand. 8 out of 10.

Even though you already now how the movie ends just by reading the taglines, there is still a strong element of suspense in this film, about Karen Silkwood who suspects that the lives of hereself and her co-workers are in danger. It is a well written film, and masterfully acted by Streep and her castmates. This one makes Julia Roberts in Erin Brochievich look really bad.

The lives of working class Americans are shamefully under-represented by Hollywood, and when a poor person is depicted (as something other than a criminal), it's almost always with the subtext of hope and the American dream. But hope isn't what drives someone, like the real-life Karen Silkwood, to risk her life working with plutonium for the only employer in a company town. Silkwood didn't find hope, but she did get scared, and angry, and put her job (and those of her colleagues) at stake to uncover dangerous practices before dying a mysterious death. 'Silkwood' the movie doesn't give us the glib conclusions of a conspiracy thriller (it refrains from giving an opinion on her cause of death), but it does give an excellent portrait of life at the bottom, and the mounting sense of claustrophobia and paranoia that accompanied Karen's perilous voyage of discovery. Meryl Streep does an excellent job in the title role, portraying a woman gradually losing her sanity, and the whole cast is good, even Cher in an unglamorous role. In conclusion, this is a serious and important film; and a reminder for the fortunate how hard, and ugly, life can be, even in the "land of the free".