In a small American town, a diabolical circus and its demonic proprietor prey on the townsfolk.In a small American town, a diabolical circus and its demonic proprietor prey on the townsfolk.In a small American town, a diabolical circus and its demonic proprietor prey on the townsfolk.
- Awards
- 2 wins & 7 nominations total
Peter Risch
- Little Person #2
- (as Peter D. Risch)
Featured reviews
I enjoyed this movie as a child, it was very interesting and it was nice to watch a horror movie that was rated PG as it would actually come on in the day rather than having to try to stay up late to watch it. Granted, it is not a pure horror movie, it has some other genres mixed in as well, but at its core I say horror is its main ingredient. The movie also features good characters in the form of Mr. Dark and Jason Robards character. The kid who is featured is also quite good here. The story has a carnival coming to town, however this carnival contains a dark secret and it is not just the fact the owner of this particular carnival is named Dark. No it seems he likes to offer those that are a bit weak the thing they desire most and then twist it in a way that makes it not so good. However, that is the price you must pay when dealing with this gentleman. The story moves at a good clip and while it never really gets gory or anything the story more than makes up for this and provides plenty of entertainment.
This film is well made in all regards; the cast is top-notch, the cinematography and direction drive the tone of the movie, the effects inventive and wonderful (even by late-90's standards) and best of all, the storyline superb.
That said, this is arguably the best film made from any of Ray Bradbury's works. I first read the book years ago as a 13-year-old and remember the images the tale concocted, and the questions about myself that the storyline propose ring as true today from the film as they did then from the page.
Owing much to the casting of the film, the director marvelously weaves the story around the principal leads by allowing a score of tertiary characters to guide the plot's tone, mood and motion. Each person, whether major or minor, is an intriguing part of the tale with their own tale to tell. With great efficiency we understand what drives each of the townspeople, and grow more curious and suspicious as to the background of the carnival folk.
Sympathy -- or contempt -- for each of the characters is developed throughout, and best the film's two supporting actors, Jason Robards and Jonathan Pryce. While neither is exactly cast against type here, both provide a driving stability for the film. The two boys that serve as the film's protagonists do an admirable job in portraying both the fear and delight that is part of youth, and inherent to coming of age.
This movie is a fine example of how an effective thriller can be made without resorting to language, blood, sex, or violence. While I am not all opposed to films that use any or all of those conventions, it is a refreshing change from what is otherwise the norm.
One of the greatest benefits is that the resulting film is one that you can watch with your children, a film that will provide them a healthy scare and stimulate their mind as well. As the film does contain some dark and frightening imagery, it could certainly serve as a source of nightmares for younger children.
That said, this is arguably the best film made from any of Ray Bradbury's works. I first read the book years ago as a 13-year-old and remember the images the tale concocted, and the questions about myself that the storyline propose ring as true today from the film as they did then from the page.
Owing much to the casting of the film, the director marvelously weaves the story around the principal leads by allowing a score of tertiary characters to guide the plot's tone, mood and motion. Each person, whether major or minor, is an intriguing part of the tale with their own tale to tell. With great efficiency we understand what drives each of the townspeople, and grow more curious and suspicious as to the background of the carnival folk.
Sympathy -- or contempt -- for each of the characters is developed throughout, and best the film's two supporting actors, Jason Robards and Jonathan Pryce. While neither is exactly cast against type here, both provide a driving stability for the film. The two boys that serve as the film's protagonists do an admirable job in portraying both the fear and delight that is part of youth, and inherent to coming of age.
This movie is a fine example of how an effective thriller can be made without resorting to language, blood, sex, or violence. While I am not all opposed to films that use any or all of those conventions, it is a refreshing change from what is otherwise the norm.
One of the greatest benefits is that the resulting film is one that you can watch with your children, a film that will provide them a healthy scare and stimulate their mind as well. As the film does contain some dark and frightening imagery, it could certainly serve as a source of nightmares for younger children.
Iremember reading an article on this movie in the NME in the 80s. It told how some execs at Disney did not like the movie because it went against what the studio stood for. good family entertainment. I have heard that they didn't like Watcher In The Woods either for the same reasons.Soon after they formed Touchstone Pictures and made Splash which must have been in script development at the time and thats family entertainment?. This movie really deserves a reissue as it remains one of the best live action pieces that Disney have ever done. Jonathan Pryce was perfectly cast as Mr Dark and the two child actors are refreshingly mature for a Disney movie. it seems funny that a movie that is this scary should have been made by Disney and as the house of mouse never throws anything away there must be enough for a real good DVD release of it. i notice on the comment boards that there is demand for a remake. good idea but it would have to be Jonathan Pryce as Mr dark once again and Cauron or del Toro as directors as they are the only ones with a vision dark enough for it.
In the collection of 80's sci-fi/fantasy films that garner much recognition, no one ever seems to mention "Something Wicked This Way Comes". But they should. The film is a very well done film, from a technical aspect, blending moody cinematography with good f/x (for 1983,anyways) to make some truly memorable moments. Clayton's directing focuses on grand imagery and atmosphere, and it creates a very fine tone for the film. Bradbury's writing adds a lot to the story, his expertly sculpted dialogue bringing life to some good characters. He, and the film, do struggle with the coming of age stuff between the two boys, as it is mostly run of the mill material, but still effective in places. The father-son talks are also not too amazing. But, the were some great moments, most notably the library scene with Mr. Dark and Mr. Halloway. Great writing and directing accented by Jonathan Pryce's pitch-perfect performance. A few of the "scary" scenes were rather hokey, but for the most part provided decent enough suspense. The cast was very good, the two young boys definitely worked well with each other. Jason Robards kind of walked through his role, but Robards can do that and still make it look good. And of course, as mentioned before, Jonathan Pryce is just uber-creepy as the bad guy, Mr. Dark. It's a shame Hollywood never really caught on to him.
All in all, the film provides some tense (for a kid's film) moments with a lot of visual flair, but also provides some more heavier (once again, for a kid's film) material about father & sons and what's it's like to grow up.
7/10
* * */ * * * *
All in all, the film provides some tense (for a kid's film) moments with a lot of visual flair, but also provides some more heavier (once again, for a kid's film) material about father & sons and what's it's like to grow up.
7/10
* * */ * * * *
There was a time in cinematic history where making a perceived "kids" film had one core question at heart. Do we want to entertain the kids or do we want to traumatize the kids? I kid you not, this era existed in the late 70s and the early to mid 80s. Filmmakers still made kid friendly films which we see today, but they also wanted to fill kids with a sense of existential dread. Ironically, the studio that started this was Disney.
Ray Bradbury was still something of a household name in the 70s and 80s, so having him adapt a screenplay of his own work was a no brainer. However, that popularity was largely on its last legs in 1983, but he at least made one last mark with Something Wicked This Way Comes. It's starts innocently enough, as the small sleepy town of Green Town, Illinois (a frequently used town in Bradbury's oeuvre) begins yet another day. However, that quiet is brought to an end when Mr. Dark's Pandemonium Carnival hits town. It looks fairly innocuous, but there is a dark and sinister force controlling and manipulating this carnival.
Jonathan Price is by no means scary or intimidating, and this is why his turn as Mr. Dark (or G. M. Dark for us Bradbury fans) is so damn chilling. His slight accent, his all knowing knowledge of people's hidden desires and the outright disregard for the very bargains he makes. His Faustian turn as the leader of The Autumn People makes him one of the most bone chilling antagonists of the 80s. I will gladly fight anyone for that statement. His first run-in with Charles Halloway is the stuff of nightmares.
And speaking of nightmares, this film intentionally played on the many assorted nightmares of children. While Return to Oz would be the primer for scaring and traumatizing kids, this one was pretty close. The worst aspect it did bring up was two fold...the death of a parent and disappointment in yourself and your children's eyes. I would venture to say this film would slightly agitate a decent swath of viewers.
In spite of all the implied danger and darkness, this film does have its weaknesses. The special effects just weren't good enough to match the event of the story at the time and the two boys were rather wooden in acting. But on the other hand, the rest of the movie is so beautiful to look at you just kinda wish Disney would finally remake this film (along with Condorman!). However, I don't know if they could replace Jonathan Price and Jason Robards. The scenes they had together are show stoppers, and the simple body effects and implied horror would be replaced with boring CGI.
I won't pretend this is an amazing movie. It has flaws for sure, but it kinda makes you long for more of this kind of output from Disney rather than the never ending stream of comic books and endless franchises.
Ray Bradbury was still something of a household name in the 70s and 80s, so having him adapt a screenplay of his own work was a no brainer. However, that popularity was largely on its last legs in 1983, but he at least made one last mark with Something Wicked This Way Comes. It's starts innocently enough, as the small sleepy town of Green Town, Illinois (a frequently used town in Bradbury's oeuvre) begins yet another day. However, that quiet is brought to an end when Mr. Dark's Pandemonium Carnival hits town. It looks fairly innocuous, but there is a dark and sinister force controlling and manipulating this carnival.
Jonathan Price is by no means scary or intimidating, and this is why his turn as Mr. Dark (or G. M. Dark for us Bradbury fans) is so damn chilling. His slight accent, his all knowing knowledge of people's hidden desires and the outright disregard for the very bargains he makes. His Faustian turn as the leader of The Autumn People makes him one of the most bone chilling antagonists of the 80s. I will gladly fight anyone for that statement. His first run-in with Charles Halloway is the stuff of nightmares.
And speaking of nightmares, this film intentionally played on the many assorted nightmares of children. While Return to Oz would be the primer for scaring and traumatizing kids, this one was pretty close. The worst aspect it did bring up was two fold...the death of a parent and disappointment in yourself and your children's eyes. I would venture to say this film would slightly agitate a decent swath of viewers.
In spite of all the implied danger and darkness, this film does have its weaknesses. The special effects just weren't good enough to match the event of the story at the time and the two boys were rather wooden in acting. But on the other hand, the rest of the movie is so beautiful to look at you just kinda wish Disney would finally remake this film (along with Condorman!). However, I don't know if they could replace Jonathan Price and Jason Robards. The scenes they had together are show stoppers, and the simple body effects and implied horror would be replaced with boring CGI.
I won't pretend this is an amazing movie. It has flaws for sure, but it kinda makes you long for more of this kind of output from Disney rather than the never ending stream of comic books and endless franchises.
Did you know
- TriviaRay Bradbury first wrote 'Something Wicked This Way Comes' as a screenplay in 1952, after watching Gene Kelly in Singin' in the Rain (1952), which Bradbury thought was the greatest musical ever made. Bradbury showed Kelly the screenplay, and Kelly was so impressed that he wanted to make it his next picture. When Kelly shopped the story around to potential backers in 1958, he was unable to raise any money for the project. It was only after this failure that Bradbury rewrote the story as a novel, which incorporated some elements from his 1948 story "Black Ferris," and was published in 1962. Bradbury dedicated the novel to Kelly.
- GoofsMr. Dark skips both 41 and 51 during the library sequence.
- Quotes
Charles Halloway: I, uh, have the honor, sir.
Mr. Dark: And have had for many years, I do believe. All that time spent living only through other men's lives. Dreaming only other men's dreams. What a waste.
Charles Halloway: Sometimes a man can learn more from other men's dreams than he can from his own. Come visit me, sir, if you wish to improve your education.
Mr. Dark: I will, and I may improve yours.
- ConnectionsFeatured in The Making of 'Something Wicked This Way Comes' (1983)
- SoundtracksNow, When The Dusky Shades Of Night
(uncredited)
Author unknown
Performed by Jason Robards, Ellen Geer, Vidal Peterson and cast
- How long is Something Wicked This Way Comes?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- La feria de las tinieblas
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $19,000,000 (estimated)
- Gross US & Canada
- $8,400,000
- Opening weekend US & Canada
- $2,423,555
- May 1, 1983
- Gross worldwide
- $8,400,000
- Runtime
- 1h 35m(95 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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