Trenchcoat

I think that putting this movie under the Disney label even with controversy surrounding it was a good move. That is just what the studio needed at a time when people were straying away from the usual cutsie "Disney" movies, like "The Rescuers"(1977), or even "petes Dragon"(1977) for that matter. This is more of an adult centered film, and that is what makes it special. Parents will enjoy this film more than their kids. But any children watching this film under about the age of 12 or 13, SHOULD have parental guidance, because the film does have some suggestive content. Over all, I gave it 8/10, mostly for the story line and character situations. It was GOOD!!!

I can't understand why this movie has such a low User Rating. I enjoyed it thoroughly the first time I saw it and have seen it again several times with no loss of pleasure. Perhaps some viewers failed to realize that this is not a serious thriller but a tongue-in-cheek romantic comedy in disguise. Taken on these terms it's a lot of fun.

Margot Kidder is unstoppable. She will always be there when you need to be entertained. This film was one of the Disney film which were made to change the image of the company. Needless to say by the films controversy, it did.

Kidder is ambitious, hard edged writer on her way to write her first big mystery novel, when she stumbles upon Hayes, a lier and fraud, who turns out to be working for... Leave that up to audiences. Kidder falls upon a real plot of terror and adventure when she is kidnapped and taken to a hotel where murder and mayhem ensues. Then things get really ugly. Hayes and Kidder have great chemistry together. Intellect and acting makes up for some lulls earlier on in the film, and when you see the "Club scene" with "Princess Aida"... Laughs and even a bit of tension highlight this film with strange yet watchable locations, and bit of Italian! 8/10

Mickey Raynond (Margot Kidder) is a court stenographer who aspires to be a writer of detective fiction who travels to Malta to research her book "Malta Wants Me Dead". During Mickey's tour of Malta, she inadvertently picks up an article belonging to a shady man (Leopoldo Trieste) which starts a series of misadventures that befall her beginning with a stolen handbag before they crescendo in Maltese Inspector Stagnos (David Suchet) coming to believe Mickey may be involved in an international drug deal and her stories of pickpockets and assassins are just the workings of an author's imagination. With the help of a smooth talking jewelry salesman, Terry Leonard (Robert Hays), Mickey Raymond sets out to clear her name as she finds herself living the adventure she'd set to write about.

Trenchcoat was the project of noted TV producer Jerry Leider who'd transitioned from his long tenure in TV to feature films with the 1980 remake of The Jazz Singer. Initially setup at EMI, the project was describe as a comedic thriller under the initial title Malta Wants Me Dead. After Leider ended his association with EMI, the project went into turnaround with Leider taking the film to the Walt Disney Company who at the time were interested in working with independent producers. The project was greenlit by Disney and the $8 million international co-production began with an intended 1983 release. Margot Kidder research the lead role by reading multiple detective novels and watching various film-noirs in preparation for the part and the film was also the first credited work of screenwriters Jeffrey Price and Peter S. Seaman who would later write another more well known noir themed comedy in Who Framed Roger Rabbit?. Upon release, the movie was a box office and critical failure making only $4 million against its reported $8 million budget and critical reception wasn't much better with Siskel and Ebert disliking the movie and even putting it on their "worst of" list in their Stinkers of 83 episode of their TV show. Since it's initial release, Trenchcoat has been largely forgotten with the only legacy tied to it being Disney's formation of their Touchstone label so they could tackle more adult skewing material free of the Disney brand. Trenchcoat has a nugget of a good idea, but it's the execution that keeps things from firing on all cylinders.

I will say that Margot Kidder is certainly giving her all as Mickey Raymond and she uses that same acerbic delivery she brought to her Lois Lane character from the Superman movies to good effect here playing an innocent character wrongfully accused while trying to unravel the web she finds herself trapped in. While I like Kidder just fine in the leading role, the movie narratively and comedically lets Kidder's performance down as everyone she meets overplays their role to an obnoxious degree or is let down by the fact they are cogs in an "idiot plot" where even the usually reliable David Suchet is forced to spout some really stupid justification for not believing Mickey's story in a scene that feels like it's trying to be funny but the way the scene is delivered and edited with very standard workman like direction by Michael Tuchner makes the pacing too slow for any of the humor to have punch and the editing is surprisingly sloppy with key plot points such as Mickey Raymond picking up the object that gets her involved in the plot or her handbag being stolen either happening off camera or in a non-descript way that made me feel like I was missing key details and had to rewind to make sure I didn't miss anything.

Trenchcoat kind of plays like a rough (very rough) first draft of films like Romancing the Stone or American Dreamer that took very similar plots to Trenchcoat but played them with tighter direction and more surehanded craft to give those films some sense of urgency, style, or comic punch. You can see the bones of a potentially decent comic thriller, but the "meat" on those bones is flavorless and a chore to chew through. Kidder does what she can in the lead role, but everything else from the writing to the direction to even the bland dreary cinematography of Malta not giving Kidder anything solid to play her performance off against. Maybe if you're morbidly curious about what Disney did with adult skewing films prior to Touchstone it might be worth a one time look, but even then stuff like Dragonslayer, Watcher in the Woods, or Something Wicked This Way Comes have much more style, energy, and passion to them.

Once upon a time, people knew who they were. Some were mechanics, some were politicians, some were writers.

Since about 1980, the real writers have been removed so that the rich tea party families could "write on the side".

That's why we had so many "situational tea party type Miss Marple comic murder mysteries", comic fantasies purely going with formula.

There is no "writing" here. It is formula stage play. It is a mixture of "Romancing the Stone", "Miss Marple", and virtually every stage comedy one has ever seen.

Then again, all good cinema begins as good stage plays, so you have at least a mediocre movie here.

What helps here is great casting. Margot Kidder is a bit like Lois Lane here, only more likable. She shows that comedy is her forte, and the role seems to have been written specifically for her.

This is probably what Kidder should always have done. The rest of the cast is also splendid.

In a formula film like this, casting makes a big difference. It's lightly likable, with the cast pulling it up over the 5/10 mark.