Tender Mercies

This movie demonstrates what happens when the rare, magical perfect combination clicks together. Duvall, Beresford and Foote blended their talents marvelously and managed to fool the critics by producing a film that is absolutely one of the best ever. Its draw at the box office and on video may have surprised the critics, but is understood by those who place a high value on well-written and well-acted drama. I have nearly worn out my VHS copy from multiple viewings but I have never worn out the experience. The film is uplifting because it is all about unhoped hope finding fulfillment.

The movie combines tragedy and pathos with love, warmth and redemption in a manner that rarely occurs in a Hollywood production. To top it off, it does it so that there is not a phoney or contrived moment in the picture. Excellent and somewhat surprising supporting performances came from newcomer Tess Harper (discovered for this film by Duvall and Beresford) Ellen Barkin and Betty Buckley. Brimley (impossible to dislike in any role) is perfect as Buckley's manager.

One of the best scenes in the movie occurs when the young band drops over to "just say howdy" to the ex-singer. Harper is guarded and protective at first, but the pure hearts and openly embarrassed intent of the young men quickly win her and the viewer over. It is a touching and beautiful scene. It reminds you that there is still decency and humility among American youth (maybe we should all visit east Texas once in a while, although you can easily find it in most parts of rural USA).

No action flik this. The best word I know to describe Tender Mercies is "heartwarming." If you have not yet watched it, by all means do yourself a favor: beg, borrow, rent or steal a copy without delay. You'll never think of Duvall or Texas or country music the same again.

While some may consider the movie a little slow at times, its overall message is a powerful one. A movie about redemption, restoration and hope. Robert Duvall's portrayal of a man whose life is in need of repair is outstanding. Ranks with his character in "The Apostle", a similar tale in many ways. In my opinion, the baptismal scene is one of the movie's most moving moments. The bleak landscapes and the dust-blown scenes effectively echo the main character's state of mind for part of the film. Mac Sledge is a great character brought to life by Duvall. As Sledge gradually gets his life together thanks to the developing relationships with a young widow and her son, the mood of the movie becomes a little more positive.

Mac Sledge (Robert Duvall) is an alcoholic washed up country singer. He can't pay his motel bill and starts working for the widowed owner Rosa Lee (Tess Harper) who is raising her son Sonny. He turns his life around and they get marry. His new life is interrupted when a reporter drops by. His ex-wife Dixie Scott is a country music star and she's performing nearby. His story is printed in the newspaper. He goes to her concert and sees her manager Harry (Wilford Brimley). She angrily warns him not to see their daughter Sue Anne (Ellen Barkin).

It's a powerful performance from Robert Duvall. That's the heart of the movie. He puts all of his skills to work. He's great when he's quiet. He's explosive when he needs to be. The camera work and the style could do more to add more substance to the material. It's a great showcase for Duvall and Tess Harper also gives a good performance.

This moving and thought-provoking film is a timeless classic of redemption and perseverance.Robert Duvall totally captures the pain, heartache, despair and ultimate survival of a once beloved entertainer.The film is an emotional tour-de-force for all the main characters, as they deal with forgiveness, doubt, loss of faith and memories of what might have been .......

The direction, screenplay, music and cinematography are all top-notch and add to the realistic feel of the film.

In a career that has seen a number of great performances, this quiet, unassuming Duvall film will leave you inspired as well as thoughtful. In this film , we see our own lives reflected in this small town saga. Maybe that is why I found the movie so deeply entertaining. It appeals to the lost dreams and missed opportunities in our own lives.

Horton Foote won an Oscar for his original screenplay about a drunken ex-country singer/songwriter finding personal strength and redemption after marrying a young widow who runs a hotel and gas station with her little boy. The spare Texas landscapes, busy roads and bars, are vividly captured by director Bruce Beresford, who is aided greatly by a keen art direction from Jeannine Oppewall and solid performances by his cast. Robert Duvall received the Best Actor Oscar for what is arguably his greatest screen performance (he also did his own singing); using his expressive eyes and body language to wonderful effect, Duvall conveys the self-consciousness and shyness of this complicated man, the demons he's now able to shuck off and the betrayals of life he blames on himself. As his new wife, Tess Harper has never been better, and young Allan Hubbard is inquisitive without being the slightest bit precocious. Betty Buckley's role as Duvall's "rich and famous" ex-wife doesn't really work (her scenes are presented in shorthand, as are the film's opening moments). Ellen Barkin seems a bit mature cast as Duvall's estranged teenage daughter, however the beautiful work by Duvall and Harper anchors the film is an emotional reality which stays with you. Nice music direction and songs as well, adding to the challenging simplicity of the story, which runs deeper than might be expected. *** from ****