WarGames

I remember seeing WarGames back in the 80s. I was 11 or 12 and had just discovered computers (ZX-81, for those in the "know"). Those little machines had me totally hooked up, mesmerized. So, when the movie came out, I rushed to the movie theater in no time.

In that moment, the film impacted me as the coolest movie ever. I mean, we have this kid, David, who is a total computer nerd and spends his time playing games (know anyone like that?), hacks into an ultra sophisticated military mainframe, almost screws it up but ends up saving the world and getting the girl (the totally doable Ally Sheedy!). What else can we ask for?

Ah, the plot thing. And the script, the acting and the technical aspects. Well, we have solid characters, supported by good acting; a credible storyline (for this kind of movie, of course; it's more credible than "The Net" or "Hackers", for instance) and good direction. No FX, no explosions, no bulls***. Filmmaking in its purest form.

Yeah, the film is outdated nowadays... but so is my old and faithful ZX-81! And my C64! And my Amiga! And my green-phosphorus monitored 640K PC clone! Any movie related to technology is doomed to be outdated some day. But what is NOT outdated is the sense of thrill and fun that permeates the film, and which differentiates a good movie from an opportunistic piece of crap.

It was with much interest to me to revisit this early 80s hacker piece armed with the knowledge of just how the advent of change in the computer world had evolved. With that in mind the film could quite easily be classed as a bit clunky due to the now almost Neanderthal toys, games and computers used in the movie, but casting aside the nostalgia feelings I had with it, it still hits the spot as both a poignant piece of interest, and a damn good thriller as well.

Matthew Broderick is David Lightman, a young computer gamer geek who is something of a whizz kid on the PC. He can change his school grades and hack into various sites he shouldn't be even looking at. During one eventful sitting he hacks into a computer called Joshua and plays a game called Global Thermonuclear War, he harmlessly chooses to be The Soviet Union and proceeds to launch a nuclear attack on his own country, the U.S.A. Trouble is, is that the game is for real and the wheels are in motion for World War III!.

It helps to remember the time this film was made (for those old enough of course), for it was the time of the ever worrying cloud of the Cold War, a time when nuclear war was more than a hearsay threat. I really think that in this day and age where computers literally do run our lives, this film stands up really well not only as a warning piece about messing with technology, but also as a gentle poke in the ribs about defence systems and the people we trust to run them. Though the film is a kind of watered down and accessible 2001: A Space Odyssey for the 80s set, it impacts well and only really suffers from a pointless romantic plot strand involving the sprightly Ally Sheedy (could they not just have been pals?) and the aforementioned dated gadgets. The ending to the film is excellent as the tension builds up nicely and we are left chewing our nails watching a game of Tic-Tac-Toe, sounds simple doesn't it? Not so.

Good honest and intelligent entertainment. 7.5/10

In the 1980's, the realisation that computers will soon play an extremely important role in everyday life was becoming more and more evident. This idea was treated with excitement, curiosity, and fear - people genuinely did not know how powerful they would become, but they were certainly fearful of it. Cinema explored this fear in successful films such as The Terminator (1984), which depicted a future where humans were locked into a battle with robots, and Tron (1982), in which a character is sucked into a game where he is forced to battle with the computer to survive. Never had the capabilities of computers been so realistically portrayed than in WarGames, a film that introduced the world to home computers, hacking, and how humanity can be replaced by machines (as well as the idea that nuclear destruction is still a threat).

When two missile controllers fail to launch a missile during a test launch due to uncertainty, government bigwig McKittrick (Dabney Coleman) introduces his superiors to WOPR (War Operation Plan Response), a giant super-computer that repeatedly plays games with itself to generate stats and results of possible nuclear war outcomes. The operation is given the go-ahead, and workers find themselves replaced by this metallic super- brain, that will deal with any potential nuclear threat to the US. High school punk David (Matthew Broderick) is a highly intelligent computer- obsessive who uses his hacking skills to change his grades on his high school system. When he learns that a company is releasing new breakthrough games in California, he scans the area for computers in order to hack into their mainframe. He stumbles upon a computer that lists many strange war games, including 'Global Thermonuclear War'. He begins a game, choosing to be Russia, but unbeknownst to him, he is actually playing WOPR who is playing the game for real. Soon David is brought in by the FBI who suspect him of working with the Russians, while the threat of global nuclear destruction lingers as WOPR carries on playing the 'game'.

I viewed this film quite often when I was a child as I owned the VHS, but admittedly the film went over my head somewhat and I found it quite boring. Watching it now, I was shocked to find out this is a very good film, and it makes for a gripping adult thriller, while maintaining that 1980's kids-film-feel. The technical aspects shown on screen are extremely well-researched, and David's hacking activities make for exciting and interesting viewing. It's also fascinating to see the early giant, clunky computers of the 1980's and an early portrayal of the Internet. Overall, this is a highly entertaining thriller that is well acted, scripted and filmed (and even received three Academy Award nominations), and has plenty of those nostalgic qualities for us children of the 80's.

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Cyberthrillers may not have started with "WarGames," but it was here the form achieved an early peak. As more filmmakers follow its example of portraying a high-tech faceoff between man and machine, "WarGames" remains a standard to be measured against. While it's not a film classic, it's a very, very good popcorn thriller of uncommon craft, charm, and humanity.

Seattle high schooler David Lightman (Matthew Broderick) has only a few hours to undo what he thought was a sneak preview of an upcoming computer game but what instead got him tinkering with the U.S. Air Force's WOPR (War Operation Planned Response) computer system in such a way as to trigger a countdown to World War III. The FBI thinks he's a Soviet spy, while classmate Jennifer Mack (Ally Sheedy) is wondering if this isn't all really about a rejiggered biology grade.

Broderick is solid, and Sheedy even better, but what really sells this film is everything else. Start with the excellent supporting performances. John Wood as a reclusive professor and Barry Corbin as a tobacco-chewing general get much of the kudos, and rightly, but there's a whole deep bench of quality work beyond that, like Kent Williams as a curt White House advisor, William Bogert and Susan Davis as David's out-of-it parents, Alan Blumenfeld as the swaggering bully of a biology teacher, and Juanin Clay as a beautiful but underappreciated assistant (even by herself as she uses her own mouth as an ashcan for her boss's discarded gum.) You know the casting people behind this movie were on the ball when the opening sequence features two very recognizable faces, those of Michael Madsen and John Spencer, in what were film debuts for both.

That sequence with Madsen and Spencer as missile men point up another quality of "WarGames," the way the movie works in terms of setting up expectations and developing pace. The harrowing business between the two of them is mercilessly presented ("Turn your key, sir!") and then effectively abandoned so as to work in the central storyline, the replacement of these men with computers. We get a macro-view where Dabney Coleman as a tunnel-visioned warroom executive effectively makes the case for "taking the men out of the loop" and then zoom back into what seems a totally unrelated story, that of slacker teen David Lightman and his high school travails.

The film could have just started with Lightman, and worked its way out to the business with the WOPR. But the early peek behind the curtain is a clever way of raising the stakes with the audience before the protagonist realizes what's up.

The set design, cinematography, lighting, and editing all work wonders as well. The NORAD warroom is really a character onto itself, the ultimate source of reality in this film (and better for my money than the warroom in `Dr. Strangelove,' an obvious inspiration.) The way the cameras dart around from terminal to terminal as uniformed USAF technicians follow the progress of an apparent Soviet attack, lighting onto one of them just before he or she relays an important piece of information, is highly addictive and entertaining.

There's some sloppiness in the movie. Madsen and Spencer's talk about this great pot Spencer's character has scored strains credulity in the high-security setting they are in, and its blindingly obvious that the two men we see exiting a helicopter and entering a jeep during the credits are not the same two men getting out of the jeep moments later. The musical score is terrible, except for the elegiac tune at the end by which time it's too late. And there's no real examination of the morality of Lightman's serial lawbreaking.

But this is a funny, exciting, consciousness-raising movie that is as entertaining now with the Cold War more than a decade behind us as it was all those years ago. For all the technical innovation on display, it's ironically appropriate we remember it for showing us how to butter an ear of corn, because it's the human side of the equation `WarGames' keeps in its sights at all times.

[The DVD features a terrific, candid commentary from director John Badham and writers Lawrence Lasker and Walter Parkes that gives one a real appreciation for the value of creative license as well as factual diligence in making a film of this kind work.]

WarGames is a film which in some ways seems hopelessly dated and in other ways seems to have been way ahead of its time. There's the Cold War angle, the United States and the Soviet Union gearing up for the seemingly inevitable World War III and the nuclear holocaust that would go along with it. It's a 1980s storyline which doesn't play as well all these years later with the Soviet Union long having been consigned to the dustbin of history. Nowadays the threat comes not from one communist superpower but from...well, pretty much anywhere it seems. But then again this movie, made in 1983, is at its heart really about a computer hacker. Who, in 1983, even knew there was such a thing as a computer hacker? Ahead of its time this movie is.

While certain aspects of the story may seem less relevant today there is no denying that WarGames is an effective, entertaining thriller. There may be some flaws in the movie's logic now and again, not everything we see seems entirely plausible. But the movie works. The story centers around Seattle high school student David Lightman, who is not doing particularly well in school. But it's not because he isn't bright, he certainly is. He just seems unmotivated and perhaps distracted by his obsession with computers. That obsession plays itself out as he attempts to hack into a video game manufacturer's computer...and instead unknowingly hacks into a Defense Department computer. In playing the "games" on that computer he almost starts World War III. Whoops.

Matthew Broderick plays David and his performance is excellent as he portrays a young teen who finds himself caught up in a situation beyond his imagination. Ally Sheedy plays his friend Jennifer, a character who seems a tad bit underdeveloped. It often seems that Jennifer's just along for the ride rather than having any real purpose in the plot. But Sheedy does well with what she has to work with. Our young hero and heroine are very much the focus of the story, at times to detrimental effect. All the adults in the story seem rather one-dimensional. Some of them have very important roles to play in the story yet we never know much of anything about them. Besides David and Jennifer there's really only one other character for whom there is any kind of character development going on and that character doesn't even show up until rather late in the proceedings. But this is a movie which will definitely hold your attention. It's a tense, taut thriller which also has some heart to it. And it often looks spectacular, most notably in the scenes which take place inside the NORAD war room, a movie set which was stunningly impressive for its time and actually would still be stunningly impressive today. All in all WarGames is a well-made, suspenseful, enjoyable film. It has its flaws but it is still a film well worth seeing.