Wavelength

Burnt out Hollywood musician Bobby Sinclair (Robert Carradine) and his girlfriend Iris (Cherie Currie) get wrapped up in a government extraterrestrial conspiracy after she starts "hearing" sounds coming from a nearby old Army facility in the Hollywood hills. With the help of old timer Dan (Keenan Wynn), the duo break into the facility and discover it runs seven stories into the ground and a trio of captured aliens are housed on the bottom floor. Naturally, the government isn't too happy with them there, until they find out Iris is on the same wavelength as the aliens.

Obviously inspired by Steven Spielberg's CLOSE ENCOUNTERS..., this one is interesting in that it takes the darker "fourth kind" approach whereas Spielberg went lighter with E.T. shot in the same year. This features likable leads and the script that moves pretty fast but also injects some unpretentious philosophy. Interestingly, this resembles the later STARMAN (1985) in many regards, right down to the oppressive military and a reflective orb coming down in the middle of the desert for pick-up. The aliens are played by three kids painted brown and they are all good in their silent roles. Director Mike Gray certainly has had an interesting career. He did some documentary work in the early 70s, wrote THE CHINA SYNDROME, made his feature debut with this and then moved onto writing/producing sci-fi TV stuff like STARMAN and STAR TREK: THE NEXT GENERATION. Features a great score by Tangerine Dream.

You can count on one hand the number of "aliens on earth" movies that are well made since the 1980's. "Wavelength", with a plot containing a few elements of several other sci-fi movies, pulls off an intriguing look into why we seem to have no knowledge of alien contact--only our ever increasing suspicions. The short length is perfect, as you care about the characters but don't have to wade through more-than-enough exposition to reach the thrilling denouement. However, if you go in expecting a big-bucks budget and effects you will not get your fill. Instead, enjoy the cast who carry off the narrative through good chemistry and solid, non-flashy acting. The director/screenwriter has given them a sci-fi film with plenty to work with, including an eye-popping finale. As other reviewers have previously noted, the Tangerine Dream filmscore is excellent, too. It is a shame that this little gem isn't available in a widescreen DVD format yet. Catch it some other way when you can.

I saw the trailer for this film on an old VHS I was watching, and was intrigued enough to purchase it on eBay. All I can say is it was worth every cent. A marvellous little "unknown", with strong performances from the whole cast and great chemistry between them. The storyline is solid and unique, and is nowhere near a rip-off of earlier films. Of course, the music was another bonus, particularly the quick, sharp cues we get during the most dramatic scenes.

A lot of tension is evident throughout the film, building up as we go along to a most memorable conclusion. The shots of the spaceship in the desert with the stunned Air Force pilots were great! There seems to have been a great deal of effort put into pacing too, and the film flows along very smoothly. Just an excellent movie and very highly recommended!

Those of us lucky enough to catch it on late-night HBO when it first came out were strangely touched by it (especially those of us not so jaded as to be put off by the low-budget production or b-movie feel).

The screen presence of Robert Carradine and Cherie Currie...the steady flow of understated and beautifully filmed scenes...the mesmerizing music of Tangerine Dream at their best.

This film is a synergy of several elements that came together to create a rare kind of sci-fi film magic. It has a meditative feel that is sadly absent from most films today, and while it may not have mega-buck mass appeal, it is well worth tuning into Wavelength.

An unemployed musician and his psychic girlfriend stumble on a government conspiracy involving experiments on child-like aliens in this sci-fi themed paranoia thriller from 'China Syndrome' screenwriter Mike Gray. The film is powered through by a perfectly brooding Tangerine Dream music score and haunting sound effects and Robert Carradine makes for a sympathetic lead. The choice to have young boys play the decades-old aliens works very well too; there are some great sequences in which they travel through the city with childhood wonderment in their eyes and yet adult restraint, content to just observe. The midsection of the film is nevertheless rather weak as focus turns away from Carradine and the aliens to focus on government figures debating what to do. This departure serves a purpose as it highlights how there are no real antagonists in the tale: all the government want to do is learn about these creatures and prevent panic in the general public, however, the government figures never make for interesting characters. The film also has some irksome narration to begin with but thankfully this soon disappears. 'Wavelength' might not be a perfect motion picture, but it is very well crafted as far as low to medium budget science fiction films go, and its descent into obscurity over the years is sad but understandable. Critics of the film are all too eager to jump on its similarities to 'E.T.' and 'Starman', but this is a film that deserves to be judged on its own terms - especially since it was written before 'E.T.' and released before 'Starman' came out!