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6.5/10
1.1K
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A Hong Kong taxi driver's life horribly falls apart after accidentally hitting a sorcerer with his cab. He decides to seek the sorcerer's help to turn the curse on his enemies at the expense... Read allA Hong Kong taxi driver's life horribly falls apart after accidentally hitting a sorcerer with his cab. He decides to seek the sorcerer's help to turn the curse on his enemies at the expense of his own life.A Hong Kong taxi driver's life horribly falls apart after accidentally hitting a sorcerer with his cab. He decides to seek the sorcerer's help to turn the curse on his enemies at the expense of his own life.
Norman Chu
- Anthony Fang
- (as Shao-Chiang Hsu)
Maria Jo
- Irene Chou
- (as Chih-Hui Hsuan)
Jung Wang
- Doctor (Guest star)
- (as Yung Wang)
Man-Biu Pak
- Taoist
- (as Wen-Piao Pai)
Wai Lam
- Casino Patron
- (as Wei Lin)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
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Featured reviews
Do Not Interfere With Black Magic
I have been putting this off for a few years (I have had the DVD since 2009) mainly because I thought it was going to be shockfest that outdid The Boxer's Omen in gonzo-style horror. Well it was not even close to The Boxer's Omen which still holds a place deep in the suppressed subconscious of my cranium (actually it is more weird and gross than actually scary). In fact this has to be one of the most overstated and over-hyped horror films of Hong Kong though this is not a horrible film.
Chow (Phillip Ko: The Boxer's Omen, Shaolin Intruders) interrupts black magic by inadvertently saving the life of a black magic priest who is being chased down by an angry mob. Because of this the priest says at best he will get very sick and at worst his whole family will die. Since this is a horror film we know which scenario is going to take place. A film with him just being sick would not be as fun. But it is especially hilarious that it seems that the angry mob gets off clean and that he picked up the priest far from where the incantation went awry. I am probably over-thinking this.
Chow's wife Irene has been cheating on him because of his lowly taxi driver job, taxi drivers are a deranged lot (ask Anthony Wong), and his hair (seriously one of the worst wigs I have seen, worse than a Sammo Hung haircut). She is enticed by playboy Anthony Fong Ming (Norman Chu Siu-Keung: Bastard Swordsman) who visits her job of dealing cards and showers her with money, gifts, better hair (to be fair to Phillip check out Norman's perm in Hong Kong Godfather) and affection. One night those two adulterers have a fight and she gets out of the car and goes off by herself. Never good to be alone late at night when ruffians are about. She is confronted by two young hooligans who chase her down, one rapes her and ultimately she gets killed (why she runs into an abandoned house I do not know, why there would be an abandoned house in an abandoned area Hong Kong I also do not know).
When Chow finds out she is dead, he is ultimately a suspect for about 15 seconds. Fong is another suspect and despondent Chow finds out about the affair. He gets bad ideas in his head and wants revenge at all costs for those involved and goes to the black magic priest (still dressed like a shirtless jungle native; I wonder if he goes to the store like that) to seek revenge. This requires that they dig out his wife's corpse and he is warned that his monomaniacal revenge will likely result in his demise as well. The corpse is used quite effectively and it is creepy, the most scary aspect of the film. You can see it on the cover of the DVD and poster.
Fans of horror could do worse by seeking this out. I do not think it is as unique/interesting/gratuitous as Black Magic or The Boxer's Omen out of the Shaw Brothers horror oeuvre and I would suggest seeking those out first. This film overdoes the sleazy exploitation aspect of it, elongates the nudity and the film comes off more as a voyeuristic exercise especially in the beginning which starts to drag on. The slow motion topless running scene becomes almost absurd in its length and its use of the zoom lens. But you do get the benefit of a few fight scenes decently done involving Phillip Ko (still mad about the outcome with Norman Chu) who proves once again that you should not mess with taxi drivers or Phillip Ko. You also get a variety of gross out moments, Taoist priests, scares all done better in a variety of Hong Kong films. However, when the ghost is seeded there are plenty of horror elements, while keeping the exploitation element alive, especially towards the finale that will be of interest to viewers. There you get to witness a creature that seems inspired by John Carpenter's The Thing while a segment from the soundtrack from Alien is played.
I have the R1 Image release and it has English and Spanish subtitles. It comes with the Mandarin mono dub only. The R3 IVL release comes with both the Cantonese and Mandarin dub. At the time of the Hong Kong audience would have heard the Cantonese soundtrack, but most of the transnational audience would have heard it in Mandarin. Since at the time post dubbing was the norm and multiple dialects were often used on set it does not matter as much to me. However, this is a controversial topic where some have to have the "preferred" dub. I personally would like a release from this time period to have both the Cantonese and Mandarin language, but I will take what I can get. There are plenty of the Image released Shaw Brothers trailers (not the original trailers) on this release, but no trailer for the movie.
Chow (Phillip Ko: The Boxer's Omen, Shaolin Intruders) interrupts black magic by inadvertently saving the life of a black magic priest who is being chased down by an angry mob. Because of this the priest says at best he will get very sick and at worst his whole family will die. Since this is a horror film we know which scenario is going to take place. A film with him just being sick would not be as fun. But it is especially hilarious that it seems that the angry mob gets off clean and that he picked up the priest far from where the incantation went awry. I am probably over-thinking this.
Chow's wife Irene has been cheating on him because of his lowly taxi driver job, taxi drivers are a deranged lot (ask Anthony Wong), and his hair (seriously one of the worst wigs I have seen, worse than a Sammo Hung haircut). She is enticed by playboy Anthony Fong Ming (Norman Chu Siu-Keung: Bastard Swordsman) who visits her job of dealing cards and showers her with money, gifts, better hair (to be fair to Phillip check out Norman's perm in Hong Kong Godfather) and affection. One night those two adulterers have a fight and she gets out of the car and goes off by herself. Never good to be alone late at night when ruffians are about. She is confronted by two young hooligans who chase her down, one rapes her and ultimately she gets killed (why she runs into an abandoned house I do not know, why there would be an abandoned house in an abandoned area Hong Kong I also do not know).
When Chow finds out she is dead, he is ultimately a suspect for about 15 seconds. Fong is another suspect and despondent Chow finds out about the affair. He gets bad ideas in his head and wants revenge at all costs for those involved and goes to the black magic priest (still dressed like a shirtless jungle native; I wonder if he goes to the store like that) to seek revenge. This requires that they dig out his wife's corpse and he is warned that his monomaniacal revenge will likely result in his demise as well. The corpse is used quite effectively and it is creepy, the most scary aspect of the film. You can see it on the cover of the DVD and poster.
Fans of horror could do worse by seeking this out. I do not think it is as unique/interesting/gratuitous as Black Magic or The Boxer's Omen out of the Shaw Brothers horror oeuvre and I would suggest seeking those out first. This film overdoes the sleazy exploitation aspect of it, elongates the nudity and the film comes off more as a voyeuristic exercise especially in the beginning which starts to drag on. The slow motion topless running scene becomes almost absurd in its length and its use of the zoom lens. But you do get the benefit of a few fight scenes decently done involving Phillip Ko (still mad about the outcome with Norman Chu) who proves once again that you should not mess with taxi drivers or Phillip Ko. You also get a variety of gross out moments, Taoist priests, scares all done better in a variety of Hong Kong films. However, when the ghost is seeded there are plenty of horror elements, while keeping the exploitation element alive, especially towards the finale that will be of interest to viewers. There you get to witness a creature that seems inspired by John Carpenter's The Thing while a segment from the soundtrack from Alien is played.
I have the R1 Image release and it has English and Spanish subtitles. It comes with the Mandarin mono dub only. The R3 IVL release comes with both the Cantonese and Mandarin dub. At the time of the Hong Kong audience would have heard the Cantonese soundtrack, but most of the transnational audience would have heard it in Mandarin. Since at the time post dubbing was the norm and multiple dialects were often used on set it does not matter as much to me. However, this is a controversial topic where some have to have the "preferred" dub. I personally would like a release from this time period to have both the Cantonese and Mandarin language, but I will take what I can get. There are plenty of the Image released Shaw Brothers trailers (not the original trailers) on this release, but no trailer for the movie.
Classic Sex and Gore Fest
First off this film is pure exploitation. This is sex and violence and really gross, even by todays standards. Its not the best film ever made, but if you want gore and worms and gross things with your beautiful naked women this is for you. This film belongs in the exploitation hall of fame.
A very bare bones explanation of the plot has a beautiful woman having an affair because she is bored with her husband of a couple of months. She wants to run off with her lover, who is also married, but he won't go. Getting out of her car on a lonely stretch of road she finds a phone and calls her husband who's cab driver. While she is waiting she is raped and killed by two guys. The husband uses the services of a black magician he once saved to get revenge on the killers and the lover. Its gross fun from that point on.
The sex is early on as we see the very beautiful wife naked in the shower and having sex with her lover. Proving that this is exploitation at its finest we have a slow motion topless jog along the beach.
This film has a reputation for being gross out royalty and its nice to report that this certainly is the case. This is a film that will have you going "yuck" quite often. Done before CGI this film is helped by knowing that what you see is what you get, people really are spiting up insects and such.
The problem for me was that it seems oddly paced. Don't get me wrong the plot moves, but at times it seems a bit talky, which is odd since what you see is what you need to see and hear.
See this film.
I rated it as a 7 out of 10, but thats for most people who want to see a gross out horror film from overseas. For hardcore exploitation film fans or those who love gross effects this is a classic and should be 10 out of 10.
A very bare bones explanation of the plot has a beautiful woman having an affair because she is bored with her husband of a couple of months. She wants to run off with her lover, who is also married, but he won't go. Getting out of her car on a lonely stretch of road she finds a phone and calls her husband who's cab driver. While she is waiting she is raped and killed by two guys. The husband uses the services of a black magician he once saved to get revenge on the killers and the lover. Its gross fun from that point on.
The sex is early on as we see the very beautiful wife naked in the shower and having sex with her lover. Proving that this is exploitation at its finest we have a slow motion topless jog along the beach.
This film has a reputation for being gross out royalty and its nice to report that this certainly is the case. This is a film that will have you going "yuck" quite often. Done before CGI this film is helped by knowing that what you see is what you get, people really are spiting up insects and such.
The problem for me was that it seems oddly paced. Don't get me wrong the plot moves, but at times it seems a bit talky, which is odd since what you see is what you need to see and hear.
See this film.
I rated it as a 7 out of 10, but thats for most people who want to see a gross out horror film from overseas. For hardcore exploitation film fans or those who love gross effects this is a classic and should be 10 out of 10.
Wild, Gory Action Punctuates Soap Opera-ish Plotting
Angry men chase a sinister warlock through a misty cemetery. He runs into a street and under the wheels of a taxi driven by Chow, but then appears in the back seat of the speeding taxi. Irene, who deals cards at a Hong Kong casino, tries to pressure her boyfriend, Fang, into divorcing his wife so they can be together; she's married to Chow, who is diddling on the side, as well.
These characters, like the viewer, are stuck in a dull soap-opera for awhile, but SEEDING OF A GHOST shoots into high gear after Irene is raped and murdered by two young thugs. An enraged, grieving Chow blackmails the warlock into casting spells on the killers, Fang, and assorted friends and relatives.
From there, the filmmakers throw in every sick twist imaginable. Chow and the warlock exhume Irene's corpse. In the warlock's lair, and Chow is instructed to paint the decrepit body with coconut oil, "So she';ll feel better." As she comes alive, her killers start to hallucinate. One of the rapists is brought to her for some mystical necrophilia. This union culminates in a posthumous pregnancy, which is somehow transferred to the womb of Fang's expectant wife.
In the all-out, gory finale, the demon fetus liberates itself from the mother and goes on a murderous rampage. One character eats brains out of a coconut shell; there's an exploding toilet, strangulation by bra strap, gravity-defying sex, and (gulp) blood pastries. In one hideous sequence, Chow drains all of his blood into Irene's corpse as he slowly dies in agony.
SEEDING OF A GHOST is lively and competently directed, especially during two prolonged episodes in which magicians battle unsuccessful to put an end to the vendetta. Special effects credits are all top-notch, which will be of no comfort to viewers with queasy stomachs.
These characters, like the viewer, are stuck in a dull soap-opera for awhile, but SEEDING OF A GHOST shoots into high gear after Irene is raped and murdered by two young thugs. An enraged, grieving Chow blackmails the warlock into casting spells on the killers, Fang, and assorted friends and relatives.
From there, the filmmakers throw in every sick twist imaginable. Chow and the warlock exhume Irene's corpse. In the warlock's lair, and Chow is instructed to paint the decrepit body with coconut oil, "So she';ll feel better." As she comes alive, her killers start to hallucinate. One of the rapists is brought to her for some mystical necrophilia. This union culminates in a posthumous pregnancy, which is somehow transferred to the womb of Fang's expectant wife.
In the all-out, gory finale, the demon fetus liberates itself from the mother and goes on a murderous rampage. One character eats brains out of a coconut shell; there's an exploding toilet, strangulation by bra strap, gravity-defying sex, and (gulp) blood pastries. In one hideous sequence, Chow drains all of his blood into Irene's corpse as he slowly dies in agony.
SEEDING OF A GHOST is lively and competently directed, especially during two prolonged episodes in which magicians battle unsuccessful to put an end to the vendetta. Special effects credits are all top-notch, which will be of no comfort to viewers with queasy stomachs.
Strange And Obscure HK Horror...
SEEDING OF A GHOST is a pretty bizarre HK horror film about infidelity and revenge. Although the film is pretty decent as a whole, I didn't find it quite as gory or intense as many other reviewers.
A cab driver is out doing his thing one night and accidentally runs down a sorcerer (talk about bad luck...). The sorcerer talks about a curse on the cab drivers family and the driver ain't really buyin' it...until his wife is raped and murdered, that is. The cab driver goes back to the sorcerer to try and enlist his help in exacting a little black-magic revenge on the thugs responsible for his wife's death, and things start to go downhill from there. The sorcerer and the cabbie dig up the cabbie's dead wife to use in a ritual to bring vengeance down on those involved with her death. The resulting payback sure is a bitch...
SEEDING has some pretty decent scenes and a few gross-out moments, but not quite as many as I was expecting. The pace is pretty slow at first and the "cool parts" don't really happen until pretty close to the end. The creature that bursts from the pregnant woman towards the very end is pretty cool looking and is rightly compared to some of the creature FX used in Carpenter's THE THING. Not a bad film overall, could have used a little more gore and a little more action towards the first half of the film. Recommended for those into strange Asian horror. 6.5/10
A cab driver is out doing his thing one night and accidentally runs down a sorcerer (talk about bad luck...). The sorcerer talks about a curse on the cab drivers family and the driver ain't really buyin' it...until his wife is raped and murdered, that is. The cab driver goes back to the sorcerer to try and enlist his help in exacting a little black-magic revenge on the thugs responsible for his wife's death, and things start to go downhill from there. The sorcerer and the cabbie dig up the cabbie's dead wife to use in a ritual to bring vengeance down on those involved with her death. The resulting payback sure is a bitch...
SEEDING has some pretty decent scenes and a few gross-out moments, but not quite as many as I was expecting. The pace is pretty slow at first and the "cool parts" don't really happen until pretty close to the end. The creature that bursts from the pregnant woman towards the very end is pretty cool looking and is rightly compared to some of the creature FX used in Carpenter's THE THING. Not a bad film overall, could have used a little more gore and a little more action towards the first half of the film. Recommended for those into strange Asian horror. 6.5/10
Crazy, gruesome HK horror flick - watch it for a wild ride
When some kind of male witch is disturbed in the process of robbing graves by a vengeful mob holding torches come to kill him, he runs across the road where he is immediately struck by a taxi driver. The driver sees the man under the wheel of his car, but then he teleports in the car seat behind him, apparently now safe from the mob. However, he warns the driver that now they have met, things will not go well for him: he is cursed.
The taxi driver doesn't seem to take much notice, and after all he has a beautiful woman at home, and we are treated to plentiful nudity as we are shown their romance, bathing together and apparently spraying each other with water in another scene. They really don't seem to be asking for much but to be together, but then the woman goes off the man almost immediately, and it is revealed she is cheating with another guy. However, while out with that guy, she runs into a pair of ne'er-do-wells, who eventually rape and inadvertently murder her.
Realising that he was being cuckolded and this led to his wife's death, our taxi driver hero seeks out the witch again, who puts curses on all the people who wronged him. We then get some admittedly striking, often revolting scenes of visions suffered by these characters, such as live worms pouring out of the mouth of one poor actor. They end in violent death, which while not realistically shown - one guy throws himself out of a window and hits the ground in the least realistic impact I've ever seen - are still gruesome and hard to watch.
I believe that toward the end the hero needed to enlist a "good witch" to save himself and others from the increasing madness of the bad witch he'd already contacted, but I'm not sure. Typically for a Category III flick from Hong Kong, the movie lets sense take a back seat in favour of increasingly shocking imagery, which while perhaps poor by contemporary Hollywood standards, is always creative and interesting.
I say check it out.
The taxi driver doesn't seem to take much notice, and after all he has a beautiful woman at home, and we are treated to plentiful nudity as we are shown their romance, bathing together and apparently spraying each other with water in another scene. They really don't seem to be asking for much but to be together, but then the woman goes off the man almost immediately, and it is revealed she is cheating with another guy. However, while out with that guy, she runs into a pair of ne'er-do-wells, who eventually rape and inadvertently murder her.
Realising that he was being cuckolded and this led to his wife's death, our taxi driver hero seeks out the witch again, who puts curses on all the people who wronged him. We then get some admittedly striking, often revolting scenes of visions suffered by these characters, such as live worms pouring out of the mouth of one poor actor. They end in violent death, which while not realistically shown - one guy throws himself out of a window and hits the ground in the least realistic impact I've ever seen - are still gruesome and hard to watch.
I believe that toward the end the hero needed to enlist a "good witch" to save himself and others from the increasing madness of the bad witch he'd already contacted, but I'm not sure. Typically for a Category III flick from Hong Kong, the movie lets sense take a back seat in favour of increasingly shocking imagery, which while perhaps poor by contemporary Hollywood standards, is always creative and interesting.
I say check it out.
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