Airwolf

Airwolf is a good example of dramatic action television that came out of the 1980s. What makes this different is that most, if not all, of its episodes involves aircraft at some stage in the story.

The four seasons of Airwolf feature the main characters getting mixed up in all kinds of drama that eventually needs the Airwolf helicopter to help. Airwolf is an advanced prototype combat helicopter capable of supersonic speed that is deployed on missions of personal and national interest, flown by two of the main characters described below.

Jan Michael Vincent plays Stringfellow Hawke, an ex-Vietnam helicopter pilot and Ernest Borgnine who plays Domenic Santini, an old pilot from way back. Together as buddles, they secretly fly Airwolf with funding provided by an FBI-like firm that agrees to support them until they can locate String's brother, believed to be missing and still in Vietnam.

After an ambitious pilot two-part episode (later re-trimmed into a telemovie) which sets up the ongoing series, Airwolf settles into a typical action TV show formula, however the overuse of repeated aerial footage of the Airwolf helicopter (often sped up to make it more exciting) will spoil it for late comers to the series.

For helicopter enthusiasts it will reward them with countless sequences involving Airwolf (a modified Bell 222) and many other types, often seeing Hughes 500s deployed as the enemy gunships.

For trainspotters, it's always "fun" to see the footage from the pilot or early episodes being used in later episodes, or being surprised to see they have shot new footage. It's easy to assume that the running costs of the helicopters had a major impact on the production. The "dramatic" original landing sequences were often a highlight.

Some episodes were grounded in personal drama, some were just ridiculous by today's science and some were standout stories and made you wish for more. Many episodes end with a montage of Airwolf flying around with the wonderful Slyvestor Levay electronic theme music as the credits roll.

Season 4 was a low-budget cable-funded continuation of the series featuring new characters mixed with old helicopter footage. It is almost dis-owned by fans of the earlier 3 seasons in much the same way Galactica 1980 was by Battlestar Galactica fans.

As a young teenager at the time, Airwolf was compulsory viewing for a generation who wanted their "Cowboys and Indians" to have amazing gadgets and whizz-bang explosions.

In many ways, the show was essentially Knight Rider in the skies: similar comic-book technology, a central character who was essentially a loner, and echoing the concept of one man making a difference.

But in other, important ways, it was thematically very different from Knight Rider, Street Hawk, The A-Team and other action shows of the time. For one thing, the premise of the series is built not on a desire to help those in need, but by Stringfellow Hawke's possession of Airwolf for essentially selfish reasons (as leverage to try to find his MIA brother, St John). And then there is the dark edge provided by basing the series firmly in an 80s Cold War context, complete with Soviet espionage and Central American dictators, not to mention the enemy within. Sure, The A-Team constantly referred back to Vietnam and the team's status as fugitives, but it was generally done with a light touch and was rarely central to the plot itself. With Airwolf, the intrigue was key to the tone and direction of the show - although this was (ill-advisedly) diluted as the series went on.

With hindsight, the Cold War setting clearly dates the series, many of the stories are creaky and contrived, and much of what Airwolf does is clearly implausible even with today's technology. But that's really not the point. Airwolf was rip-roaring fun, it tried to tell interesting stories without relying solely on the big action sequences, and it didn't sugar-coat everything by miraculously ensuring nobody died. Sometimes it failed, but often it succeeded admirably - and on a TV budget to boot.

For UK readers, DMAX (Sky channel 155) have just started (Jan 2008) daily re-runs of Airwolf. Set your Sky+ box for this blast from the past - we may even get the re-tooled, re-cast (and sadly vastly inferior) fourth season, which to my knowledge has never previously been shown in the UK.

Even though most people remember Knight Rider from the fad of the 80's to have vehicles as the stars of TV shows, Airwolf was a far superior product. Donald 'Quantum Leap' Belissario created this show about a high tech attack chopper, and oversaw its best years. Even though near the end Belissario left and the stories began to degrade, the earlier episodes are classic examples of good 80's TV, with good solid performances and breathtaking aerial sequences that put the Blue Thunder TV series to shame. A series that should be brought back.

In my opinion - the answer is definitely yes. I'm not speaking of the monstrous super-copter, or at least, not mainly of it. The character of Stringfellow Hawk, who is the main attraction of the show, is one you might find in nowadays shows. Not a shallow hero, but rather a complex and deep one. In fact, I found Hawk's character to be very similar to another, more recent one - that of FBI's legendary agent Fox Mulder. I'm sure many eyebrows must be raised right now but think of the following - Both characters are eccentric, isolated and have only one close friend whom they trust, both Hawk an Mulder are obsessed with a missing sibling and their lives are centered around that issue. Both have their own truth and won't hesitate risking their lives for that truth. Need I say more? Jan Michael Vincent was the perfect choice for Hawk's roll - Hawk and Vincent are one. JMV brought a lot of him self into his character, the two are one, practically inseparable. In on of the discussions forum I'm participating in, a question was raised regarding the possibility of making an Airwolf movie. I said that I hope no such movie will be made because I can't see anyone entering JMV shoes as Stringfellow hawk. All of the forum members agreed. All in all, I think that what made Airwolf the great show it was, is JMV and of course we must not put down Ernest Borgnines contribution. Airwolf will always remain a classic.

This show was one of my favourites as a child. Everyone I knew wanted to be stringfellow hawke, if only for the chance to fly Airwolf. The characters were good and interacted well (hawke being the moody one, Dom the comic relief). The only bad thing was towards the end of Airwolfs run they changed all the characters (actually killing off "Dom" (or a lookalike)) and making String disappear giving the helicopter to the now magically rescued St John Hawke! IF you want to enjoy this show then under no circumstances should you watch the pathetic end season (aka Airwolf II) and stick with the original characters!