Code Name: Wild Geese

i don't know, this movie isn't that great, but it's quite entertaining in it's own dumb way, and boasts an excellent cast,( Lee Van Cleef, Klaus Kinski, Ernest Borgnine, Mimsy Farmer.) David Warbeck wannabe Lewis Collins stars as a tough commando sent to the golden triangle to wipe out an opium ring. he inlists the help of a war pilot (Van Cleef) and they venture into the jungle and blow lots of stuff up. the plot doesn't make much sense, and the direction isn't nearly as stylish as earlier Margheriti action flicks like The Last Hunter, but it does have lots of patented Margheriti explosions and some good action scenes, as well as the aforementioned cast. there's also a scene where freaky little Luciano Pigozzi gets crucified in his own church

Code Name Wild Geese is one of those many movies that bases the plot around mercenary action in a jungle; actually, to be fair, given that every cheapo movie seems to have done that in the past few years, at least this was one of the first. (Is ANYONE really interested in mercenary-in-a-jungle movies?) Most of the action is perfunctory, predictable stuff. Lee Van Cleefe is wasted (as usual) in this; Lewis Collins does his hard man routine.

This movie wouldn't really be worth commenting on except for the chase scene. It's absolutely hillarious! Collins' character revs his car up in a tunnel when he realizes he's blocked in, and drives sideways, YES SIDEWAYS, along the wall of the tunnel! How does he do this? Well, aside from the fact that this is physically impossible, of course he doesn't... we're treated to a exquisitely appalling display of movie miniatures, intercut with grim expressions on Collin's face. It's priceless and worth the cost of a rental alone.

Italian director Antonio Margheriti serves up another entertaining action flick. The film has a great international cast, great music, great action and some great model effects. Seek this one out and enjoy, if only someone would release a widescreen version in it's correct ratio of 2.35:1. Quentin Tarantino you did it for THE BEYOND now how about for this. I recommend the following titles if you liked this THE LAST HUNTER, TORNADO, COMMANDO LEOPARD, THE COMMANDER and COBRA MISSION.

Given the actors, the era, and the previous reviews, I would have expected this to be even worse than the average Chuck Norris movie from the same period. I was pleasantly surprised to be entertained by a movie that's obviously a step above the average Chuck Norris movie from the era. Although it can't hold a candle to , for example, Predator or Platoon, from the same period, the acting is actually pretty decent, the script is definitely not too bad, and the characters come across as real human beings. For a bunch of B-actors, a low budget movie, and obviously a lack of some decent camera equipment, I think they've made the best with what they could do.

two major minuses: One: the music is kinda campy & cheesy and continuously detracts from the visible effort the actors put into to it. It might have been in vogue when Madonna made 'Vogue' but it's sooooo dated now. Think a drunk Vangelis on a Monday morning and you're halfway.

Two: The movie obviously suffers from not having proper camera equipment and not being able to make 'expensive' shots. Nowadays you can make a better movie with a cheap 200 $ drone camera..but of course they didnt have that back then. Although they DID have helicopters in the movie, they just never bothered to use them for any good looking shots. Cinematography: 3 out of 10.

But I think the acting is a LOT better then I had expected, and it's a shame this movie is relegated to obscurity because of it's flaws.

Antonio Margheriti (that's the linguine Anthony Dawson) directs this in-name only second sequel to "The Wild Geese", with ex-Professionals' Lewis Collins as the indomitable Commander Robin Wesley (a very masculine sounding name befitting the tough guy profile), and his band of rag-tag mercenaries as they venture into the jungles of Borneo or thereabouts for a supposedly benign mission to bust an opium operation. After being double-crossed they find themselves taking refuge in a mission with language assistance from expatriate American (Farmer) as they desperately search for an escape route.

Glorious colour tones, stylish costumes and jazzy synthesisers give this jungle war opus the Armani makeover that was en vogue at the time. Collins' suave sophistication and stiff upper lip delivers painfully awkward dialogue so artificial, it's cringe-worthy (no shame on Collins here, the script is atrocious).

Ernest Borgnine looks sedated in his brief cameo, while Kinski, conversely, is so over the top, he's hilarious. Only Van Cleef offers some restraint, but he's a passenger. The set designers, special effects crew and pyrotechnic personnel showed flair with their multitude of explosions, and the bodies blown apart in gory detail give it that Euro-trash touch you've come to expect.

But while the action sequences are fluent and well constructed, and the general gist of the film is easy to follow, there's still an awful lot of stilted dialogue and overly intense acting dragging this picture down. Perhaps as a box set with its younger siblings, this could be a cool if somewhat hokey trilogy. Nice try, but in spite of Collins' penchant for smoking stogies, no cigar.