Cal

A lot of people will miss the meaning of this film. Only those who are from Northern Ireland or who "know" the truth about Northern Ireland will appreciate this movie. A classic!!

the atmosphere, the predictable end, Cal as a kind of new Raskolnikov, the love story , the cinematography, all, each are pieces of a beautiful film about pain, past and regrets. and this is the explanation why "Cal" remains, against the errors, a gem . because it reflects, in delicate-precise manner, a state. ambiguous, profound, Irish at whole, shadow of deep solitude and the illusion to escape from yourself. and, sure, the chance to have two great actors in the lead roles is one of the good things. but its force is result of the belief in the second chance. and in the forgiveness who could change everything. in essence, it is the film of John Lynch who gives a splendid Cal. but, in same measure, it is one of films for remember. not only the traces of the past. but the price of its errors.

Although I had never watched this because it was rather difficult for me so that the IRA and the bombs still so near in the 70s. But when I saw Neil Jordan's, the wonderful, Angel (1982) I bought it. But I still didn't watch it although after I'd seen Kenneth Branagh's Belfast (2021) then I thought surely I was brave enough to watch this. Of course it turns out that it is not at all terrible or harrowing and it becomes to be more like a romance. There is still some killing and fighting and burning but nothing like as it could have been. It begins well but becomes just a bit silly towards the end. I also thought that Helen Mirren was fine but no idea how she had an award at Cannes. She had been fantastic in The Long Good Friday (1980) and also Hussy the same year and even rather brave with Caligula (1979). I guess that it was difficult doing, The Cook, the Thief & Her Lover (1989) but was one of her best but Cal is only okay.

Irish romantic drama with Helen Mirren and John Lynch

This film by Pat O'Connor from 1984 is a memory of English lessons at the reformed high school in the Federal Republic of Germany. The atmospherically dense and well-acted film is based on the novella of the same name by the Irish author Bernard MacLaverty (*1942), who also wrote the screenplay. The great music comes from Mark Knopfler (Dire Straits), the camera was directed by Jerzy Zielinski from Poland. The film was shot in the eastern Irish port town of Drogheda.

The story is told by Cal (John Lynch, *1961). Young, unemployed and without direction, he provides driving services for the underground IRA. He also took part in the murder of an RUC member. About a year after this crime, he met the attractive Marcella Morton (Helen Mirren, *1945) in the city library, who immediately captivated the young man. It turns out that the Catholic woman was married to the murdered RUC member. Nevertheless, young Cal begins an affair with the slightly older woman...

The Northern Ireland conflict was still very present in the early 1990s when I saw the film for the first time. The later ACADEMY AWARD winner Helen Mirren (she won the award in 2007 for her role in THE QUEEN) acts so impressively in this film that she was awarded the Silver Palm at the Cannes Film Festival. It is completely clear to the viewer why Cal immediately falls in love with this woman. A fantastic performance by this great actress!

A strangely and unhappily compelling film from the pen over the wildly over-rated Bernard MacLaverty. The script piles improbability on improbability but, given that its premise is so unlikely, perhaps that is the point, a kind of coincidental momentum of the poor and the bad.

Helen Mirren doesn't fare too well as an RUC widow - there are many Irish actresses who could have suited and played this role much more convincingly. John Lynch is fine, looks the part, capturing something of the long-haired, unwashed aesthetic of the hunger-strikers of the time. The best performance is easily by Donal McCann as Lynch's Da, greasily working up a sweat at the local slaughterhouse. Ray McAnally is wasted in a small part.

I wouldn't recommend it to anyone, but it's an interesting addition to the Troubles archive. Some fine photography and backdrops go a long way towards salvaging a rotten script.