Deathstalker

The makers of this movie gave absolutely ZERO F**ks, and i respect that. Kill the bad guys, Save the girls, pretty straightforward and fun. Good guy is a blank slate easy to identify with and the bad guy is a good and easy target to hate. lots of random careless nudity and plenty of 'classy' one liners. It's nothing to write home about certainly but those of you who like the 80's metal movies like Conan will love it. pretty basic as far as plot and story line but that's nothing you won't expect from the poster. I think it has great potential as a background movie for any good D&D campaign or reckless party. Epic Metal Movie, get drunk and enjoy

I've seen plenty of cheesy B Movies that rode behind on the success of Conan the Barbarian and Excalibur, and can without a doubt say that this is the best of the lot. The early to mid 80s were the pinnacle of fantasy adventure films, and there are a lot of them from this time. Most are very poorly done with atrocious dialogue and unimaginative (go figure) action sequences. I'm not saying that Deathstalker lacked either of these flaws, it did not, but it made up for it somewhat with ambition and attitude. I must confess that it has been many years since I've seen this film, and it may not stand up as well on a second viewing. But I've always known the difference between a good and bad B movie. I actually miss the times that bred Deathstalker a bit. Although most of the fantasy adventure movies were bad, they at least tried to take themselves seriously. The neat thing about the movie is that it is not epic in scope. For those used to Lord of the Rings or the like, this may actually be a refreshing change. If you haven't seen Conan the Barbarian, watch this movie first, to save the best for last.

If you take this as a fantasy, you'll probably be disappointed: it's as second-grade as they come, with a total blank for a hero and plenty of chaotically staged swordfights. But if you take it as a soft-porn film, you may be more pleased; there is a stimulating (if brief) sex scene midway through, and abundant nudity throughout, though only the beautiful Lana Clarkson escapes the film's depraved attitude toward women. Anyway, the film certainly isn't as bad as the two Ferrigno "Hercules" movies.....(*1/2)

WOW ! If there ever was such a thing called a "guy movie" this is it. Deathstalker is one of few films that includes sword fighting, nudity, mud wrestling, full frontal nudity, and mid evil characters that talk like they're from New Jersey! You got to love it. Take my advice and rent this flick, buy a six pack and a pizza and lock the doors. This is one worth watching if you just broke up with your girl friend.

A warrior named Deathstalker is sent on a quest by a witch to find a chalice, an amulet, and a sword. Soon, he's making new allies while battling warriors, creatures, and a wizard, in a story that's as thin as parchment but somehow still compelling in its brazen absurdity.

Hot off the back of Conan the Barbarian (1982), director James Sbardellati (credited as John Watson) delivers a film in the vein of The Sword and the Sorcerer (1982), though without the latter's sense of scope or panache. Howard R. Cohen's adult-oriented plot is paper-thin-more a skeleton for chaos than a story-but it suits the kind of low-budget, testosterone-fueled nonsense this era of sword-and-sorcery demanded.

Modeled on He-Man, Rick Hill (with a dash of Peter Weller and Dolph Lundgren) does a serviceable job as Deathstalker, bulking up the brawny charm while looking permanently winded from wearing so little. The late Lana Clarkson, however, steals every scene she touches, exuding both danger and allure with effortless presence. Richard Brooker as Oghris is a welcome oddity; one of those performances you remember for no good reason other than sheer theatricality.

Gratuitous nudity, a dash of unnecessary rape, and all the hallmarks of Roger Corman production shortcuts are on full display-cheap sets, choppy editing-but the high-concept lunacy carries it for the most part. Óscar Cardozo Ocampo's score deserves a nod: it lifts the proceedings, energises the fight scenes, and even when intrusive, it somehow feels part of the charm, like a synth-powered alarm announcing chaos.

The giant pig-man gladiator fight scene is a highlight, ridiculous and unwieldy, nothing like the promotional art but all the better for it. The showdown borrows from Superman II (1980) with Flash Gordon's Ming-like sorcerer Munkar, played by Bernard Erhard, getting his moment to shine-somehow lending gravitas to an otherwise gleeful trashfest.

Overall, it takes itself seriously, it's violent, and wall-to-wall scantily-clad leads and extras parade through every frame. Yet there's an undeniable appeal: low-budget 1980s sword-and-sorcery shenanigans, a dash of audacious nonsense, and just enough spectacle to make it one of the better Conan cash-ins. Poster art is still better than the film, but in that gleeful, slightly trashy way, Deathstalker has its own charm.