A journalist is trapped in Cambodia during Pol Pot's bloody Year Zero cleansing campaign.A journalist is trapped in Cambodia during Pol Pot's bloody Year Zero cleansing campaign.A journalist is trapped in Cambodia during Pol Pot's bloody Year Zero cleansing campaign.
- Won 3 Oscars
- 28 wins & 24 nominations total
Haing S. Ngor
- Dith Pran
- (as Dr. Haing S Ngor)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
7.862.9K
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Featured reviews
Moving and timeless
This touching film is (the true story) about journalist Sydney Schanberg and his Cambodian interpreter Dith Pran. Caught up in the chaos of the American bombings and the Khmer Rouge, Pran eventually has to struggle just to stay alive.
This movie deserved every Oscar it won for its year (1984). The cinematography is excellent. First, Cambodia is photographed as almost a paradise. Then, we see the horror of warfare, also stunningly photographed. It looked so realistic, that for a moment, I felt like it wasn't a movie, but a documentary.
The acting is top notch as well, especially from Dr. Haing S. Ngor and John Malkovich (in his screen debut).
Everyone needs to see this movie at least once. Although it might be a little disturbing, the violence is not gratuitous. It only adds to the story and emphasizes the tragedy. Despite the tragic elements, however, the movie is inspirational. One of the best films to come out of the 80s!
This movie deserved every Oscar it won for its year (1984). The cinematography is excellent. First, Cambodia is photographed as almost a paradise. Then, we see the horror of warfare, also stunningly photographed. It looked so realistic, that for a moment, I felt like it wasn't a movie, but a documentary.
The acting is top notch as well, especially from Dr. Haing S. Ngor and John Malkovich (in his screen debut).
Everyone needs to see this movie at least once. Although it might be a little disturbing, the violence is not gratuitous. It only adds to the story and emphasizes the tragedy. Despite the tragic elements, however, the movie is inspirational. One of the best films to come out of the 80s!
10jaydf60
Honest, Worthwhile film-making...
I saw this film a while back and just saw it again on TV. If you are interested in seeing a great, tense drama this is a good start. Honest and unapologetic directing from Roland Joffe and fine performances from Sam Waterston & John Malkovich (plus nicely played small parts by Craig T. Nelson & Spalding Gray.) Above all of them, however, is Haing S. Ngor as Dith Pran, the Cambodian journalist assisting the New York Times reporter played by Waterston during the conflicts in Cambodia around the time of the Vietnam war. This was Ngor's first film and had no previous acting experience. Quite a performance from Ngor, earning a well deserved Academy Award. Interesting note, Ngor himself led a very similar life to his character. Wonderfully touching film, you should see it.
10Bildo36
All-time, no-holds-barred, 100% favourite
I can't put my finger on exactly what it is about this film that gets to me so much, but it is THE most haunting, emotional film experience... and I've only ever seen it on video.
Excellent performances from Waterston, Ngor and Malkovich. A brilliant score by Mike Oldfield. Scenes of high emotion, tension, drama, horror and even one or two pieces of light relief (well, it has got Australia's Graham Kennedy of comedy fame).
The stand-out scenes for mine are those in the French Embassy; I can never watch the final scene from this sequence with a dry eye.
An excellent film and the soundtrack is not a bad investment either.
Excellent performances from Waterston, Ngor and Malkovich. A brilliant score by Mike Oldfield. Scenes of high emotion, tension, drama, horror and even one or two pieces of light relief (well, it has got Australia's Graham Kennedy of comedy fame).
The stand-out scenes for mine are those in the French Embassy; I can never watch the final scene from this sequence with a dry eye.
An excellent film and the soundtrack is not a bad investment either.
Review
The Killing Fields is one of the most influential films of the 20th century. Its provocative and dangerous subject matter stresses the importance of communication and the freedom to communicate. Based on the Khmer Rouge occupation and genocide of Cambodia in the 1970's, the film tells the story of two men, catapulted into chaos and peril.
The movie is first and foremost, a historical account. The events are based off the true story of Dith Pran and Sydney Schanberg. Given that I had not known much about the Cambodian genocide of the 1970's prior to seeing this film, I must herald the piece as a successful feat of cinematography that served as both informational as well as inspirational. The film is believable, realistic, and heart wrenching. I immediately felt for the two main characters as they quickly exchanged trust and fell victim to the powers of political violence. While it is slightly romanticized, The Killing Fields still manages to produce a message with real life implications.
The movie is first and foremost, a historical account. The events are based off the true story of Dith Pran and Sydney Schanberg. Given that I had not known much about the Cambodian genocide of the 1970's prior to seeing this film, I must herald the piece as a successful feat of cinematography that served as both informational as well as inspirational. The film is believable, realistic, and heart wrenching. I immediately felt for the two main characters as they quickly exchanged trust and fell victim to the powers of political violence. While it is slightly romanticized, The Killing Fields still manages to produce a message with real life implications.
The best war film ever made.
Rating: **** Out of ****
Hard to say, but I believe when it comes to the war genre, The Killing Fields manages to edge out even Saving Private Ryan, and without a doubt, there's no better war film out there that's done a better job of capturing the realistic details and emotional loss of the time period (that being, the 70's in Cambodia/Vietnam).
Thus, I've always considered it a little odd that no one I know has even heard of this film. When lists of the greatest war films are decided, I don't believe I've ever seen this film crack any list. And the reason is simple: The Killing Fields is often ignored because it doesn't come from a soldier's point of view, and neither does it feature any adrenaline-pumping battle sequences. The fact that a strong portion of the film (about 2/5's) comes entirely from a Cambodian man's viewpoint might throw off a few viewers here and there. And yet, the film does just as fine a job as any anti-war film in creating a frightenining, chaotic world.
The performances all around superb without exception. Haing S. Ngor, who was tragically killed a few years ago, delivers a riveting, emotionally wrenching turn as the guide who is trapped in Cambodia and forced to fight for his life. He deservingly won the Oscar, though it's a shame he was snubbed for the best actor award. Inarguably, he's the film's central character and he also has more screen time than top-billed Sam Waterston. Despite my complaint on that matter, Waterston is also excellent as the journalist with a guilty conscience.
The Killing Fields is a suspenseful and exhilarating experience, a journey through an apocalyptic landscape that features one shocking image after another. Watch, and you'll see why the film is so acclaimed.
Hard to say, but I believe when it comes to the war genre, The Killing Fields manages to edge out even Saving Private Ryan, and without a doubt, there's no better war film out there that's done a better job of capturing the realistic details and emotional loss of the time period (that being, the 70's in Cambodia/Vietnam).
Thus, I've always considered it a little odd that no one I know has even heard of this film. When lists of the greatest war films are decided, I don't believe I've ever seen this film crack any list. And the reason is simple: The Killing Fields is often ignored because it doesn't come from a soldier's point of view, and neither does it feature any adrenaline-pumping battle sequences. The fact that a strong portion of the film (about 2/5's) comes entirely from a Cambodian man's viewpoint might throw off a few viewers here and there. And yet, the film does just as fine a job as any anti-war film in creating a frightenining, chaotic world.
The performances all around superb without exception. Haing S. Ngor, who was tragically killed a few years ago, delivers a riveting, emotionally wrenching turn as the guide who is trapped in Cambodia and forced to fight for his life. He deservingly won the Oscar, though it's a shame he was snubbed for the best actor award. Inarguably, he's the film's central character and he also has more screen time than top-billed Sam Waterston. Despite my complaint on that matter, Waterston is also excellent as the journalist with a guilty conscience.
The Killing Fields is a suspenseful and exhilarating experience, a journey through an apocalyptic landscape that features one shocking image after another. Watch, and you'll see why the film is so acclaimed.
Did you know
- TriviaThe real Dith Pran went on to work as a celebrated photographer for the New York Times, often speaking out about the Cambodian genocide. He died of pancreatic cancer in 2008 at the age of 65, nursed in his final days by his ex-wife and his best friend, Sydney Schanberg.
- GoofsWhen Dith Pran is in the French embassy, he is wearing his watch which he previously gave to a Khmer soldier in order to be taken with the American photographers.
- Quotes
[last lines - at their reunion, with warm smiles]
Sydney Schanberg: You forgive me?
Dith Pran: Nothing to forgive, Sydney. Nothing.
- ConnectionsFeatured in Omnibus: The Killing Fields (1984)
- SoundtracksImagine
Written by John Lennon (uncredited)
Performed by John Lennon & The The Plastic Ono Band (uncredited)
Courtesy of EMI Records Limited
- How long is The Killing Fields?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Los gritos del silencio
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $14,400,000 (estimated)
- Gross US & Canada
- $34,700,291
- Opening weekend US & Canada
- $32,181
- Nov 4, 1984
- Gross worldwide
- $34,700,291
- Runtime
- 2h 21m(141 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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