The Karate Kid

Done by the same director as Rocky, this unusual "feel good" movie became a hit in 1984 and generated two sequels before the mania died and the franchise imploded.

I remember the phenomenon from the 80s yet as a "prolific reviewer" for the IMDb now (which, for buffs, is not the same thing as a "Voracious Eater" from the Claymore series) I now see the film differently.

I see a very competently done film that is literally lifted off the ground and carried to the finish line by the extraordinary one-of-a-kind performance from a (then) 50 year old Pat Morita, an actor who essentially spent his entire career doing "asian walkons" and offers us only this one role as a chance to see what he actually could do. Given half a chance.

Macchio and Shue were competent (the former had some momentum from Happy Days/Laverne and Shirley and the latter was beginning a short career as a type of "brat pack" teenage star) but it was Morita who owned the film and kept your interest.

Unfortunately the historical record even on the IMDb does not reflect any of this. Shue actually won an award for a completely forgettable part and Morita not only did not win anything for this film but the only nominations he received were in the "supporting role" category. This is clear "color blindness" on the part of Hollywood. He has almost as much screen time as Macchio (I counted) but because his career was merely bit parts before (and after) this was the prevailing mindset. The film would have failed without him.

As a footnote, I was not able to identify precisely why he was cast in the role, but historically Okinawa has indeed been associated with its own unique brand of martial arts and, in the martial arts world, short stocky older men have long been acknowledged as champions even though in the films of our present era someone of Morita's age or body-type would never even be considered for such a part.

The two sequels were much weaker but the demand for them was great and, when there is money on the table, Hollywood will always oblige.

Last night I watched this on Netflix, I hadn't seen it as a kid and as an adult, you can appreciate different nuances in a movie. At a certain point I realised that Daniel was basically Rocky for a younger audience. The speech, mannerisms, jokes all felt like Rocky, and they both happened to be underdogs in fighting events.

As a kid, I loved the fights and remember falling awkwardly over my ankle trying to copy the crane, however, as an adult, the fighting actually seems pretty weak for the most part (other than a couple of competitors who liked like they knew what they were doing). What I especially enjoyed as an adult, was watching the bond between Miyagi and Daniel grow. That was something very special to watch and for me, that's what made the movie special.

While John Hughs' films may be the standard for teen flicks in the 1980s, Hughs' films were just a few of the great and unique teen films to be released in that decade. Coupled with Back to the Future, Fast Times at Ridgemont High, Ferris Bueller's Day Off and Bill and Ted's Excellent Adventure, the 80s was a rather unique time for teen movies. The Karate Kid just happened to be another one of those films. With the immortal Pat Morita leading the way, this film was not only touching, but put a whole new spin on the `zero-to-hero' story line which we have all seen too often. Ralph Macchio may have had no career after these film, but at least he proved to be comparable as Daniel (san). Sure, the ending and outcome proved to be a little predictable, but the film was still a winner.

I being a child of the 80's have a soft spot for this movie. Yes it is predictable,but what makes it a great movie is the performances by the 2 main characters. Ralph Macchio is great as a teenager that is bullied at his new school. But the movie belongs to Pat Morita as Mr. Myagi. He plays an old apartment maintenance man that befriends Macchio. He becomes his karate teacher, but they develop a great friendship that makes the movie all the more enjoyable. The great thing is that the movie shows that the old man comes to need the kid as much as the kid needs him, it is a touching relationship. All the rest is standard Rocky film stuff, but what Rocky and this film have in common is that the characters are people we care for, so all the climactic scene stuff works.

A lot of posts focus on the 'coming of age' aspect of this movie, but the very overlooked part is the role it played in helping to alleviate many of the stereotypes a very Asian phobic America was after WWII, Korea and Vietnam.

They make a point of showing Miyagi in a US Army Uniform--and a War Hero-- and makes references to detention camps Miyagi's family was sent to (a horribly dark period in American history)...where Miyagi's wife was being sent (pregnant) and where she and his unborn child (son) ultimately die during childbirth. There are also a few scenes in which ethnic slurs are used by rednecks toward Miyagi.

Taking this into light, and taking the fact that Daniel has no father that we know of in this movie, the name Daniel-san (sounds like Daniel-SON) helps demonstrate a father son bond that is overlooked. Much of the conversation between Daniel and Miyagi is about Miyagi's great father in Okinawa, because Miyagi has acquired all this knowledge and wants to share it. Daniel substitutes for the son Miyagi never had and Miyagi substitutes for the father Daniel doesn't have.