Mike's Murder

My experience with this film differs from some of those who seem to be objecting to both the plot and the cast.

I thought the idea of a 20's something woman who immerses herself in a quasi-relationship with a person on the fringe of society to be interesting. Winger turns in a terrific performance. Part of the human experience or journey is that one encounters difficult moments in one's life - including anticipating relationships one wants desperately to work out.

Betty is in the unfortunate position of having to view Mike from afar as the latter is caught in a nightmarish world of drugs and deceit. I found Mike's drug partner in crime very compelling. One had a real sense of dread and doom as he tried to "make-up" for an irredeemable mistake. Paul Winfield is spot on as the record producer who has also suffered a loss.

All in all, what we have here is a subtle film which is compelling and which a typical focus group would probably pass over. One good example of why film producers and directors should stay away from them and let their artistic visions guide their actions.

First of all, the setup of "Mike's Murder" is not believable: a woman like Debra would hardly throw her life away falling head over heels for a drug-dealing tennis instructor, whom she sees about three times in a span of two years. The ludicrously spoilery title gives away what happens after 44 minutes in the movie, but writer-director Bridges never gets much of a narrative flow going even after that; Winger's transfixing beauty is about all this dreary, overlong crime "thriller" has going for it (apart from a couple of good supporting performances). ** out of 4.

There's a lot of good things to say about this obscure mystery from the 80s. The best thing is Debra Winger, who never looked better. She is beautiful and sexy, earthy and smoldering, yet she possesses an approachable, naive quality.

The story is intriguing, with a different way of looking at the drug underworld in Los Angeles. This is not about cops, gangsters and car chases. It's about an innocent woman who accidentally becomes involved in a drug-related murder. It's really all about Winger's character, although Paul Winfield stands out in a small role as a gay music producer.

The mood is low-key and dreamlike with a subtle erotic undertone. It also has a nice score that stays with you. Give it a chance.

For some inexplicable reason, critics find this film hard to follow. Actually, it's very coherent and surprisingly powerful. Debra Winger plays a bank employee who falls for her tennis coach, a young stud named Mike. When Mike is brutally murdered by drug dealers, Winger's character, Betty, is drawn into the L.A. underworld in her quest to find out why he was killed. What makes this film so great is its quiet realism. Most latter day noirs suffer from over-the-top plotting, mega-violence, and cartoonish effects. Moving by indirection and inference, MIKE'S MURDER skirts a hellish world rather than diving in, a narrative strategy that makes it eerily believable and deeply disturbing. Check it out.

This is one of the most harrowing pictures I have ever seen. It is a very good and very underrated film. All of the actors do a great job in their roles and Darrell Larson gives an outstanding portrayal of a young man who inadvertently signed his own death warrant.

I only wish that this film was nominated for an Academy Award for best picture, best actress and best supporting actor.!!

If you have not seen this film, be sure and check it out--nerve wracking, nail-biting, and an edge of your seat film--you don't know what to expect from minute to minute.

One of the best films of any year!!