Ordeal by Innocence

Agatha Christie's books are not easy to transfer to the screen.The main problem lies in the fact that there's not much show and many many questionings ,deductions and explanations.

As always ,the director tries to make up for it by gathering an all-star cast (see yourself) :it sometimes worked in the past ("Death on the Nile" "Murder on the Orient Express"),it does not here.The film is much too short and we have not enough time to make acquaintance with the many-characters-who -had -a reason-and -an -opportunity-to -kill-Dunaway.However ,the very subject of the movie could have been interesting:an innocent was hanged and his family does not care when a witness claims that he was his alibi a couple of years later.

The ending is terribly disappointing,which is a shame .Dame Agatha Christie would turn in her grave.

Without doubt the worst production of an Agatha Christie novel. For a start the musical score by Dave Brubeck is totally out of place in a Christie murder mystery. At some points in the movie the backgroung music is so loud it is actually difficult to hear the on screen dialogue. The music becomes overpowering and extremely irritating mid way through proceedings. However for me the worst part of this movie is probably the most appalling piece of casting ever seen. Michael Elphick is a good English actor but he is a cockney and his portrayal of a Scottish Policeman is dismal. His scottish accent starts badly and gets worse as things move on. At the end he looks embarrassed to be involved in such a uncoordinated mess of a movie.

When at the very start of the film Paleontologist Donald Sutherland arrives at the Argyle family's house and it comes out he is the undeniable alibi for one of the members executed for murdering his mother two years ago your sensation is that you are about to watch a top thriller; an innocent man has been convicted and a killer is still around. But as the film runs along your disappointment increases inevitably.

"Ordeal by Innocence" is a dull and at times even boring film that doesn't raise at any moment. Nothing interesting happens all along and even the final revealing of the facts lacks surprise and intensity (wether you guessed or not).

Donald Sutherland, Cristopher Plummer, Faye Dunaway and Sarah Miles (far from her good performance in "Ryan's Daughter") just pass through their roles and not very enthusiastically either.

You won't miss much if you skip this one.

As a massive, in fact - borderline obsessive, Agatha Christie fanatic, I am particularly interested in reading the books and watching the film versions of the stories that she herself loved the most. "Crooked House" was a personal favorite of hers, and it was indeed a terrific book and got turned into a very enjoyable movie recently (in 2017). "Ordeal by Innocence" is another favorite of Mrs. Christie, and while the book is a masterpiece, this 1984 film-version was quite a disappointment.

The plot, of course, remains genius. The convoluted and twisted, but simultaneously highly original murder mystery is one that only could have come from the brilliant and practically inexhaustible mind of Agatha Christie. It's the tale of the noble Doctor Calgary who travels to a remote British island to return an address book to a young fella named Jacko Argyle whom he gave a lift two years earlier. When Calgary finds out Jacko got executed for the murder of his adoption mother, while he could have confirmed his alibi and save his life, Calgary insists on reopening the case. However, the rest of the entire family, as well as the local police inspector, are very much pleased how the case got resolved with Jacko's hanging, and Calgary's persistence and intrusion leads to new crimes.

Once more, the story is great and the denouement - albeit reasonably simple for a Christie mystery (which is perhaps why she loved it so much) - is marvelous, but the rest of the production is heavily flawed and poorly handled. The pacing is often too slow, the camerawork and editing are monotonous and dull, and then there's the misfit music. I'm glad to read I'm aligned with all my fellow reviewers around here who also state that the moody jazz-soundtrack (by Dave Brubeck) was a terribly wrong choice. The cast looks impressive, but notably the acclaimed names (Plummer, Dunaway, Sutherland) deliver the most underwhelming performances.

This is indeed one of the weakest films based on Agatha Christie's work, a lifeless, muddled mystery that clearly lacks the grace (and the budget!) of its predecessors ("Death On The Nile", "Evil Under The Sun") and Donald Sutherland is a pale shadow of Peter Ustinov as far as screen detectives go (of course, he is playing a character much less interesting than Poirot). The film manages to coast as far as it does on the strength of Christie's plot alone (all her plots have a certain amount of inherent interest), but the direction is hopelessly flat. (*1/2)