The Adventures of Taura: Prison Ship Star Slammer

The beginning is awful: trying to convince us that we are on an alien planet, Fred Olen Ray shoots everything through a red filter - it worked in "The Angry Red Planet", it's a pain on the eyes here. But soon enough the action moves in the Prison Ship of the title, and the film turns into a cross between sci-fi and WIP - and furthermore, the kind of WIP I like: less focus on torture and humiliation, more on catfights (there are 2, both very good) and the final escape. The special effects are enjoyably cheesy, though I, for one, would prefer to see as a climax a hand-to-hand fight between the heroine and the female warden instead of the laser space battles we do get (some of them apparently lifted from other sources). The girls are pretty sexy and put a lot of spirit and energy into their roles, especially Sandy Brooke who should have had a longer B-movie career. (**1/2)

Star Slammer (1986)

** (out of 4)

Taura (Sandy Brooke) is sentenced to serve some time on a prison ship that floats around in outer space. As soon as she arrives she has to deal with not only a nasty warden but also the other women including one who plans on making Taura's life a living Hell.

STAR SLAMMER, also known as PRISON SHIP, is an ultra low-budget movie from director Fred Olen Ray, which might not be the most original thing you'll ever watch but it's at least slightly entertaining as long as you're not expecting something like Kubrick's 2001: A SPACE ODYSSEY.

The film is basically just a lot of silly action scenes as the film wants to not only cash in on the sci-fi genre but also the women-in-prison one. The two work quite well with one another but as I said, there's certainly nothing original going on here. You've got the lesbian and mean warden, you've got outsiders causing trouble, there are the ladies fighting one another and you get the idea.

I will say that Brooke was a lot of fun in the lead role and she certainly helps push the film along. Suzy Stokey, Marya Gant and Dawn Wildsmith are all entertaining as well. You've also got Aldo Ray in a small role and one of the final apperances by John Carradine whose total screentime is around a minute. In fact, Carradine shot a bunch of scenes in one day several years earlier and those were scattered throughout several Ray pictures including JACK-O, which was released years after the actor's death!

STAR SLAMMER is pretty much low-budget junk but it's certainly fun enough to where fans of the genre should enjoy it.

My review was written in May 1987 after a Cannes Film Festival Market screening.

A thorough knowledge of sci-fi B-movies pervades "Prison Ship" (alternatively titled "Star Slammer" and subtitled "The Adventures of Taura Part I"), an affectionate camp effort made in 1984 by prolific indie helmer Fred Olen Ray. Target audience is buffs who will catch the various in-jokes and elements of spoof.

Pic is styled as a serial with four chapters. First segment is set on Planet Arous (a nod to the John Agar '50s classic) and has the look of a B-Western shot in some canyon. Sandy Brooke is Taura, a tough gal miner who runs afoul of Magistrate Bantor (Ross Hagen), who represents the hated Sovereign. She brutally burns Bantor's hand in a fight and is framed and set to Star Slammer (that's Chapter 2's title), the prison ship Vehemence.

Remainder of pic, recycling sets from such films as "2010", "Galaxy of Terror" and "Android", takes place in this Outer Space women's prison, with spirited mocking of the cliches of women-in-chains features. Brooke is thrown in with some very tough babes, but quickly establishes her own fighting prowess and trustworthiness. Teaming up with the gal's leader Mike (Susan Stokey) and a beautiful doctor who is working for the underground (Jade Barrett), she helps engineer a successful jailbreak, setting up a promised sequel titled "Chain Gang Planet".

On a minuscule budget, "Prison Ship" provides okay modelwork for space battles, cute little monsters called Jagger Rats and lots of assorted silliness. Acting is way over the top, with Marya Gant as the grotesque Rubenesque warden and Dawn Wildsmith as her right hand momma taking home hambone honors. Director Ray has gone on to bigger projects since making this one so the sequel is anything but certain. Film's cheapo production values are part of its charm but certainly will limit its marketability.

Although I enjoy watching drive-in style movies, I have to confess that there is a genre in this genre I have never particularly enjoyed, and that is the women-in-prison genre. I like the *sound* of what the genre promises to offer, but I have always found the actual execution to be dull and boring. And all of these movies seem the same after a while. When I heard about PRISON SHIP (better known as STAR SLAMMER), I was intrigued. A women-in-prison movie taking place in the future, and in space? I decided to give it a chance.

The fact that Fred Olen Ray directed this movie should have warned me. In fairness, not everything in the movie is bad. The sets and spaceship models, while definitely low budget, are not as bad to the eye as you may think. There is the occasional in-joke that made me smile (a planet is called "Arous", there's an alien that looks like one of the aliens from the movie THE DEADLY SPAWN). And there are a few unintentional laughs, like when the musical score sounds very much like the musical score for RAIDERS OF THE LOST ARK.

Aside from those bright moments, I found the movie tough to sit through. It's incredibly slow-moving - there is simply no plot advance for long stretches of time. The female heroine is poorly sketched, with a lot of the focus surprisingly not on her. And while you may expect the movie to be sleazy, it feels more like a PG-rated movie - there's almost no nudity, no real sex, and light violence.

Thank goodness they didn't make the sequel that's announced at the end of the movie.

OK. So the line above is kinda silly, but so is this film.

Fred Olen ray is a master at spending no money, and somehow always having a film to show for it. Granted, most of his films end up being very static due to lack of monies for alternate takes and complex editing.

OK. So Ray isn't what you'd call Speilberg. His films concentrate on borrowed sets and costumes(this one's got them), has-been actors( Sid Haig, John Carradine, Aldo Ray, ect.), and some of the most stiff and lifeless dialogue this side of Ray Dennis Steckler.

PRISON SHIP( I saw this as STAR SLAMMER) is a piece of junk, filled with borrowed effects from BATTLESTAR GALLACTICA and BUCK RODGERS. There is some skin, but not enough. Mostly, there is talk, and as many a reviewer likes to point out, Fred Olen Ray makes very chatty pictures. That's because he either doesn't have the creativity, or the perspective, to realize that you don't need a ton of money to make a good film. You just need talent.

Why should I continue? PRISON SHIP is cheesy, and painful. Don't watch this unless you must see every film that John Carradine is in (or you really like train wrecks).