Roadhouse 66

I'll be fair here, this is just a time passer. I enjoyed it more, when I first saw it back in 85. It's when I first watched Willem Dafoe who's become my favorite actor, but later I realized he was in Streets Of Fire as the lead thug. Now I remember. His performance was done with a intensity of evil when looking back on "Street's" that I really haven't watched since I first saw it in 84. With this one, that wouldn't have a chance at the cinema, he plays a retired rockin' roll singer Johnny Hart who has his reasons, for getting out. Standing in the middle of the road, just like John "Hitcher" Ryder, he's nearly run down by college guy, Reinhold, who's trying to outrun these local thugs, lead by a bad boy Hoot, (Alan Autry) who shoots out his radiator. He's met by drifter Dafoe, who when asked his reasons for standing in the middle of the road, he just answers with a brief smile. For Reinhold this is only the start of conflict, between him and the thugs, who reappear at this Roadhouse that functions at a bar, diner etc. Things escalate into more serious problems for them, when the local car wrecker, who caught Reinhold and Dafoe using one of their cars as a place of sleep, is burnt to death in his shed. All fingers point guiltily to Reinhold, as if he's responsible for the whole catastrophe, where Dafoe and him, plus their girlfriends (who are sisters), were using the shed to rebuild one of the cars for the big town race. Granted, this is the most exciting part of the movie, Hoot resorting to dirty play, before and during the race. Alan Autry gives probably the best performance of the film, and sexy Kate Vernon is good as Reinhold's girl. Dafoe sings a rock song in this too, where he met upon by an old buddy, though I doubt it's really him. In between these two things we have a stick fight between Dafoe and Autry which was pretty cool, where the old lady running the place intervenes with her gun, before they tear up the establishment. So Dafoe redeems himself with this song, that I wish I could get a hold on, plus the one at the start. Roadhouse 66 has a nice ending too, where we don't really know if hoot dies. The movie's no real feat, with no real potency, but still it's a good yarn, but movie wise, fair.

One can easily see why Judge Reinhold was cast in the role of Det. William 'Billy' Rosewood in Beverly Hills Cop. This movie, which came out the same year, but was probably made earlier has the same character exactly. It is a real treat seeing him in the role of clueless rich kid. Maybe he gave up on the idea of running Pork Boy franchises and went straight to Beverly Hills for a job.

I always enjoy Willem Dafoe, and I really like his character here. You even get to hear him sing. He does his best work with Kaaren Lee, while Judge is taking care of Kate Vernon.

Great soundtrack and a predictable ending. It even has Stomper (Kevyn Major Howard) from Death Wish II, and 'Bubba' Skinner (Alan Autry) from "In the Heat of the Night".

The 66 Classic was not the most exciting race I have ever seen, but certainly the most scenic. Makes me want to head to Oatman, AZ right now.

I think this movie would be considered underrated for everyone who was in college or university by the '80s.

I'm from 76 so was very happy while watching this movie. Despite the simple and predictable history, the movie goes very well without became boring one single moment.

Willen Dafoe, Judge Reinhold and all others in first line are perfect for their roles.

It is very nice the '80s atmosphere of the movie about everyday life issues of people growing ages of that time, in a film almost entirely shoot at outside locations.

If you know what to expect from a '84 road movie about rivals driving supercars around the city and racing on route 66, you must watch this one.

And if you really enjoyed this movie, I strongly suggest you must watch another one very alike: "Roadie" (1980), with Meat Loaf in main role (IMDB tt0081433).

Besides being just a fun to watch movie, the on-location filming includes an area of historic significance. Although the location is listed as Kingman, it includes a race sequence to the old gold mining settlement of Oatman, AZ. I recognized many of the landmarks during the race, as well as the community of Oatman. The race turn around point (straw bales) is at the south end of town. The road race is on the original "Route 66", now known on the maps as CR10. It crosses a flat and winds up into the Black Mountains to Sitgreaves Pass, and down into Oatman. The Black Mountains were a significant obstacle to the many who motored west during the great depression, due to steep grades and sharp curves.

Any trip on I40 passing Kingman, AZ should include a side trip through the tourist town of Oatman, which welcomes visitors and is truly a step into the past. Very few sections of Route 66 still exist that are as beautiful as this road. In the bargain, you can see (and stay in) the room in the Oatman Hotel where movie stars Clark Gable and Carol Lombard stayed on their honeymoon in 1939. Several other movies were filmed in Oatman.

Enjoy this fun movie, and enjoy the filming location if you get a chance. You will remember the race sequence from "Roadhouse 66" when you travel this road from Kingman to Oatman.

The box copy hints that this is an action-comedy adventure, but don't be fooled. There really isn't much comedy and the action is pretty intermittent for an adventure movie, but the two lead performances make the exercise watchable. Spoiled preppie Judge Reinhold and cool drifter Willem Dafoe make a likable mismatched pair of traveling buddies, and once you get past the odd logic that Dafoe as Johnny would bother taking his social opposite under his wing to show him the rules of survival on the road, the movie passes pleasantly. The wide open, largely empty desert makes a nice setting and is well used as a place of isolation, where a philosophical loner like Johnny can find solitude to think. The viewer gets slowly sucked into Johnny's view of the world and begins to cheer Reinhold in his philosophical make-over, and leaves with a positive glow. The movie is neither particularly striking or memorable visually, but the chemistry between the two actors makes the time pass amiably and it can be revisited to get back the same good feeling. This is one of those movies that is more a mood altering substance than entertainment, but as such it's nice.