Mapp & Lucia

I never read these books, but I caught the broadcast on PBS here in the States, with my mother.

My mother fostered in me, a love of the dry British wit. Mapp and Lucia was required viewing, as far as she was concerned, and I must admit, that the beauty (and ugliness) of this series has long since stuck with me.

I found the characters to be endearing, well developed, and hysterically funny. We laughed until there were tears literally streaming down our faces. This was an excellent BBS series which is wholly enjoyable by all with an open mind.

If you have any appreciation of dry and/or dark humor, this series definitely rates a good watching.

This delightful series rates a 7.8/10 on the "TV" scale, from...

the Fiend :.

What a delightful portrayal of Mr. Brenson's works! One wishes that his entire series of books had been included; it would have been a plethora of riches indeed! Having recently had the great pleasure visiting Rye, It is now possible to immerse myself all the more completely into these tales! (Beautiful country, by the way!)

People seem to be trying to analyse this series to death, at the end of the day it is simply a wonderful comedy of manners, wonderfully acted and beautifully presented. The principles are all actors of great experience and charisma, working with almost infallible material. If you want slapstick or alternative humour, this is not the place for you! If you love watching a comedy where it is the actors who make the script brilliantly funny, rather than simply being given punchlines to deliver, then you should be in seventh heaven. Watch, relax, enjoy.

This is the video set I'd want if stranded on a desert island. Along with the books, of course!

Every few years I treat myself to Mapp and Lucia I and II, and each time I find it riveting. I'm having a go at it again now upon the 20th anniversary of its making. Dame Geraldine was born to play Lucia! She is so affected, so sly--but so admirable! Clearly in charge, her war with Mapp has us wondering who will win the current battle but we are never in doubt about who has the upper hand in the war.

I could watch it for the costumes and settings alone. Dame Geraldine has that beautiful model thin figure that shows off the fabulous ensembles so well. I can't imagine what the costume budget was for this series but she changes clothes in each scene so it must have been generous. Even Reg Cartright's wonderful illustration that is shown at the credits is bright and visually interesting. Truly, the art direciton of this production is superb!

But visuals aside, this comedy of manners is hysterically funny. I am glued to the tube each time I watch it.

I was a card carrying member of the Tilling Society for a while, an association that actively worships "Fred" (E.F. Benson, author of the Lucia novels) and that has a large annual gathering in Rye, England which is the real life setting of the fictional Tilling.

Lucia and her small society engenders this kind of cult following. Watch the series, read the books. If you like wry English humor and "village genre" literature, you'll love this set!

E.F. Benson could never have figured that his "Mapp & Lucia" novels would have been so deliciously brought to life by Channel Four, in the television series by the same name.

For those who are especially aware of the stock 1920-30's characters (with a Mayfair edge, particularly), "Mapp & Lucia" is a treat. From the soignee social arbiter, the tweedy local matron, the all-too-effeminate best friend (petit-point tatting in hand), the ironing-board thin outre artist (a nod to Radcliffe Hall) to the supporting cast of local dwellers, "Mapp & Lucia" revels in its atmospheric production.

When given the talents of Prunella Scales, Dame Geraldine McEwan and Sir Nigel Hawthorne, who play the title characters respectively (the latter, Georgino mio), it is little wonder that the shows transport one to the mignon village of Tilling, circa 1930. And the staging is so tongue-in-cheek, that certainly the Royal National would not have been ashamed to produce it. All in all, a curio of social manners set with more aplomb than "You rang, m'lord?" (1991) and more asperity than "Jeeves and Wooster" (1989) of the same ilk.